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Feel Flows (album)
''Feel Flows: The Sunflower & Surf's Up Sessions 1969–1971'' is an expanded reissue of the albums ''Sunflower'' (1970) and '' Surf's Up'' (1971) by American rock band the Beach Boys. It was released by Capitol/UME on August 27, 2021 and was produced by Mark Linett and Alan Boyd. ''Feel Flows'' is the band's first major archival release since '' Wake the World'' and ''I Can Hear Music'' in 2018, and the first issued on physical media since '' Sunshine Tomorrow'' in 2017. The title is taken from the ''Surf's Up'' track "Feel Flows". The compilation was released in four different formats: a five-CD box set, a two-CD set, a double vinyl set, and a quadruple vinyl set. The box set includes remastered editions of the ''Sunflower'' and ''Surf's Up'' albums alongside 108 previously unreleased tracks, the majority of which are session highlights, alternate versions, and alternate mixes (including instrumental and ''a cappella'' mixes). ''Feel Flows'' also includes live performances, radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's ''Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their ''The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and ''The Wall'' (1979) albums. Pink Floyd have also released ''The Early Years 1965–1972'' box set which features mostly unreleased mate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feel Flows
"Feel Flows" is a song recorded by American rock band the Beach Boys from their 1971 album '' Surf's Up''. It was written by guitarist Carl Wilson and band manager Jack Rieley, and was one of Wilson's first songs. Background and recording The basic track of "Feel Flows" was recorded before Wilson asked Rieley to pen lyrics for the song. In 1971, Wilson explained to ''Rolling Stone'' how he produced the keyboard sound effects: Asked about the song in a 2013 interview, Rieley said: Wilson's lead vocals were recorded using reverse echo. The saxophone and flute were both played by jazz musician Charles Lloyd, as Mike Love commented, "It's amazing. It's unlike anything we ever did." Reception Biographer Jon Stebbins identified the song as a highlight on ''Surf's Up''. He said that Jack Rieley's lyrics were "nonsensical but fit Carl's airy jazz-rock song perfectly. The trippy phasing and synthesizer elements in 'Feel Flows,' which are tailor-made for a stoner's headphones, und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Til I Die
"Til I Die" is a song by American rock band the Beach Boys from their 1971 album '' Surf's Up'', subsequently issued as the B-side of the single " Long Promised Road". With autobiographical lyrics about death and hopelessness, it is one of the few songs in which both the words and music were written solely by Brian Wilson. An extended mix of the original recording, created by engineer Stephen Desper, was included on the 1998 ''Endless Harmony Soundtrack''. Background and composition Brian Wilson reportedly wrote Til I Die" while suffering from an existential crisis, having recently threatened to drive his car off the Santa Monica pier and ordered his gardener to dig a grave in his backyard. According to biographer David Leaf, these episodes were treated as jokes by Wilson's family and friends. In a November 1970 interview, Wilson discussed his daily routine of "go ngto bed in the early hours of the morning and sleep nguntil the early afternoon". He added: "I'm not unhappy with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daryl Dragon
Daryl Frank Dragon (August 27, 1942 – January 2, 2019) was an American musician, known as Captain from the pop musical duo Captain & Tennille with his then-wife, Toni Tennille. Career Born into a musical family, Dragon was the son of Eloise (Rawitzer) and conductor, composer, and arranger Carmen Dragon, and the elder brother of Dennis Dragon, a member of the 1960s pop combo The Dragons and the 1980s surf band the Surf Punks. His godfather was actor and comedian Danny Thomas. Dragon suffered from megalocornea, a condition which results in large eyeballs. It forced him to wear ever-present sunglasses. Dragon's familiar image and stage name came from his time as a keyboard player with The Beach Boys from 1967 to 1972. Beach Boys lead singer Mike Love gave him the nickname "Captain Keyboard", and it stuck; Dragon began wearing a nautical captain's hat to go along with the name. As Captain in Captain & Tennille, Dragon was frequently silent and a man of very few words, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brother Records
