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Fates
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weave ...
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Fates Tapestry -460755563
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weave ...
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Moirai
In ancient Greek religion and mythology, the Moirai (, also spelled Moirae or Mœræ; grc, Μοῖραι, "lots, destinies, apportioners"), often known in English as the Fates ( la, Fata, Fata, -orum (n)=), were the personifications of fate; their Roman equivalent was the Parcae (euphemistically the "sparing ones"), and there are other equivalents in cultures that descend from the Proto-Indo-European culture. Their number became fixed at three: Clotho ("spinner"), Lachesis ("allotter") and Atropos ("the unturnable", a metaphor for death). However, according to the often cited Latin verse ''Clotho colum retinet, Lachesis net, et Atropos occat'', their roles and functions were also seen differently: Clotho, the youngest of the sisters, presided over the moment in which we are born, and held a distaff in her hand; Lachesis spun out all the events and actions of our life; and Atropos, the eldest of the three, cut the thread of human life with a pair of scissors. The role of th ...
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Clotho
Clotho (; el, Κλωθώ) is a mythological figure. She is the youngest of the Three Fates or Moirai who spins the thread of human life; the other two draw out (Lachesis) and cut (Atropos) in ancient Greek mythology. Her Roman equivalent is Nona. She also made major decisions, such as when a person was born, thus in effect controlling people's lives. This power enabled her not only to choose who was born, but also to decide when gods or mortals were to be saved or put to death. For example, Clotho brought Pelops back to life when his father killed him. As one of the three fates her impact on Greek mythology was significant. Clotho, along with her sisters and Hermes, was given credit for creating the alphabet for their people. Even though Clotho and her sisters were worshiped as goddesses, their representation of fate is more central to their role in mythology. Thread represented human life and her decisions represented the fate of all people in society. Origin According to H ...
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Parcae
In ancient Roman religion and myth, the Parcae (singular, Parca) were the female personifications of destiny who directed the lives (and deaths) of humans and gods. They are often called the Fates in English, and their Greek equivalent were the Moirai. They did not control a person's actions except when they are born, when they die, and how much they suffer. Names and history The Parcae controlled the metaphorical thread of life of every mortal and immortal from birth to death. Even the gods feared them, and by some sources Jupiter was also subject to their power. The names of the three Parcae are: * Nona (Greek equivalent ''Clotho''), who spun the thread of life from her distaff onto her spindle;John Day, ''God's Conflict With the Dragon and the Sea: Echoes of a Canaanite Myth in the Old Testament'', CUP Archive, 1985, p. 308. * Decima (Greek ''Lachesis''), who measured the thread of life with her rod; * Morta (Greek ''Atropos''), who cut the thread of life and chose t ...
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Atropos O Las Parcas
Atropos (; grc, Ἄτροπος "without turn") or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as "the Inflexible One." It was Atropos who chose the manner of death and ended the life of mortals by cutting their threads. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length. Atropos has been featured in several stories such as Atalanta and Achilles. Origin Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny, rather than its source. Acco ...
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Norns
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for shaping the course of human destinies.'' Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from their sacred well to nourish the tree at the center of the cosmos and prevent it from rot.The article Nornor' in '' Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses ( Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology The origin of the name ''norn'' is uncertain; it may derive from a ...
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Atropos
Atropos (; grc, Ἄτροπος "without turn") or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as "the Inflexible One." It was Atropos who chose the manner of death and ended the life of mortals by cutting their threads. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length. Atropos has been featured in several stories such as Atalanta and Achilles. Origin Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny, rather than its source. Acco ...
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Lachesis
Lachesis ( ; grc, Λάχεσις, Lákhesis, disposer of lots; from , 'to obtain by lot, by fate, or by the will of the gods'), in ancient Greek religion, was the second of the Three Fates, or Moirai; the others were her sisters, Clotho and Atropos. Normally seen clothed in white, Lachesis is the measurer of the thread spun on Clotho's spindle, and in some texts, determines Destiny, or thread of life. Her Roman equivalent was Decima. Lachesis was the apportioner, deciding how much time for life was to be allowed for each person or being. She measured the thread of life with her rod. She is also said to choose a person's destiny after a thread was measured. In mythology, it is said that she appears with her sisters within three days of a baby's birth to decide the baby's fate. Origin According to Hesiod's ''Theogony'', Lachesis and her sisters were the daughters of Erebus (Darkness) and Nyx (Night), though later in the same work (ll. 901-906) they are said to have been born ...
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Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ...
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Themis
In Greek mythology and Ancient Greek religion, religion, Themis (; grc, Θέμις, Themis, justice, law, custom) is one of the twelve Titans, Titan children of Gaia and Uranus (mythology), Uranus, and the second wife of Zeus. She is the goddess and personification of justice, divine order, fairness, law, and custom, and her symbols include the Scales of Justice (symbol), Scales of Justice. She is also associated with oracles and prophecies, including the Pythia, Oracle of Delphi. Name ''Themis'' means "divine law" rather than human ordinance, literally "that which is put in place", from the Greek verb ''títhēmi'' (wikt:τίθημι, τίθημι), meaning "to put." To the ancient Greeks she was originally the organizer of the "communal affairs of humans, particularly assemblies." Moses Finley remarked of ''themis'', as the word was used by Homer in the 8th century BCE, to evoke the social order of the 10th- and 9th-century Greek Dark Ages: Finley adds, "There was ''them ...
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Three Witches
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play ''Macbeth'' (c. 1603–1607). The witches eventually lead Macbeth (Macbeth), Macbeth to his demise, and they hold a striking resemblance to Moirai, the three Fates of classical mythology. Their origin lies in Holinshed's Chronicles, Holinshed's ''Chronicles'' (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare, include British folklore, contemporary treatises on witchcraft as James I of England, King James VI of Scotland's ''Daemonologie'', the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witche ...
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List Of Lithuanian Gods And Mythological Figures
The list of Lithuanian gods is reconstructed based on scarce written sources and late folklore. Lithuania converted to Christianity in 1387, but elements of Lithuanian mythology survived into the 19th century. The earliest written sources, authored by foreigners and Christians, only briefly mention the Lithuanian gods. Beginning in the 16th century, the pagan religion received more attention from authors, but often their accounts were confused, contradictory, and heavily influenced by various religious agendas. Collection and recording of folklore began in the 19th century, by which time the pagan mythology had become fragmented and mixed with Christian traditions. The cults of old deities transformed into folklore (individual tales, myths, songs, etc.) without associated rituals. Because of such difficulties obtaining data, there is no accepted list of Lithuanian gods. Different authors present wildly contradictory reconstructions of the Lithuanian pantheon. Names from folklore m ...
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