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Fates
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fates Tapestry -460755563
The Fates are a common motif in European polytheism, most frequently represented as a trio of goddesses. The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. This trio is composed of sisters who go by the names Clotho, Lachesis, and Atropos (also known as the daughters of Zeus and Themis). These divine figures are often artistically depicted as beautiful maidens with consideration to their serious responsibility: the life of mortals. Poets typically express the Fates as ugly and unwavering, representing the gravity of their role within the mythological and human worlds. Individual Roles The Moirai, meaning "allotted portion" or "share", separated each sister into a different role in order to handle the fates of humans. The Fates were expected to appear within three days of a mortal's birth. Clotho was the first of the three, known as "the spinner", due to the fact that she would weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Destiny
Destiny, sometimes referred to as fate (from Latin ''fatum'' "decree, prediction, destiny, fate"), is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual. Fate Although often used interchangeably, the words ''fate'' and ''destiny'' have distinct connotations. *Traditional usage defines fate as a power or agency that predetermines and orders the course of events. Fate defines events as ordered or "inevitable" and unavoidable. This is a concept based on the belief that there is a fixed natural order to the universe, and in some conceptions, the cosmos. Classical and European mythology feature personified "fate spinners," known as the Moirai in Greek mythology, the Parcae in Roman mythology, and the Norns in Norse mythology. They determine the events of the world through the mystic spinning of threads that represent individual human fates. Fate is often conceived as being divinely inspired. *Fate is about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atropos O Las Parcas
Atropos (; grc, Ἄτροπος "without turn") or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as "the Inflexible One." It was Atropos who chose the manner of death and ended the life of mortals by cutting their threads. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length. Atropos has been featured in several stories such as Atalanta and Achilles. Origin Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny, rather than its source. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atropos
Atropos (; grc, Ἄτροπος "without turn") or Aisa, in Greek mythology, was one of the three Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the oldest of the Three Fates, and was known as "the Inflexible One." It was Atropos who chose the manner of death and ended the life of mortals by cutting their threads. She worked along with her two sisters, Clotho, who spun the thread, and Lachesis, who measured the length. Atropos has been featured in several stories such as Atalanta and Achilles. Origin Her origin, along with the other two fates, is uncertain, although some called them the daughters of the night. It is clear, however, that at a certain period they ceased to be only concerned with death and also became those powers who decided what may happen to individuals. Although Zeus was the chief Greek god and their father, he was still subject to the decisions of the Fates, and thus the executor of destiny, rather than its source. Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moirai
In ancient Greek religion and mythology, the Moirai (, also spelled Moirae or Mœræ; grc, Μοῖραι, "lots, destinies, apportioners"), often known in English as the Fates ( la, Fata, Fata, -orum (n)=), were the personifications of fate; their Roman equivalent was the Parcae (euphemistically the "sparing ones"), and there are other equivalents in cultures that descend from the Proto-Indo-European culture. Their number became fixed at three: Clotho ("spinner"), Lachesis ("allotter") and Atropos ("the unturnable", a metaphor for death). However, according to the often cited Latin verse ''Clotho colum retinet, Lachesis net, et Atropos occat'', their roles and functions were also seen differently: Clotho, the youngest of the sisters, presided over the moment in which we are born, and held a distaff in her hand; Lachesis spun out all the events and actions of our life; and Atropos, the eldest of the three, cut the thread of human life with a pair of scissors. The rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norns
The Norns ( non, norn , plural: ) are deities in Norse mythology responsible for shaping the course of human destinies.'' Nordisk familjebok'' (1907) In the ''Völuspá'', the three primary Norns Urðr (Wyrd), Verðandi, and Skuld draw water from their sacred well to nourish the tree at the center of the cosmos and prevent it from rot.The article Nornor' in '' Nordisk familjebok'' (1913). These three Norns are described as powerful maiden giantesses ( Jotuns) whose arrival from Jötunheimr ended the golden age of the gods. The Norns are also described as maidens of Mögþrasir in the ''Vafþrúðnismál''. Beside the three Norns tending Yggdrasill, pre-Christian Scandinavians attested to Norns who visit a newborn child in order to determine the person's future. These Norns could be malevolent or benevolent: the former causing tragic events in the world while the latter were kind and protective. Etymology The origin of the name ''norn'' is uncertain; it may derive fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Witches
