Feast Of The Rosary
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Feast Of The Rosary
''Feast of the Rosary'' (German: ''Rosenkranzfest'') is a 1506 oil painting by Albrecht Dürer, now in the National Gallery, Prague, Czech Republic. According to Czechoslovakian art historian Jaroslav Pešina, it is "probably the most superb painting that a German master has ever created." The work also relates to a series of artworks commissioned by Maximilian I, his Burgundian subjects or figures close to his family to commemorate the Duchess Mary of Burgundy, Maximilian's first wife and to provide the focus for a cult-like phenomenon that associated her name-saint the Virgin Mary. History The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice. The contract was renewed in the Italian city by the fraternity of traders from Nuremberg (Dürer's hometown) and from other German cities, the latter being ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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National Church
A national church is a Christian church associated with a specific ethnic group or nation state. The idea was notably discussed during the 19th century, during the emergence of modern nationalism. Samuel Taylor Coleridge, in a draft discussing the question of church and state around 1828 wrote that :"a National Church might exist, and has existed, without Christianity, because before the institution of the ''Christian'' Church - as ..the Levitical Church in the Hebrew Constitution, ndthe Druidical in the Celtic, would suffice to prove". John Wordsworth, Bishop of Salisbury, wrote about the National Church of Sweden in 1911, interpreting the Church of Sweden and the Church of England as national churches of the Swedish and the English peoples, respectively. The concept of a national church remains alive in the Protestantism of United Kingdom and Scandinavia in particular. While, in a context of England, the national church remains a common denominator for the Church of Engla ...
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Frederick III, Holy Roman Emperor
Frederick III (German: ''Friedrich III,'' 21 September 1415 – 19 August 1493) was Holy Roman Emperor from 1452 until his death. He was the fourth king and first emperor of the House of Habsburg. He was the penultimate emperor to be crowned by the pope, and the last to be crowned in Rome. Prior to his imperial coronation, he was duke of the Inner Austrian lands of Styria, Carinthia and Carniola from 1424, and also acted as regent over the Duchy of Austria from 1439. He was elected and crowned King of Germany in 1440. His reign of 53 years is the longest in the history of the Holy Roman Empire or the German Monarchy. Upon his death in 1493 he was succeeded by his son Maximilian I. During his reign, Frederick concentrated on re-uniting the Habsburg " hereditary lands" of Austria and took a lesser interest in Imperial affairs. Nevertheless, by his dynastic entitlement to Hungary as well as by the Burgundian inheritance, he laid the foundations for the later Habsburg Em ...
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Cherubim
A cherub (; plural cherubim; he, כְּרוּב ''kərūḇ'', pl. ''kərūḇīm'', likely borrowed from a derived form of akk, 𒅗𒊏𒁍 ''karabu'' "to bless" such as ''karibu'', "one who blesses", a name for the lamassu) is one of the unearthly beings who directly attend to God, according to Abrahamic religions. The numerous depictions of cherubim assign to them many different roles, such as protecting the entrance of the Garden of Eden. Abrahamic religious traditions In Jewish angelic hierarchy, cherubim have the ninth (second-lowest) rank in Maimonides' ''Mishneh Torah'' (12th century), and the third rank in Kabbalistic works such as ''Berit Menuchah'' (14th century). ''De Coelesti Hierarchia'' places them in the highest rank alongside Seraphim and Thrones. In the Book of Ezekiel and (at least some) Christian icons, the cherub is depicted as having two pairs of wings, and four faces: that of a lion (representative of all wild animals), an ox ( domestic animals), ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Flemish Painting
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens. In theory the term does not refer to modern Flanders but to the County of Flanders and neighbouring areas of the Low Countries such as the Tournaisis and Duchy of Brabant. However this distinction, well understoo ...
