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Feenmärchen
This is a glossary list of opera genres, giving alternative names. " Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in '' The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Ballet
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Foire
Théâtre de la foire is the collective name given to the theatre put on at the annual fairs at Abbey of Saint-Germain-des-Prés, Saint-Germain and Saint-Laurent church, Paris, Saint-Laurent (and for a time, at Saint-Ovide) in Paris. Foire Saint-Germain The earliest references to the annual fair date to 1176. The fairground itself was established in 1482 by Louis XI for the benefit of the Abbey of Saint-Germain-des-Prés and was located near the Abbey on the Rive Gauche, Left Bank southwest of the city center just outside one of the gates of the Wall of Philip II Augustus, Paris, city wall built by Philip II at the beginning of the 13th century. The covered Saint-Germain market today occupies part of the former fairground site with access from the Boulevard Saint-Germain via the Rue de Montfaucon satellite view. The fair generally lasted three to five weeks around Easter. During the 18th century it consistently opened on 3 February and lasted until Palm Sunday. The fair's first a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeitoper
''Zeitoper'' (German language, German: "opera of the time") was a short-lived genre of opera associated with Weimar republic, Weimar Germany. It is not known when or by whom the term was coined, but by 1928 Kurt Weill ("Zeitoper" in ''Melos'') was able to complain that it was more a slogan than a description. Like ''opera buffa'' it used contemporary settings and characters, comic or at least satiric plots (:de:Max Brand (Komponist), Max Brand's ''Maschinist Hopkins'' is a sole tragic example) and aimed at musical accessibility. Two distinguishing characteristics are a tendency to incorporate modern technology (''Jonny spielt auf'': trains, ''The Flight across the Ocean, Der Lindberghflug'': airplanes, ''Von Heute auf Morgen'': telephones, and even elevators) and frequent allusions to popular music, especially jazz. This last, more than any social satire, earned the suspicion of the political right and ensured that it would not survive into the Nazi era. Ernst Krenek's ''Jonny spiel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Padlock
''The Padlock'' is a two-act 'afterpiece' opera by Charles Dibdin. The text was by Isaac Bickerstaffe. It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to '' The Earl of Warwick''. It partnered other plays before a run of six performances in tandem with ''The Fatal Discovery'' by John Home. "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. The libretto was first published in London around 1768 and in Dublin in 1775. The play remained in regular circulation in the U.S. as late as 1843. It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's ''Miss In Her Teens''. The role of Mungo was, again, played by a white actor. Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterpiece
An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, opera or pantomime was a popular theatrical form in the 18th and 19th centuries. It was presented to lighten the five-act tragedy that was commonly performed. A similar piece preceding the main attraction is a curtain raiser. An example is ''The Padlock'' by Charles Dibdin, first performed in London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ... in 1768. Notes Theatrical genres Opera genres {{Theat-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anacréon (1754)
Anacreon was a poet from Ancient Greece. Anacreon may also refer to: Persons * Carl Michael Bellman, sometimes referred to as ''the Anacreon of Sweden'' * Hafez, sometimes referred to as ''the Anacreon of Persia'' * Francesco Albani, sometimes referred to as'' the Anacreon of Painters'' * Bertrand Barère, sometimes referred to as ''Anacreon of the Guillotine'' In media * ''Anacréon'', the title of two different operatic works written by Jean-Philippe Rameau: ** ''Anacréon (Rameau, 1754)'' ** ''Anacréon'', an act added to Rameau's ''opéra-ballet'' ''Les surprises de l'Amour'' in 1757 * ''Anacréon (Cherubini)'', the title of an 1803 opera by Luigi Cherubini * "To Anacreon in Heaven", the official song of the Anacreontic Society and the melody of the U.S. national anthem, ''The Star-Spangled Banner'' * Anacreon: Reconstruction 4021, a 1988 MS-DOS computer game with a 2004 update * Anacreon, the name of a planet in the fictional ''Robot'' series, ''Empire'' series and ''Found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Fêtes De Ramire
''Les fêtes de Ramire'' (''The Celebrations of Ramiro '') is an opera in the form of a one-act ''acte de ballet'' by Jean-Philippe Rameau with a libretto by Voltaire, first performed on 22 December 1745 at the Palace of Versailles. Voltaire wrote a new libretto to make use of music taken from his and Rameau's ''comédie-ballet'' ''La princesse de Navarre'', which had been performed earlier in 1745. Since both Rameau and Voltaire were busy writing a new opera, '' Le temple de la Gloire'', the Duke of Richelieu entrusted the job of fitting the music to the new libretto and adjusting the verse accordingly to Jean-Jacques Rousseau. Rousseau, who had not yet won his reputation as a major thinker, was an aspiring musician. In his later autobiographical ''Confessions'', Rousseau wrote he had worked hard on the task but Madame de la Pouplinière, Richelieu's mistress and an ardent champion of Rameau, rejected his efforts out of hand and sent the opera back to Rameau to revise. Rousseau cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Warrack
John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College of Music (1949–52). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 he was music critic for ''The Sunday Telegraph''. From 1978 until 1983 he served as the Artistic Director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' ( Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; ''German Opera: From the Beginnings to Wagner'' (2001) and the co-author of ''The Concise Oxford Dictionary of Opera'' (1964, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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