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Felix Berber
Karl Heinrich Felix Berber (11 March 1871 – 2 November 1930) was a German violinist. Life Born in Jena, Berber was the youngest child of music and art-loving parents. He spent the first part of his childhood in Weimar, where the family moved soon after his birth. In Dresden, where his parents had moved again, he received violin lessons from the age of 7. Already at the age of nine, he made his first public appearance as a child prodigy in 1880. He was then a pupil at the Hochschule für Musik Carl Maria von Weber and with Adolph Brodsky at the University of Music and Theatre Leipzig. He gave his first major concerts at the age of 13. On the recommendation of Hans von Bülow, Berber concentrated solely on music after the death of his father. In 1889 he studied in London. From 1891 to 1896, Berber was concertmaster in Magdeburg, but then went on concert tours through Europe in 1896 and 1897, and also gave guest performances in Russia. In 1897 and 1898, he worked in Chemnitz and ...
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Hugo Heermann
Hugo Heermann (3 March 1844, in Heilbronn – 6 November 1935, in Meran, Italy) was a German violinist. He studied the violin with Lambert Joseph Meerts at the Koninklijk Conservatorium in Brussels, and later with Joseph Joachim. From 1864 he lived in Frankfurt am Main, where he taught violin from 1878 to 1904 at the Hoch Conservatory. He played 1st violin with Hugo Becker, Fritz Bassermann and Adolf Rebner in the "Museums-Quartett" (also called the "Heermann-Quartett" and "Frankfurter Quartett"). Between 1906 and 1909 he taught at the Chicago Musical College, in 1911 at the Stern Conservatory in Berlin and 1912 at the Conservatoire de musique in Geneva. In 1909 and 1910 he briefly was a member of The Dutch Trio, which transposed into the Heermann- van Lier String Quartet. He served as concertmaster of the Cincinnati Symphony Orchestra for a period beginning in 1909; he was succeeded in that post by his son Emil.
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Hans Pfitzner
Hans Erich Pfitzner (5 May 1869 – 22 May 1949) was a German composer, conductor and polemicist who was a self-described anti-modernist. His best known work is the post-Romantic opera ''Palestrina'' (1917), loosely based on the life of the sixteenth-century composer Giovanni Pierluigi da Palestrina and his ''Missa Papae Marcelli''. Life Pfitzner was born in Moscow where his father played cello in a theater orchestra. The family returned to his father's native town Frankfurt in 1872, when Pfitzner was two years old, he always considered Frankfurt his home town. He received early instruction in violin from his father, and his earliest compositions were composed at age 11. In 1884 he wrote his first songs. From 1886 to 1890 he studied composition with Iwan Knorr and piano with James Kwast at the Hoch Conservatory in Frankfurt. (He later married Kwast's daughter Mimi Kwast, a granddaughter of Ferdinand Hiller, after she had rejected the advances of Percy Grainger.) He taught pi ...
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Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ...
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Anton Huber
Anton Huber was a sailor from Germany, who represented his country at the 1928 Summer Olympics in Amsterdam, Netherlands ) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherl .... Sources * External links * Sailors at the 1928 Summer Olympics – 6 Metre Olympic sailors for Germany German male sailors (sport) Year of birth missing Possibly living people {{Germany-yachtracing-bio-stub ...
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Violoncello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such a ...
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Johannes Hegar
Johannes is a Medieval Latin form of the personal name that usually appears as "John" in English language contexts. It is a variant of the Greek and Classical Latin variants (Ιωάννης, ''Ioannes''), itself derived from the Hebrew name '' Yehochanan'', meaning "Yahweh is gracious". The name became popular in Northern Europe, especially in Germany because of Christianity. Common German variants for Johannes are ''Johann'', ''Hannes'', '' Hans'' (diminutized to ''Hänschen'' or ''Hänsel'', as known from "''Hansel and Gretel''", a fairy tale by the Grimm brothers), '' Jens'' (from Danish) and ''Jan'' (from Dutch, and found in many countries). In the Netherlands, Johannes was without interruption the most common masculine birth name until 1989. The English equivalent for Johannes is John. In other languages *Joan, Jan, Gjon, Gjin and Gjovalin in Albanian *'' Yoe'' or '' Yohe'', uncommon American form''Dictionary of American Family Names'', Oxford University Press, 2013. *Yaḥy ...
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Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ...
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Valentin Härtl
Valentin Georg Härtl (20 Juny 1894 – 13 August 1966) was a German violist and violinist. Life Born in Aschaffenburg, Härtl was the son of a train driver, ''August Härtl'' and ''Elisabeth Härtl, geb''. After his Abitur at the humanistic grammar school in Aschaffenburg, Härtl studied at the Hoch Conservatory in Frankfurt from 1910 to 1912 with Adolf Rebner, together with Paul Hindemith, with whom he had a lifelong friendship. 1913/1914 he was a pupil of the master class by professor Felix Berber at the Hochschule für Musik und Theater München in Munich. After the First World War, he went back to Aschaffenburg in 1918 as a violin teacher. From 1919 until his death he taught, from 1925 as a professor, at the academy of music, the later academy of music and theatre in Munich. Härtl was a member of many important chamber music ensembles: together with his academy colleagues Johannes Hegar (violoncello), Anton Huber (violin) and his former teacher Felix Berber (violin) in his ...
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