Faux Bois
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Faux Bois
''Faux bois'' (from the French for ''false wood'') refers to the artistic imitation of wood or wood grains in various media. The craft has roots in the Renaissance with trompe-l'œil. It was probably first crafted with concrete using an iron armature by garden craftsmen in France called " rocailleurs" using common iron materials: rods, barrel bands, and chicken wire. Early examples of the craft survive at Parc des Buttes-Chaumont opened for an exposition in Paris in 1867. In 1873, the inventor of ferrocement, Joseph Monier expanded his patents to include bridges. He designed the first bridge of reinforced concrete, crossing the moat at the Chateau Chazelet, in France. It was sculpted to resemble timbers and logs. Light, Patsy Pittman (2005). ''Capturing Nature: the Cement Sculpture of Dionicio Rodriguez''. Texas A&M University Press. Ferrocement faux bois uses a combination of concrete, mortar and grout applied to a steel frame or armature to sculpt lifelike representation ...
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Grout
Grout is a dense fluid which hardens to fill gaps or used as reinforcement in existing structures. Grout is generally a mixture of water, cement and sand, and is employed in pressure grouting, embedding rebar in masonry walls, connecting sections of pre-cast concrete, filling voids, and sealing joints such as those between tiles. Common uses for grout in the household include filling in tiles of shower floors and kitchen tiles. It is often color tinted when it has to be kept visible and sometimes includes fine gravel when being used to fill large spaces (such as the cores of concrete blocks). Unlike other structural pastes such as plaster or joint compound, correctly mixed and applied grout forms a water resistant seal. Although both grout and its close relative mortar are applied as a thick emulsion and harden over time, grout is distinguished by its low viscosity and lack of lime (added to mortar for pliability); grout is thin so it flows readily into gaps, while mortar is ...
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Concrete
Concrete is a composite material composed of fine and coarse aggregate bonded together with a fluid cement (cement paste) that hardens (cures) over time. Concrete is the second-most-used substance in the world after water, and is the most widely used building material. Its usage worldwide, ton for ton, is twice that of steel, wood, plastics, and aluminum combined. Globally, the ready-mix concrete industry, the largest segment of the concrete market, is projected to exceed $600 billion in revenue by 2025. This widespread use results in a number of environmental impacts. Most notably, the production process for cement produces large volumes of greenhouse gas emissions, leading to net 8% of global emissions. Other environmental concerns include widespread illegal sand mining, impacts on the surrounding environment such as increased surface runoff or urban heat island effect, and potential public health implications from toxic ingredients. Significant research and development is ...
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Cement
A cement is a binder, a chemical substance used for construction that sets, hardens, and adheres to other materials to bind them together. Cement is seldom used on its own, but rather to bind sand and gravel ( aggregate) together. Cement mixed with fine aggregate produces mortar for masonry, or with sand and gravel, produces concrete. Concrete is the most widely used material in existence and is behind only water as the planet's most-consumed resource. Cements used in construction are usually inorganic, often lime or calcium silicate based, which can be characterized as hydraulic or the less common non-hydraulic, depending on the ability of the cement to set in the presence of water (see hydraulic and non-hydraulic lime plaster). Hydraulic cements (e.g., Portland cement) set and become adhesive through a chemical reaction between the dry ingredients and water. The chemical reaction results in mineral hydrates that are not very water-soluble and so are quite durable in wa ...
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Crafts
A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of Good (economics), goods, or their Maintenance, repair, and operations, maintenance, for example by tinkers. The traditional term ''craftsman'' is nowadays often replaced by ''artisan'' and by ''craftsperson'' (craftspeople). Historically, the more specialized crafts with high-value products tended to concentrate in urban centers and formed guilds. The skill required by their professions and the need to be permanently involved in the Trade, exchange of goods often demanded a generally higher level of education, and craftsmen were usually in a more privileged position than the peasantry in Complex society, societal hierarchy. The households of craftsmen were not as self-sufficient as those of people engaged in agricultural work, an ...
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Artistic Techniques
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ...