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Strahov Monastery
Strahov Monastery ( cs, Strahovský klášter) is a Premonstratensians, Premonstratensian abbey founded in 1143 by Jindřich Zdík, Bishop John of Prague, and Vladislaus II, Duke of Bohemia. It is located in Strahov (district of Prague), Strahov, Prague, Czech Republic. History The founding of a monastery After his Christian pilgrimage#Holy Land, pilgrimage to the Holy Land in 1138, the List of bishops and archbishops of Olomouc, bishop of Olomouc, Jindřich Zdík, took hold of the idea of founding a monastery of regular canons in Prague. He had the support of the bishops of Prague and Soběslav I, Duke of Bohemia and—after his death—Vladislav II. After Zdík's first unsuccessful attempt to found a Czech variant of the Canons Regular of the Order of the Holy Cross, canons' order at the place called Strahov in 1140, an invitation was issued to the Premonstratensians, whose first representatives arrived from Steinfeld, Rhineland-Palatinate, Steinfeld in the Rhine valley (now Ge ...
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Rudolf II, Holy Roman Emperor
Rudolf II (18 July 1552 – 20 January 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the House of Habsburg. Rudolf's legacy has traditionally been viewed in three ways:Hotson, 1999. an ineffectual ruler whose mistakes led directly to the Thirty Years' War; a great and influential patron of Northern Mannerist art; and an intellectual devotee of occult arts and learning which helped seed what would be called the Scientific Revolution. Determined to unify Christendom, he initiated the Long Turkish War (1593–1606) with the Ottoman Empire. Exhausted by war, his citizens in Hungary revolted in the Bocskai Uprising, which led to more authority given to his brother Matthias. Under his reign, there was a policy of toleration towards Judaism. Early life Rudolf was born in Vienna on 18 July 1552. He was the eldest son and successor of ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ...
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Patriarch Of Venice
The Patriarch of Venice ( la, Patriarcha Venetiarum; it, Patriarca di Venezia) is the ordinary bishop of the Archdiocese of Venice. The bishop is one of the few patriarchs in the Latin Church of the Catholic Church (currently three other Latin bishops are accorded the title of Patriarch: Lisbon, the East Indies and Jerusalem). Presently, the only advantage of this purely formal title is the bishop's place of honor in papal processions. In the case of Venice, an additional privilege allows the patriarch, even if he is not a cardinal, the use of the colour red in non-liturgical vestments. In that case, the red biretta is topped by a tuft, as is the custom with other bishops who are not cardinals. The diocese of Venice was created in 774 as suffragan of the Patriarchate of Grado. It was only in 1451
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Doge Of Venice
The Doge of Venice ( ; vec, Doxe de Venexia ; it, Doge di Venezia ; all derived from Latin ', "military leader"), sometimes translated as Duke (compare the Italian '), was the chief magistrate and leader of the Republic of Venice between 726 and 1797. Doges of Venice were elected for life by the Venetian nobility. The ''doge'' was neither a duke in the modern sense, nor the equivalent of a nobility, hereditary duke. The title "doge" was the title of the senior-most elected official of Republic of Venice, Venice and Republic of Genoa, Genoa; both cities were republics and elected doges. A doge was referred to variously by the titles "My Lord the Doge" ('), "Most Serene Prince" ('), and "Serene Highness, His Serenity" ('). History of the title Byzantine era The office of doge goes back to 697. The first historical Venetian doge, Orso Ipato, Ursus, led a revolt against the Byzantine Empire in 726, but was soon recognised as the () and (a honorific title derived from the Greek w ...
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Rosenkranzfest 03
''Feast of the Rosary'' (German: ''Rosenkranzfest'') is a 1506 oil painting by Albrecht Dürer, now in the National Gallery, Prague, Czech Republic. According to Czechoslovakian art historian Jaroslav Pešina, it is "probably the most superb painting that a German master has ever created." The work also relates to a series of artworks commissioned by Maximilian I, his Burgundian subjects or figures close to his family to commemorate the Duchess Mary of Burgundy, Maximilian's first wife and to provide the focus for a cult-like phenomenon that associated her name-saint the Virgin Mary. History The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice. The contract was renewed in the Italian city by the fraternity of traders from Nuremberg (Dürer's hometown) and from other German cities, the latter bein ...
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