Ferrari Da Ferrara
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Ferrari Da Ferrara
Ferrari da Ferrara, fully Ferrarino (dei) Trogni da Ferrara, was a troubadour of Ferrara in the late 13th and early 14th centuries. He was a composer, anthologist, and possibly autobiographer. He was one of the last active troubadours in Italy. Poetry Florilegium Ferrarino is best known as the compiler of a florilegium of Occitan lyric poetry appended to the end of manuscript ''D'', an Italian chansonnier of 1254.The florilegium is called an ''estrat de tutas las canços des bos trobadors'' (extract of all the songs of the good troubadours) in the MS. He was also a poet himself. His ''vida'' was placed atop his florilegium. Both were written in Italy. From this biography we know that he composed no more than two ''cansos'' and one '' retroensa'' (or ''retroncha''), yet he was also a composer of ''sirventes'' and couplets, but what this contradiction in the ''vida'' means is probably that he compiled the best ''sirventes'' and extracted couplets from them. From his choice of e ...
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Raimon Guillem And Ferrarino Da Ferrara
Ramon Pelegero Sanchis, who takes the stage name of Raimon (), is a Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Cana ... singer. He performs in the musical style of Nova Cançó, and in the Catalan language. Biography Youth Raimon was born in Xàtiva in the province of Valencia, Spain on December 2, 1940, at ''el carrer Blanc'' (White Street), which he references in some songs. In his youth he worked for several years as a radio broadcaster in his hometown, absorbing the music of artists as diverse as Juliette Gréco, The Platters, and Juanito Valderrama. At age 21, he moved to Valencia, Spain, Valencia in order to study history. It was there that he discovered Catalan culture, and read writers such as Ausiàs March, Salvador Espriu, Josep Pla, and Joan Fuster, among other ...
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Da Camino
The da Camino (also known as Camino or Caminesi) were an Italian noble family whose fame is connected to the mediaeval history of the March of Treviso, a city of which they were lords for a while. History Of Lombard origin, the da Camino descend most likely from the Colalto family, with one Guitcillo or Guicillo who is named in relationship with a castle in 958 at Montanara. His son Guido (''Guidone'') inherited this castle, placed long the road connecting Veneto to Friuli, in reward for having saved the life of the German king Conrad I. Guido was also created count of Montanara. His sons Alberto and Guecello received by the bishop of Ceneda further lands in the plain between the Piave and Livenza, in particular near Oderzo, where they built a castle. From the name of the place, now Camino ''frazione'' of Oderzo, they took their future name. Thanks to further acquisitions from bishops and emperors, within a century the Caminesi extended their power over the ''comitates'' of ...
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Cobla (Occitan Literary Term)
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Orthography
An orthography is a set of conventions for writing a language, including norms of spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation. Most transnational languages in the modern period have a writing system, and most of these systems have undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g., "would" and "should"); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g., "honor" and "honour"). Some nations (e.g. France and Spain) have established language academies in an attempt to regulate orthography officially. For most languages (including English) however, there are no such authorities and a sense of 'correct' orthography evol ...
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Franco-Provençal Language
Franco-Provençal (also Francoprovençal, Patois or Arpitan) is a language within Gallo-Romance originally spoken in east-central France, western Switzerland and northwestern Italy. Franco-Provençal has several distinct dialects and is separate from but closely related to neighbouring Romance dialects (the langues d'oïl and the langues d'oc, in France, as well as Rhaeto-Romance in Switzerland and Italy). Even with all its distinct dialects counted together, the number of Franco-Provençal speakers has been declining significantly and steadily. According to UNESCO, Franco-Provençal was already in 1995 a "potentially endangered language" in Italy and an "endangered language" in Switzerland and France. Ethnologue classifies it as "nearly extinct". The designation ''Franco-Provençal'' (Franco-Provençal: ; french: francoprovençal; it, francoprovenzale) dates to the 19th century. In the late 20th century, it was proposed that the language be referred to under the neologism ...
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Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Itali ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Terramagnino Da Pisa
Terramagnino da Pisa was a Pisan author in Italian and Occitan of the second half of the 13th century. In Italian he wrote lyric poetry and in Occitan he penned the famous ''Doctrina de cort'', basically a condensed form of the ''Razos de trobar'' of Raimon Vidal. Because his ''Doctrina'' is composed in verse, and conjecturing from his surviving Italian lyrics, he is sometimes classified as a troubadour, though none of his Occitan lyrics survive. His Occitan name was ''Teramayguis'' or ''Teramaygnis de Piza'', as he himself recorded in his ''Doctrina'', addressed to Nino Visconti, Judge of Gallura. This was probably not a first name, as some scholars have thought, but rather an indicator that he came from Pisan territory, which suggests his birthplace was in peninsular Italy (near Pisa), yet his home to be in Sardinia, where he undoubtedly composed his main work. This work, however, was badly handled by copyists, with the result that the surviving manuscripts of the ''Doctrina'' a ...
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Uc Faidit
Uc de Saint Circ (San Sir) or Hugues (Hugh) de Saint Circq ( fl. 1217–1253Aubrey, ''The Music of the Troubadours'', 22–23.) was a troubadour from Quercy. Uc is perhaps most significant to modern historians as the probable author of several '' vidas'' and ''razos'' of other troubadours, though only one of Bernart de Ventadorn exists under his name.Gaunt and Kay, 290. Forty-four of his songs, including fifteen ''cansos'' and only three ''canso'' melodies, have survived, along with a didactic manual entitled ''Ensenhamen d'onor''.Egan, 111. According to William E. Burgwinkle, as "poet, biographer, literary historian, and mythographer, Uc must be accorded his rightful place as the 'inventor' (trobador) of 'troubadour poetry' and the idealogical trappings with which it came to be associated." Uc is probably to be identified with the Uc Faidit (meaning "exiled" or "dispossessed") who authored the ''Donatz proensals'', one of the earliest Occitan grammars. This identity fits ...
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Divina Commedia
The ''Divine Comedy'' ( it, Divina Commedia ) is an Italian narrative poem by Dante Alighieri, begun 1308 and completed in around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: ''Inferno'', ''Purgatorio'', and '' Paradiso''. The narrative takes as its literal subject the state of the soul after death and presents an image of divine justice meted out as due punishment or reward, and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (''Inferno''), followed by ...
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Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ...
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