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Graining
Graining is the practice of imitating wood grain on a non-wood surface, or on relatively undesirable wood surface, in order to give it the appearance of a rare or higher quality wood, thereby increase that surface's aesthetic appeal. Graining was common in the 19th century, as people were keen on imitating hard, expensive woods by applying a superficial layer of paint onto soft, inexpensive woods or other hard surfaces. Graining can be accomplished using either rudimentary tools or highly specialized tools. A specialized thick brush used for graining is often called a mottler. Fan brushes, floggers, softening brushes, texture combs and even fingers are used to create various effects. The painting is carried out in layers, with the first layer being a base. Today that is usually done with latex paint in a gold or orange or tan tone, depending on the type of wood the artist is aiming to imitat. A second layer of tempera or thinned paint is applied over the dry base, by means of a spo ...
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Faux Painting
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word ''faux'', meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces. History Faux finishing has been used for millennia, from cave painting to the tombs of ancient Egypt, but what we generally think of as faux finishing in the decorative arts began with plaster and stucco finishes in Mesopotamia over 5,000 years ago. Faux painting became popular in classical times in the forms of faux marble, faux wood, and ''trompe-l'œil'' murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who cou ...
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Smithsonian Institution
The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967. Called "the nation's attic" for its eclectic holdings of 154 million items, the institution's 19 museums, 21 libraries, nine research centers, and zoo include historical and architectural landmarks, mostly located in the District of Columbia. Additional facilities are located in Maryland, New York, and Virginia. More than 200 institutions and museums in 45 states,States without Smithsonian ...
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Adrian Janes
Adrian Janes (February 4, 1798 - March 2, 1869) was the owner of a significant American iron foundry in the Bronx, New York. The foundry created iron work for many notable projects, including the Capitol Dome of the U.S. Capitol Building in Washington DC, the Bow Bridge in Central Park and railings for the Brooklyn Bridge. Around 1855, Janes, Beebe & Co. published aIllustrated Catalogue of Ornamental Iron Work The company name is sometimes misattributed to James Bebe or James Beebe. Biography Adrian Janes was the son of Mary Warren and Alfred Janes. Alfred worked in the shoe business, kept the City Hotel at Hartford, manufactured looking glasses and engaged in the house painting business. Adrian had a sister, Eliza (b. March 2, 1796), who was the mother of the landscape painter, Frederic Edwin Church. Adrian Janes married Adaline Root in 1823, and had six children: Julia E, Henry, Edward, George, Charles B, and Mary E. Adrian sold wallpaper and brushes in Hardford CT fro ...
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National Register Of Historic Places
The National Register of Historic Places (NRHP) is the United States federal government's official list of districts, sites, buildings, structures and objects deemed worthy of preservation for their historical significance or "great artistic value". A property listed in the National Register, or located within a National Register Historic District, may qualify for tax incentives derived from the total value of expenses incurred in preserving the property. The passage of the National Historic Preservation Act (NHPA) in 1966 established the National Register and the process for adding properties to it. Of the more than one and a half million properties on the National Register, 95,000 are listed individually. The remainder are contributing resources within historic districts. For most of its history, the National Register has been administered by the National Park Service (NPS), an agency within the U.S. Department of the Interior. Its goals are to help property owners and inte ...
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Dionicio Rodriguez
Dionicio Rodriguez (1891–1955) was a Mexican-born artist and architect whose work can be seen in Alabama, Arkansas, Illinois, Maryland, Michigan, New Mexico, Tennessee, and Texas, as well as Washington, D.C. and Mexico City. Dionicio Rodríguez died in San Antonio on December 16, 1955, and was buried in San Fernando Archdiocesan Cemetery; he had no immediate survivors. His work is noted for its unique style of concrete construction that imitates wood, known as ''Faux Bois'' (French for ''false wood''). Gates, benches and artificial rock formations were created by the artist to invite visitors to rest or explore the landscape. The National Register listing of "The Sculpture of Dionicio Rodriguez in Texas," which includes Woodlawn Garden of Memories, is the result of ten years' research into the life and work of the artisan, by San Antonio historians Maria Watson Pfeiffer and Patsy Pittman Light. Woodlawn is the only known extant cemetery work in Texas by Rodriguez. Many of h ...
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