The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play ''Macbeth'' (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology. Their origin lies in Holinshed's ''Chronicles'' (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare, include British folklore, contemporary treatises on witchcraft as King James VI of Scotland's ''Daemonologie'', the Witch of Endor from the Bible, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Shakespeare's witches are prophets who hail Macbeth early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lachesis
Lachesis ( ; grc, Λάχεσις, Lákhesis, disposer of lots; from , 'to obtain by lot, by fate, or by the will of the gods'), in ancient Greek religion, was the second of the Three Fates, or Moirai; the others were her sisters, Clotho and Atropos. Normally seen clothed in white, Lachesis is the measurer of the thread spun on Clotho's spindle, and in some texts, determines Destiny, or thread of life. Her Roman equivalent was Decima. Lachesis was the apportioner, deciding how much time for life was to be allowed for each person or being. She measured the thread of life with her rod. She is also said to choose a person's destiny after a thread was measured. In mythology, it is said that she appears with her sisters within three days of a baby's birth to decide the baby's fate. Origin According to Hesiod's ''Theogony'', Lachesis and her sisters were the daughters of Erebus (Darkness) and Nyx (Night), though later in the same work (ll. 901-906) they are said to have been born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clotho
Clotho (; el, Κλωθώ) is a mythological figure. She is the youngest of the Three Fates or Moirai who spins the thread of human life; the other two draw out (Lachesis) and cut (Atropos) in ancient Greek mythology. Her Roman equivalent is Nona. She also made major decisions, such as when a person was born, thus in effect controlling people's lives. This power enabled her not only to choose who was born, but also to decide when gods or mortals were to be saved or put to death. For example, Clotho brought Pelops back to life when his father killed him. As one of the three fates her impact on Greek mythology was significant. Clotho, along with her sisters and Hermes, was given credit for creating the alphabet for their people. Even though Clotho and her sisters were worshiped as goddesses, their representation of fate is more central to their role in mythology. Thread represented human life and her decisions represented the fate of all people in society. Origin According to H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deities And Fairies Of Fate In Slavic Mythology
Rozhanitsy, narecnitsy, and sudzhenitsy are invisible spirits or deities of fate in the pre-Christian religion of the Slavs. Related to pregnancy, motherhood, marriage and female ancestors. Often quoted together with Rod. They are usually mentioned three together, but sometimes up to 9 together, of which one was a "queen" or singular.'' The Mythology of All Races'' (1918), Vol. III, Section "Slavic", Part I: The GeniiChapter IV: Genii of Fate, pp. 249-252/ref> They are related to Dola, but it is not known on what terms. In Poland they were worshipped as zorze (auroras). Names and meaning In different regions of the Slavs and languages they were named differently: * Croatian: rodjenice, rojenice, roženice, sudice, sudjenice, sujenice * Slovene: rodjenice, rojenice, sudice, sojenice, sujenice * Bulgarian: sudženici, narŭčnici, orisnici, urisnici, uresici * Czech and Slovak: rodjenice, sudjenice, sudičky * Polish: rodzanice, narecznice, sudiczki * Romanian: ursitoare * Serbi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (folkloristics)
The ''Motif-Index of Folk-Literature'' is a six volume catalogue of motifs, granular elements of folklore, composed by American folklorist Stith Thompson (1932–1936, revised and expanded 1955–1958). Often referred to as Thompson's motif-index, the catalogue has been extensively used in folklore studies, where folklorists commonly use it in tandem with the Aarne–Thompson–Uther Index, an index used for folktale type analysis. As standard tools The motif-index and the AT or ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein says, "Together with Thompson's six-volume ''Motif-Index of Folk-Literature'', with which it is cross-indexed, ''The Types of Folktale'' constitutes the most important reference work and research tool for comparative folk-tale analysis. Alan Dundes who was an outspoken critic also said substantially the same thing, without confining the application to comparative studies: " he indicesindex const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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