Brother Records, Inc. (BRI) is an American holding company and record label established in 1966 that owns the intellectual property rights of the Beach Boys, including "The Beach Boys" trademark. It was founded by brothers Brian, Carl and Dennis Wilson, and their cousin Mike Love. As of 2011, the corporation was equally owned by four shareholders and directors: Brian Wilson, Mike Love, Al Jardine, and the estate of Carl Wilson. Background and formation The Beach Boys decided to form their own label, Brother Records, in response to Capitol Records' lack of support for the band's more ambitious album ideas. According to biographer Steven Gaines, Mike Love was "the most receptive" to the proposal, wanting the Beach Boys to have more creative control over their work, and supported Brian Wilson's decision to employ his newfound "best friend" David Anderle as head of the label, even though it was against band manager Nick Grillo's wishes. Plans for the company began in August 1966. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Wilson
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness. Raised in Hawthorne, California, Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and ''de facto'' leader. After signing w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Johnston
Bruce Arthur Johnston (born Benjamin Baldwin; June 27, 1942) is an American musician, singer, songwriter, and record producer who is a member of the Beach Boys. Johnston also collaborated on many records with Terry Melcher (his bandmate in Bruce & Terry, the Rip Chords, and California Music) and composed the 1975 Barry Manilow hit, " I Write the Songs". Born in Illinois, Johnston grew up in Los Angeles and studied classical piano in his early years. While in high school, he arranged and played on his first hit record, Sandy Nelson's "Teen Beat" (1959), and also worked with musicians such as Kim Fowley and Phil Spector. One of Johnston's first gigs was as a member of the surf band the Gamblers before becoming a staff producer at Columbia Records. In 1965, Johnston joined the Beach Boys for live performances, initially filling in for the group's co-founder Brian Wilson. Johnston's first appearance on the band's records was as a vocalist on " California Girls" (1965). He later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jardine
Alan Charles Jardine (born September 3, 1942) is an American musician, singer, and songwriter who co-founded the Beach Boys. He is best known as the band's rhythm guitarist and for occasionally singing lead vocals on singles such as "Help Me, Rhonda" (1965), " Then I Kissed Her" (1965), "Cotton Fields" (1970), and "Come Go with Me" (1978). His song "Lady Lynda" was also a UK top 10 hit for the group in 1978. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), "Vegetables (song), Vegetables" (1967), and "From There to Back Again" (2012). Following the death of fellow band member Carl Wilson in 1998, Jardine left the The Beach Boys (touring band), touring Beach Boys and has since performed as a solo artist, rejoining the band only for their 2012 50th anniversary tour. Since 2013, Jardine has toured as part of Beach Boys founder Brian Wilson’s band. He has released one solo studio album, ''A Postcard from California'' (2010). Jardine was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys 1971 Central Park
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loudness War
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and Compact Cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases. With the advent of the compact disc (CD), music is encoded to a digital format with a clearly defined maximum peak amplitude. Once the maximum amplitude of a CD is reached, loudness can be increased still further through signal processing techniques such as dynamic range compression and equalization. Engineers can apply an incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treble (sound)
Treble describes tones of high frequency or high pitch, ranging from 6kHz to 20kHz, comprising the higher end of the human hearing range. In music, this corresponds to ''high notes''. The treble clef is often used to notate such notes. Treble sound is the counterpart to bass sound. Examples of treble sounds include soprano voices, flute tones, and piccolos. The term ''treble'' derives from the Latin ''triplum'', used in 13th century motets to indicate the third and highest range. The treble control is used in sound reproduction to change the volume of treble notes relative to those of the middle and bass frequency ranges. See also *Boy sopranos *C (musical note) * Treble booster *Treble voice *Tweeter A tweeter or treble speaker is a special type of loudspeaker (usually dome, inverse dome or horn-type) that is designed to produce high audio frequencies, typically deliver high frequencies up to 100 kHz. The name is derived from the high ... References Pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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