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Festejo De Diego Forlán - 160329-9363-jikatu (25554950004)
''Festejo'' (from Spanish 'fiesta') is a festive form of Afro-Peruvian music. The dance is a staple in the Black coastal populations and it celebrates the emancipation of slaves. Festejo is recognized for its high energy and the improvisation carried out by the dancers. Some believe that its origins trace back to competitive dance circles performed by individuals playing cajóns. Despite its African origins, people of all different backgrounds participate in the dance that many regards as one of the greatest representations of Peruvian culture. It is currently performed, in its most traditional form, in San Luis de Cañete and El Carmen District, Chincha (Chincha). History There are theories that describe the Festejo as a dance that began in Lima in the mid-17th century, but they do not provide evidence to support these hypotheses. No musical example has yet been established to show that this musical form existed before 1800. However, some Festejos dating from the 19th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Peruvian Music
Afro-Peruvian music, or Música negra, is a type of Latin American music first developed in Peru by enslaved black people from West Africa, where it is known as ''música criolla''. The genre is a mix of West African and Spanish music. About Música Criolla includes flamenco-influenced guitar sounds, as well as percussion instruments, including cajon, cajita, cowbell and quijada. History Much of the original music has been lost, but in the 1950s a revival was staged by José Durand, a white Peruvian criollo who was a folklore professor, and Porfirio Vásquez. Durand founded the Pancho Fierro Dance Company. Drawing upon elderly members of the community for memories of musical traditions, Durand collaborated with Vásquez to revive various songs and dances to create the repertoire for the group. One of the best known is his revival of the carnival dance “El Son de los Diablos.” In colonial times, this dance was featured in parades with a fleet of austere, pure angels lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emancipation
Emancipation generally means to free a person from a previous restraint or legal disability. More broadly, it is also used for efforts to procure economic and social rights, political rights or equality, often for a specifically disenfranchised group, or more generally, in discussion of many matters. Among others, Karl Marx discussed political emancipation in his 1844 essay "On the Jewish Question", although often in addition to (or in contrast with) the term ''human emancipation''. Marx's views of political emancipation in this work were summarized by one writer as entailing "equal status of individual citizens in relation to the state, equality before the law, regardless of religion, property, or other 'private' characteristics of individual people." "Political emancipation" as a phrase is less common in modern usage, especially outside academic, foreign or activist contexts. However, similar concepts may be referred to by other terms. For instance, in the United States t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajón
A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm (1/2 to 3/4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Originally the inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peruvian Culture
Peruvian culture is the gradual blending of Amerindian cultures with European and African ethnic groups. The ethnic diversity and rugged geography of Peru allowed diverse traditions and customs to co-exist. Peruvian culture has been deeply influenced by Native culture, Spanish culture, and African culture. Other minor influences on their culture are Chinese, Japanese, and European. Literature Peruvian literature has its roots in the oral traditions of 1609. After independence, the monarchy wrote a book that spoke to all of the people. Costumbrism and Romanticism became the most common literary genres, as exemplified in the works of Priests. In the early 20th century, the ''Indigenismo'' movement produced such writers as Ciro Alegría, José María Arguedas,Gerald Martin, "Narrative since c. 2009", pp. 151–152, 178–179. and César Vallejo. José Carlos Mariátegui's essays in the 1920s were a turning-point in the political and economic analysis of Peruvian history. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Luis District, Cañete
San Luis District is one of sixteen Districts of Peru, districts of the province Cañete Province, Cañete in Peru. Instituto Nacional de Estadística e Informática. Banco de Información Distrital''. Retrieved April 11, 2008. San Luis has boundaries to the north with Cerro Azul, to the south with San Vicente, to the west with the Pacific Ocean and to the east with Quilmana. San Luis has a distinctive black population. The Afro-Peruvian styles evolved from the music of the African slaves brought by the Spaniards toAfro-Peruvian Dancers Peru during the early 17th century. Today Peru’s black population is still concentrated in the coastal region where their ancestors first labored in the sugar cane and cotton plantations. As a result, the hotbed for Afro-Peruvian music is the small coastal town of San Luis. This is home to the styles known as festejo, lando and toro mata. The government of Peru declared the town of San Luis - known for its vibrant Afro-Peruvian culture - a «Livin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Carmen District, Chincha
El Carmen District is one of eleven districts of the province Chincha in Peru. Instituto Nacional de Estadística e Informática The Instituto Nacional de Estadística e Informática (INEI) ("National Institute of Statistics and Informatics") is a semi-autonomous Peruvian government agency which coordinates, compiles, and evaluates statistical information for the country .... Banco de Información Distrital''. Retrieved April 11, 2008. Gallery File:Iglesia Nuestra Señora Del Carmen.jpg, Nuestra Señora Del Carmen See also * Hacienda San José (hotel) References {{coord, 13.4998, S, 76.0575, W, source:wikidata-and-enwiki-cat-tree_region:PE, display=title 1916 establishments in Peru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globalization
Globalization, or globalisation (Commonwealth English; see spelling differences), is the process of interaction and integration among people, companies, and governments worldwide. The term ''globalization'' first appeared in the early 20th century (supplanting an earlier French term ''mondialization''), developed its current meaning some time in the second half of the 20th century, and came into popular use in the 1990s to describe the unprecedented international connectivity of the post-Cold War world. Its origins can be traced back to 18th and 19th centuries due to advances in transportation and communications technology. This increase in global interactions has caused a growth in international trade and the exchange of ideas, beliefs, and culture. Globalization is primarily an economic process of interaction and integration that is associated with social and cultural aspects. However, disputes and international diplomacy are also large parts of the history of globalizat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajón
A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm (1/2 to 3/4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Originally the inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jawbone
In anatomy, the mandible, lower jaw or jawbone is the largest, strongest and lowest bone in the human facial skeleton. It forms the lower jaw and holds the lower teeth in place. The mandible sits beneath the maxilla. It is the only movable bone of the skull (discounting the ossicles of the middle ear). It is connected to the temporal bones by the temporomandibular joints. The bone is formed in the fetus from a fusion of the left and right mandibular prominences, and the point where these sides join, the mandibular symphysis, is still visible as a faint ridge in the midline. Like other symphyses in the body, this is a midline articulation where the bones are joined by fibrocartilage, but this articulation fuses together in early childhood.Illustrated Anatomy of the Head and Neck, Fehrenbach and Herring, Elsevier, 2012, p. 59 The word "mandible" derives from the Latin word ''mandibula'', "jawbone" (literally "one used for chewing"), from '' mandere'' "to chew" and ''-bula'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drums
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peruvian Music
The Music of Peru is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales. History The earliest printed polyphonic music in Peru, indeed anywhere in the Americas, was "Hanacpachap cussicuinin," composed or collected by Juan Pérez Bocanegra and printed in 1631. Instruments Stringed instruments Peruvian music is dominated by the national instrument, the charango. The charango is member of the lute family of instruments and was invented during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
