Fennimore And Gerda
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Fennimore And Gerda
(subtitled ''Two Episodes from the Life of Niels Lyhne in Eleven Pictures'', RT I/8) is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as ''Fennimore and Gerda'' in a translation by Peter Warlock, Philip Heseltine. The German libretto, by the composer himself, is based on the novel ''Niels Lyhne'' by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera", limited in its dramatic appeal but voluptuous and engaging in its instrumental texture. Delius began writing ''Fennimore und Gerda'' in 1908; he finished in 1910, but the premiere, intended for the Cologne Opera, was delayed by the First World War and did not take place until 21 October 1919, and then by the Oper Frankfurt. It was the composer's last opera. The United States premiere of the work was staged by the Opera Theatre of Saint Louis i ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Operas By Frederick Delius
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1919 Operas
Events January * January 1 ** The Czechoslovak Legions occupy much of the self-proclaimed "free city" of Bratislava, Pressburg (now Bratislava), enforcing its incorporation into the new republic of Czechoslovakia. ** HMY Iolaire, HMY ''Iolaire'' sinks off the coast of the Hebrides; 201 people, mostly servicemen returning home to Lewis and Harris, are killed. * January 2–January 22, 22 – Russian Civil War: The Red Army's Caspian-Caucasian Front begins the Northern Caucasus Operation (1918–1919), Northern Caucasus Operation against the White Army, but fails to make progress. * January 3 – The Faisal–Weizmann Agreement is signed by Faisal I of Iraq, Emir Faisal (representing the Arab Kingdom of Hejaz) and Zionism, Zionist leader Chaim Weizmann, for Arab–Jewish cooperation in the development of a Jewish homeland in Palestine (region), Palestine, and an Arab nation in a large part of the Middle East. * January 5 – In Germany: ** Spartacist uprising in B ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ...
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Richard Hickox
Richard Sidney Hickox (5 March 1948 – 23 November 2008) was an English conductor of choral, orchestral and operatic music. Early life Hickox was born in Stokenchurch in Buckinghamshire into a musical family. After attending the Royal Grammar School, High Wycombe from 1959 to 1966, he studied at the Royal Academy of Music in London from 1966 to 1967, then was an organ scholar at Queens' College, Cambridge from 1967 to 1970. Career In 1967, while his father was Vicar of Wooburn, Buckinghamshire, Hickox founded the Wooburn Festival and eventually became its president. The Festival still takes place and features music, drama and the visual arts. Hickox also founded the Wooburn Singers and continued as conductor until succeeded by Stephen Jackson. From 1970 to 1971 Hickox was Director of Music at Maidenhead Grammar School (later Desborough School). He founded the City of London Sinfonia in 1971, remaining music director until his death, and also founded the Richard Hickox Si ...
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Peter Coleman-Wright
Peter Coleman-Wright (born 13 October 1958) is an Australian baritone from Geelong. He began his career at Glyndebourne Festival Opera, where he sang Guglielmo in ''Così fan tutte'', winning the Touring Prize. Subsequently, he sang Sid in '' Albert Herring'' and Demetrius in ''A Midsummer Night's Dream'' and Pizzaro in ''Fidelio''. Career He performed many roles for English National Opera (ENO) including Don Giovanni, Figaro, Billy Budd, Onegin, Scarpia, Michele in ''Il tabarro'', Toreador, The Forester in ''The Cunning Little Vixen'', Traveller in '' Death in Venice'', Henze's Prince von Homburg, and The Prisoner by Dallapiccola. He made his Royal Opera Covent Garden debut as Dandini in ''La Cenerentola'' and has sung many roles for the company for 20 years. Roles include Billy Budd, Papageno, Don Alvaro in '' Il viaggio a Reims'', The Narrator in ''Paul Bunyan'', Marcello, Ping, Donner, Gunther and Beckmesser. A champion of new works, he has premiered several roles f ...
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Randi Stene
Randi Stene (born 12 April 1963) is a Norwegian opera singer and contralto from Trondheim. After her studies in Trondheim, Oslo and København, her international breakthrough came as Octavian in ''Der Rosenkavalier'' (''The Knight of the Rose'') at the Opéra Bastille in Paris in 1993. She had the same success with this role in London. Her interpretation of Silla in Hans Pfitzner's opera Palestrina at Covent Garden rocketed her to the Metropolitan Opera in New York City. As a soloist, Randi Stene has performed at BBC Proms with Esa-Pekka Salonen and at the Salzburg Festival with Philippe Herreweghe. She is also a frequent guest soloist with the symphony orchestras in the Nordic capitals. Given her base in Copenhagen and her key role within Danish opera, she was an obvious choice as a soloist at the inauguration of the new opera house in Copenhagen in the new production of Verdi's Aida. Her recordings includes songs by Hugo Alfvén, John Dowland, Edvard Grieg, Wilhelm Peterson-Be ...
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Meredith Davies
(Albert) Meredith Davies CBE (30 July 1922 – 9 March 2005) was a British conductor, renowned for his advocacy of English music by composers such as Benjamin Britten, Frederick Delius and Ralph Vaughan Williams. His co-conducting, with the composer, of the premiere of Britten's ''War Requiem'', at the re-consecration of Coventry Cathedral on 30 May 1962, is generally regarded as one of the highlights of British 20th-century choral music. Biography Meredith Davies was born in Birkenhead, Cheshire, the second son of a clergyman. At the age of seven he became a junior exhibitioner at the Royal College of Music in London, as a cellist. He went to the Stationers' Company's School, North London. He soon showed an interest in the organ, and was taken as a pupil by George Thalben-Ball. At age 17 he served as organist at Hurstpierpoint College for a year, before being elected in 1940 as organ scholar of Keble College, Oxford. Studies for his Philosophy, Politics and Economics degree ...
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Danish National Symphony Orchestra
The Danish National Symphony Orchestra (Danish: ''DR Symfoniorkestret''; English abbreviation "DNSO"), is a Danish orchestra based in Copenhagen. The DNSO is the principal orchestra of DR (Danish Broadcasting Corporation). The DRSO is based at the Koncerthuset (lit. translation in english, ''The Concert House'') concert hall in Copenhagen. History The roots of the orchestra date back to the singer Emil Holm, who expressed a wish to establish a full-time symphony orchestra in Denmark. In collaboration with fellow musicians Otto Fessel, Rudolf Dietz Mann and Folmer Jensen, the orchestra was founded in 1925, with 11 players in the ensemble and conductor Launy Grøndahl having a leadership role, though without a formal title. The orchestra grew to 30 players within a year. The orchestra performed its first public concert in 1927, and began to give weekly concerts in 1928. In 1930, Holm recruited Nikolai Malko to a similar key role like Grøndahl as conductor with the orchestra, tho ...
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Robert Tear
Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas. Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils. Life and career Early years Tear was born in Barry, Glamorgan, the son of T ...
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