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Ferdinand Praeger
Ferdinand Praeger (22 January 1815 – 2 September 1891) (aka Ferdinand Christian Wilhelm Praeger) was a composer, music teacher, pianist and writer. He is now best known for his controversial biography of Richard Wagner, ''Wagner As I Knew Him'', published in 1892 after Praeger's death. Life Praeger was born in Leipzig, to Jewish parents, the Dutch-Jewish violinist, composer and conductor Heinrich (Hijman Chaim Aron) Aloys Praeger (Amsterdam 1783 – Magdeburg 1854) and his English-Jewish wife Elizabeth (Wilhelmina), née Davis or Davison (b. 1788). Heinrich Praeger was a director of opera in Leipzig until 1828, and later at Hanover and Magdeburg. Praeger studied the cello as a child but on the advice of Hummel took up the piano. In 1831 he moved to The Hague and in 1834 went on to London, which thereafter became his home. From 1842 onwards he was the British correspondent of the Leipzig ''Neue Zeitschrift für Musik'', the journal founded by Robert Schumann. In Englan ...
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Title Page Of Ferdinand Praeger's "Wagner As I Knew Him" (1892)
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) * Ms. ...
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Master Of The Queen's Musick
Master of the King's Music (or Master of the Queen's Music, or earlier Master of the King's Musick) is a post in the Royal Household of the United Kingdom. The holder of the post originally served the monarch of England, directing the court orchestra and composing or commissioning music as required. The post is broadly comparable to that of poet laureate. It is given to people eminent in the field of classical music; they have almost always been composers. Duties are not clearly stated, though it is generally expected the holder of the post will write music to commemorate important royal events, such as coronations, birthdays, anniversaries, marriages and deaths, and to accompany other ceremonial occasions. The individual may also act as the sovereign's adviser in musical matters. Since 2004 the appointment has been for a fixed term of ten years rather than for life, as previously. The King's Musick In the 14th century professional music-making in England was theoretically regula ...
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Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ...
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Prosper Sainton
Prosper Philippe Catherine Sainton (5 June 1813 – 17 October 1890) was a French violinist. Life Sainton was the son of a merchant at Toulouse, where he was born. He entered the Paris Conservatoire under François Antoine Habeneck in 1831, and became professor of the violin in the Conservatoire of Toulouse. In 1844 he made his first appearance in England, at a Philharmonic concert directed by Mendelssohn. Settling in London, he was in 1845 appointed professor at the Royal Academy of Music. In the early organizations for chamber music which culminated in the establishment of the Popular Concerts, Sainton bore an important part; and when the Royal Italian Opera was started at Covent Garden, he led the orchestra under Michael Costa, with whom he migrated to Her Majesty's Theatre in 1871. From 1848 to 1855 Sainton was leader of the Queen's Band, and in 1862 he conducted the music at the opening of the International Exhibition. In 1860, he married the famous contralto si ...
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Michael Costa (conductor)
Sir Michael Andrew Angus Costa (14 February 180829 April 1884) was an Italian-born conductor and composer who achieved success in England. Biography He was born in Naples as Michele Andrea Agniello Costa. He studied in Naples with his father, at the Real Collegio di Musica, and later with Niccolò Antonio Zingarelli. In his youth, as throughout his life, he wrote a great quantity of music, including operas, symphonies and cantatas, all of which has long since passed into oblivion. In 1829 he visited the Birmingham Music Festival to conduct Zingarelli's ''Cantata Sacra'', a setting of some verses from Isaiah ch. xii. This was the occasion of his memorably inauspicious début. The intention was that Costa should rehearse and conduct the work; but J. B Cramer and Thomas Greatorex elbowed him out and was instead engaged as a tenor soloist in another concert. Unfortunately both the work and Costa's singing met with ferocious criticism: " his cantatais one of the most tame, insipid ...
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Mein Leben (Wagner)
''Mein Leben'' (German, ''My Life'') is the title given by the composer Richard Wagner to his autobiography, covering the years from his birth in 1813 to 1864. Origins On 17 July 1865 in Munich, Wagner began dictating ''Mein Leben'' to his then mistress Cosima von Bülow, whom he married in 1870. King Ludwig II of Bavaria asked him to write the memoir in a letter dated 28 May 1865: You would cause me inexpressible happiness if you were to give me an account of your intellectual and spiritual development and of the external events of your life as well. Wagner was indebted to the King, who had rescued him from a life of exile and financial embarrassment in the previous year. At around the same time in 1864, Wagner had heard the news of the death of his professional nemesis, the composer Giacomo Meyerbeer. The book therefore ends on a 'triumphant' note with the exaltation of Wagner at the death of his supposed 'enemy.' The book is amongst the most readable of Wagner's prose writin ...
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George Hogarth
George Hogarth WS (6 September 1783 – 12 February 1870) was a Scottish lawyer, newspaper editor, music critic, and musicologist. He authored several books on opera and Victorian musical life in addition to contributing articles to various publications. Life Born in Carfraemill near Lauder in Berwickshire, he was the eldest son of Robert Hogarth, a farmer, and his wife, Mary Hogarth (née Scott). Hogarth studied law and music at the University of Edinburgh and became a violoncellist and a composer, and acted as joint secretary to the Edinburgh Music Festival. He practiced law during the first two decades of the 19th century; counting among his clients Sir Walter Scott. On 30 May 1814, Hogarth married Georgina Thomson, the daughter of music publisher and editor George Thomson, their marriage producing 10 children. In 1817, Hogarth, his brother-in-law James Ballantyne and Walter Scott bought the Edinburgh Weekly Journal. He lived then at 2 Nelson Street in Edinburgh's Second N ...
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Royal Philharmonic Society
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693, located at 48 Great Marlborough Street in London. The current chief executive of the RPS is James Murphy, and its current chairman is John Gilhooly. History In London, at a time when there were no permanent London orchestras, nor organised series of chamber music concerts, a group of thirty music professional ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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New German School
The New German School (german: link=no, Neudeutsche Schule, ) is a term introduced in 1859 by Franz Brendel, editor of the ''Neue Zeitschrift für Musik'', to describe certain trends in German music. Although the term has frequently been used in essays and books about music history of the 19th and early 20th centuries, a clear definition is complex. In addition, those held to be representatives of the "New German School" are not all practising musicians. The term is thus problematic. It has been used by different persons at different times with different meanings. It is generally agreed that Franz Liszt and Richard Wagner were among the most prominent representatives of the "New German School". There is also a consensus that Johannes Brahms did not take part. Beyond this, interpretations differ. The present article sets out the main elements associated with this term. Representatives of the New German School conflicted with more conservative musicians in the so-called War of the ...
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August Röckel
Carl August Röckel (1 December 1814 – 18 June 1876) was a German composer and conductor. He was a friend of Richard Wagner and active in the Revolutions of 1848. Biography Röckel was born in Graz. His father, Joseph August Röckel, was a tenor, choir director and theatre entrepreneur who sang the role of Florestan at the premiere of the second version of Ludwig van Beethoven's ''Fidelio'' in 1806. With his father, he experienced theatrical life in Vienna, Paris and London. He acted in Paris as assistant to Gioacchino Rossini at the Théâtre des Italiens,Squire and Deauville (n.d.) and was on a later visit to Paris an eyewitness to the Paris "July revolution" of 1830. After he completed his musical training with his uncle, Johann Nepomuk Hummel (who was married to his father's sister Elisabeth Röckel), he was music director in Bamberg starting in 1838. He lived in Vienna from 1839. For several years after 1840 he was conductor at the Weimar Court Theatre, where he composed ...
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Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance lasted be ...
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