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Fever Dream (Of Monsters And Men Album)
''Fever Dream'' (stylized in all caps) is the third studio album by Icelandic band Of Monsters and Men, released on 26 July 2019 through Republic Records. The album was co-produced by the band with Rich Costey, and was preceded by the lead single "Alligator". Background Lead singer Nanna Bryndís Hilmarsdóttir said that while writing the album she had grown "really tired" of writing songs on an acoustic guitar as it "brought out things in ethat were predictable", so she began working on a laptop at home, "figuring out all these new sounds and being curious about them". Nanna said lead single "Alligator", called "driving and percussion-heavy" by ''Billboard'', began like a "dance song", but that it is not entirely representative of the album's sound. She described the album as "more poppy and brighter" than the band's previous album, 2015's '' Beneath the Skin''. Critical reception The album received positive reviews from music critics. It holds a rating of 70 on Metacritic, ...
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Of Monsters And Men
Of Monsters and Men is an Icelandic indie folk/rock band formed in Reykjavík in 2010. The members are lead singer and guitarist Nanna Bryndís Hilmarsdóttir, singer and guitarist Ragnar "Raggi" Þórhallsson, lead guitarist Brynjar Leifsson, drummer Arnar Rósenkranz Hilmarsson and bassist Kristján Páll Kristjánsson. The band won the Músíktilraunir in 2010, an annual battle of the bands competition in Iceland. In 2011, Of Monsters and Men released an EP titled ''Into the Woods''. The band's 2011 debut album '' My Head Is an Animal'', reached the No.1 position in Australia, Iceland, Ireland and the US Rock and Alternative charts, while peaking at No. 6 on the US ''Billboard'' 200 album chart, No. 3 in the UK, and Top 20 of most European charts and Canada. Its lead single "Little Talks" was an international success, reaching the Top 10 in most music charts in Europe, including No. 1 in Ireland and Iceland, and No. 1 on US Alternative Songs. Of Monsters and Men won the ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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2019 Albums
The following is a list of albums, EPs, and mixtapes released in 2019. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2019 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2019 albums Albums An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records col ... 2019 ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ...
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Joe LaPorta
Joseph J. LaPorta (born ) is an American mastering engineer at Sterling Sound in New Jersey.http://www.allmusic.com/artist/joe-laporta-mn000199340/credits/date-asc/ Career Born and raised in New York, LaPorta graduated from New York University with a bachelor's degree in Music Technology. He began his mastering career at The Lodge and then joined Sterling Sound in 2013 as a senior engineer. He has amassed a body of work that includes artists like David Bowie, Kid Cudi, The Weeknd, Foo Fighters, Vampire Weekend, FKA Twigs, The Killers, Carrie Underwood, Tiesto, Imagine Dragons, Shawn Mendes, Fleet Foxes, Bon Jovi, 21 Savage, Future (rapper), Run the Jewels, Young Thug, Gunna (rapper), Beach House and others. In addition to mastering, LaPorta also works as a music consultant on forensic musicology/copyright infringement cases. He has consulted on cases for The Beatles, Michael Jackson, Prince, Jay-Z, Britney Spears, Shakira, Guns N' Roses, Eminem, Mary J. Blige, Lady Gaga, ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Brynjar Leifsson
Brynjar Leifsson (born 11 September 1990) is an Icelandic musician. He is best known as the lead guitarist of the Icelandic indie folk band Of Monsters and Men. Personal life Brynjar was raised in Keflavík, a town in southwest Iceland. His brother is a pilot. Brynjar has been in a relationship with musician Ragnhildur Gunnarsdóttir since at least 2014. The two have a son named Hilmir Hrafn Brynjarsson. Of Monsters and Men Brynjar joined Nanna Bryndís Hilmarsdóttir's solo project, Songbird in 2009. The project soon expanded with Ragnar Þórhallsson and Arnar Rósenkranz Hilmarsson joining. The band then entered the 2010 annual Icelandic music competition Músíktilraunir, which they won. The band eventually became Of Monsters and Men. They soon released their debut studio album ''My Head Is an Animal'' in late 2011. The album charted in multiple regions and the band gained popularity worldwide. After a successful first album, the band released their second studio album '' ...
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Ragnar Þórhallsson
Ragnar "Raggi" Þórhallsson (born 6 March 1987) is an Icelandic musician. He is the lead vocalist and guitarist, along with Nanna Bryndís Hilmarsdóttir, of the Icelandic indie folk band Of Monsters and Men. Early life Ragnar attended Fjölbrautaskólinn í Garðabæ, a school in Garðabær. Ragnar got his first guitar at the age of 9 but did not start playing until 17. Of Monsters and Men Ragnar joined the band in 2010. The band then entered the 2010 annual Icelandic music competition Músíktilraunir, which they won. They soon released their debut studio album ''My Head Is an Animal'' in late 2011. The album charted in multiple regions and the band gained popularity worldwide. After the Seattle radio station KEXP KEXP-FM (90.3 MHz) is a non-commercial radio station licensed to Seattle, Washington, United States, specializing in alternative and indie rock programmed by its disc jockeys for the Seattle metropolitan area. The station is owned by the non-p ... broadcast a ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Album-equivalent Unit
The album-equivalent unit, or album equivalent, is a measurement unit in music industry to define the consumption of music that equals the purchase of one album copy. This consumption includes streaming and song downloads in addition to traditional album sales. The album-equivalent unit was introduced in the mid- 2010s as an answer to the drop of album sales in the 21st century. Album sales more than halved from 1999 to 2009, declining from a $14.6 to $6.3 billion industry. For instance, the only albums that went platinum in the United States in 2014 were the '' Frozen'' soundtrack and Taylor Swift's ''1989'', whereas several artists' works had in 2013. The usage of the album-equivalent units revolutionized the charts from the "best-selling albums" ranking into the "most popular albums" ranking. The International Federation of the Phonographic Industry (IFPI) have used album-equivalent unit to measure their Global Recording Artist of the Year since 2013. Terminology The ter ...
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