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Fidgety Feet
Fidgety Feet is a Dixieland jazz standard, first recorded by the Original Dixieland Jass Band in June 1918. The more acclaimed version is the 1924 recording by The Wolverines, with Bix Beiderbecke. It is not to be confused with the George Gershwin song of the same name that appears in the 1926 musical Oh, Kay!. History The composition is attributed to Nick LaRocca and Larry Shields, of the Original Dixieland Jass Band, who first recorded it New York on June 25, 1918 and released it on Victor 18564. The Wolverines, featuring Bix Beiderbecke, recorded a hit version of the song on 18 February 1924. Fletcher Henderson's orchestra recorded the tune on 19 March 1927, and it was released on July 7 of that year. Notable jazz artists who later recorded it include Bud Freeman, Kid Ory and His Creole Band, Red Allen, Sidney Bechet, and Wingy Manone, and stride pianists Willie "The Lion" Smith and Dick Wellstood. Composition It begins in B-flat major and modulates to A-flat major A-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland Jazz Standards
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1910s Jazz Standards
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 '' Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Pierre Lion
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's 43rd sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, ''Haydn Symphonies'', London: British Broa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Wellstood
Richard MacQueen Wellstood (November 25, 1927 – July 24, 1987) was an American jazz pianist. Career He was born in Greenwich, Connecticut, United States. Wellstood's mother was a graduate of the Juilliard School who played church organ. Wellstood took piano lessons as a boy, though he was self-taught as a performer of stride and boogie-woogie. Beginning in 1946, he played boogie-woogie, swing, stride piano, and dixieland with bands led by Bob Wilber. A year later he began two years of accompanying Sidney Bechet. In 1952, he toured Europe with Jimmy Archey, then worked with Roy Eldridge. Through the 1950s, he worked with a band led by Conrad Janis. He also worked with Red Allen, Buster Bailey, Wild Bill Davison, Vic Dickenson, Coleman Hawkins, and Ben Webster. He went to school and received a law degree, though thirty years would pass before he spent a brief time practicing law. In the 1960s, he worked with Bob Dylan and Odetta. With Carl Warwick, he performed on military base ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie "The Lion" Smith
William Henry Joseph Bonaparte Bertholf Smith (November 23, 1893 – April 18, 1973), nicknamed "The Lion", was an American jazz and stride pianist. Early life William Henry Joseph Bonaparte Bertholf, known as Willie, was born in 1893 in Goshen, New York. His mother and grandmother chose his names to reflect different parts of his heritage: Joseph after Saint Joseph (Bible), Bonaparte (French), and Bertholf (biological father's last name). William and Henry which were added for "spiritual balance". When he was three, his mother married John Smith, and Smith was added as the boy's surname, after his stepfather. In his memoir Smith reports that his father, Frank Bertholf (incorrectly spelled Bertholoff in many sources), was Jewish. Smith's New York birth record shows him as William H. Bertholf, with father, Frank Bertholf, a white electrician from nearby Monroe, New York. Smith became at least somewhat conversant in Yiddish and studied Hebrew with children of a Jewish family who w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stride Piano
Stride jazz piano, often shortened to stride, is a jazz piano style that arose from ragtime players. Prominent stride pianists include James P. Johnson, Willie "The Lion" Smith, Willie "the Lion" Smith, Fats Waller, Luckey Roberts, Mrs Mills and Mary Lou Williams. Technique Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. Compositions were written but were also intended to be improvised. The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. The left hand characteristically plays a four-beat pulse (music), pulse with a single bass note, octave, major seventh, minor seventh or major tenth Interval (music), interval on the first and third Beat (music), beats, and a Chord (music), chord on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the Downbeat and upbeat, downbeat and bass notes on the upbeat. Unlike performers of the ragtime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wingy Manone
Joseph Matthews "Wingy" Manone (February 13, 1900 – July 9, 1982) was an American jazz trumpeter, composer, singer, and bandleader. His recordings included " Tar Paper Stomp", "Nickel in the Slot", "Downright Disgusted Blues", "There'll Come a Time (Wait and See)", and "Tailgate Ramble". Biography Manone (pronounced "ma-KNOWN") was born in New Orleans, Louisiana, United States. He lost his right arm in a streetcar accident when he was ten years old, which resulted in his nickname of "Wingy". He used a prosthesis so naturally and unnoticeably that his disability was not apparent to the public. After playing trumpet and cornet professionally with various bands in his home town, he began to travel across America in the 1920s, working in Chicago, New York City, Texas, Mobile, Alabama, California, St. Louis, Missouri, and other locations; he continued to travel widely throughout the United States and Canada for decades. Manone's style was similar to that of fellow New Orleans t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Allen
Henry James "Red" Allen, Jr. (January 7, 1908 – April 17, 1967) was an American jazz trumpeter and vocalist whose playing has been claimed by Joachim-Ernst Berendt and others as the first to fully incorporate the innovations of Louis Armstrong. Life and career Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the bandleader Henry Allen Sr. He took early trumpet lessons from Peter Bocage and Manuel Manetta. Allen's career began in Sidney Desvigne's Southern Syncopators. He was playing professionally by 1924 with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to Chicago in 1927 to join King Oliver's band. Around this time he made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans, where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
