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Fernando De Lucia
Fernando De Lucia (11 October 1860 or 1 September 1861 – 21 February 1925) was an Italian opera tenor and singing teacher who enjoyed an international career. De Lucia was admired in his lifetime as a striking exponent of verismo parts — particularly Canio in Leoncavallo's '' Pagliacci'' — and of certain roles written by Verdi and Puccini. Since then, however, he has acquired a great posthumous reputation among record-collectors for something different. They hail him as the exemplar of a type of graceful, ornamental tenor singing which originated prior to verismo and that went out of fashion for a long time, only to reemerge in recent years. Especially valued are the recordings that De Lucia made of Almaviva's arias and duets from Rossini's bel canto comic opera ''Il barbiere di Siviglia'' (''The Barber of Seville''). Early career De Lucia was born in Naples, where he studied at the Naples Music Conservatory with Vincenzo Lombardi and Beniamino Carelli.Scott 1977 ...
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Fernando De Lucia
Fernando De Lucia (11 October 1860 or 1 September 1861 – 21 February 1925) was an Italian opera tenor and singing teacher who enjoyed an international career. De Lucia was admired in his lifetime as a striking exponent of verismo parts — particularly Canio in Leoncavallo's '' Pagliacci'' — and of certain roles written by Verdi and Puccini. Since then, however, he has acquired a great posthumous reputation among record-collectors for something different. They hail him as the exemplar of a type of graceful, ornamental tenor singing which originated prior to verismo and that went out of fashion for a long time, only to reemerge in recent years. Especially valued are the recordings that De Lucia made of Almaviva's arias and duets from Rossini's bel canto comic opera ''Il barbiere di Siviglia'' (''The Barber of Seville''). Early career De Lucia was born in Naples, where he studied at the Naples Music Conservatory with Vincenzo Lombardi and Beniamino Carelli.Scott 1977 ...
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Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history"
on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013
The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster. Notable landmarks The street originated as an early medieval lane referred to in Latin as the ''Via de Aldwych'', which probably connected St. Giles Leper Hospital with the fields of Aldwych Close, owned by the hospital but traditionally said to have been granted to the Danes as part of a peace treaty with King Alfred the Great in Saxon times. It acquired its name from the Suffolk barrister Sir Robert Drury, who built a mansion called Drury House on the lane around 1500. After the death in 1615 of his great-great-grandson, another Robert Drury, the property passed out of the family. It became the London house of the Earl of Craven, then a public house under the sign of his reputed mistress, the Queen of Bohemia. Subsequently, the gardens and courtyards ...
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Herman Klein
Herman Klein (born Hermann Klein; 23 July 1856 – 10 March 1934) was an English music critic, author and teacher of singing. Klein's famous brothers included Charles and Manuel Klein. His second wife was the writer Kathleen Clarice Louise Cornwell, and one of their children was the writer Denise Robins. For thirteen years, Klein was a vocal teacher at the Guildhall School of Music in London, becoming a lifelong proponent of the methods of Manuel Garcia and helping to edit Garcia's book on the subject. In 1876 he took up musical journalism, writing for ''The Sunday Times'' from 1881–1901, among other publications. He also contributed prolifically to ''The Musical Times''. From 1901 to 1909, Klein lived and taught singing in New York City, where he wrote for ''The New York Herald''. He was one of the first critics to take notice of the gramophone and was appointed "musical adviser" to Columbia Records in 1906 in New York. He returned to England in 1909. Klein wrote ov ...
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Augustus Harris
Sir Augustus Henry Glossop Harris (18 March 1852 – 22 June 1896) was a British actor, impresario, and dramatist, a dominant figure in the West End theatre of the 1880s and 1890s. Born into a theatrical family, Harris briefly pursued a commercial career before becoming an actor and subsequently a stage-manager. At the age of 27 he became the lessee of the large Theatre Royal, Drury Lane, where he mounted popular melodramas and annual pantomimes on a grand and spectacular scale. The pantomimes featured leading music hall stars such as Dan Leno, Marie Lloyd, Little Tich and Vesta Tilley. The profits from these productions subsidised his opera seasons, equally lavish, starrily cast and with an innovative repertoire. He presented the first British production of ''Die Meistersinger'' and the first production anywhere outside Germany of ''Tristan und Isolde'', and revitalised the staging of established classics. Harris remained in charge at Drury Lane for the rest of his life, a ...
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Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the third-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the River Manzanares in the central part of the Iberian Peninsula. Capital city of both Spain (almost without interruption since 1561) and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic and cultural centre of the country. The city is situated on an elevated plain about from the closest seaside location. The climate of Madrid features hot summers and cool winters. The Madrid urban agglomeration has the second-large ...
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La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ...
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Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Dinorah
''Dinorah'', originally ''Le pardon de Ploërmel'' (''The Pardon of Ploërmel''), is an 1859 French opéra comique in three acts with music by Giacomo Meyerbeer and a libretto by Jules Barbier and Michel Carré. The story takes place near the rural town of Ploërmel and is based on two Breton tales by Émile Souvestre, "La Chasse aux trésors" and "Le Kacouss de l'Armor", both published separately in 1850 in the ''Revue des deux mondes''. Roles Synopsis :Time: Nineteenth century :Place: Brittany Act 1 ''In the Breton village of Ploërmel, a rugged and wild site illuminated by the last rays of the setting sun with, in the foreground, Corentin's cottage'' During the annual pilgrimage to the chapel of the Virgin, Dinorah has gone mad because her bridegroom Hoël disappeared following a storm that interrupted their wedding on the same day the previous year. Dinorah has lost her pet goat Bellah but, believing she has found it, she sings a lullaby to the goat and then walks ...
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Linda Di Chamounix
''Linda di Chamounix'' is an operatic ''melodramma semiserio'' in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842. Performance history ''Linda di Chamounix'' was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at Palmo's Opera House. On 1 March 1934, the opera received its Metropolitan Opera premiere with Lily Pons in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since. The Teatro alla Scala produced the opera in March 1972 conducted by Gianandrea Gavazzeni with Margherita Rinaldi as Linda, Alfredo Kraus as Carlo and Renato Bruson as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983 Wexford Opera Festival. The ...
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