Fat Bob's Feet
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Fat Bob's Feet
''Fat Bob's Feet'' is a full-length album by the Punk band Toy Dolls. It is one of the more popular pieces recorded by the band and included such punk favourites as ''Bitten by a Bed Bug'', ''The Sphinx Stinks'' and bonus single A-side ''Turtles Crazy!'' that wasn't included in original album track list. ''Kids In Tyne & Wear'' is the reworking of Kim Wilde classic ''Kids in America'', one most often covered songs by the punk rock bands. Fat Bob's Feet'' is a rare late The Toy Dolls album that doesn't contain any classic/symphony instrumental adaptation. Track listing All tracks by Michael Algar # "Gloomy Intro/Toy Doll Tonic" – 0:55 # "Fat Bob's Feet!" – 2:46 # "We Quit the Cavalry" – 2:59 # "The Sphinx Stinks" – 2:18 # "Rodney's Memory" – 2:35 # " Olga Crack Corn" – 1:09 # "Bitten by a Bed Bug" – 3:02 # "Kids In Tyne & Wear" – 3:15 # "Frankie's Got the Blues" – 2:35 # "A Bunch O' Fairies" – 2:43 # "Yellow Burt" – 1:05 # "Back in '79" – ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Receiver Records
Receiver or receive may refer to: Arts, entertainment, and media Music Albums * ''Receiver'' (album), the second and final album of the band Farmer Not So John, released in 1998 * ''Receivers'' (album), the fourth full-length release from Parts & Labor, released in 2008 on Jagjaguwar Records Songs * "Receive" (song), a song by Canadian-American recording artist Alanis Morissette * Receiver (single), a single by Wagon Christ * "Receiver", a song by the American band Bright on the album '' Bells Break Their Towers'' Other uses in arts, entertainment, and media * ''Receiver'' (statue), a public statue in Green Bay, Wisconsin associated with the Green Bay Packers * ''Receiver'' (video game), a 2012 first-person shooter Roles and professions * Receiver, a person who receives goods in a distribution center * Receiver, in receivership, a person appointed as a custodian of another entity's property by a court of law or a creditor of the owner, pending a lawsuit or bankruptcy * Metr ...
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Michael Algar
Michael "Olga" Algar (born 21 September 1959 in Marsden, South Shields, England) is an English guitarist, singer and songwriter who fronts the band Toy Dolls. Mainly a lead/rhythm guitarist, Olga is also a songwriter and record producer. Algar lived in the City of Sunderland during most of his life before moving to Tokyo, Japan, in 2000. He then moved to central London in 2002 where he has lived since. Musical career Michael “Olga” Algar, began playing music "around the age of 11 after seeing Mud, Sweet, Slade and Suzi Quatro on ''Top of the Pops'', a UK pop TV show". He had started songwriting/composing by the age of 17. He played in various local bands including Straw Dogs and The Showbiz Kids before forming Toy Dolls in October 1979. Over their 40-year existence Toy Dolls have toured the world extensively and released numerous albums and singles. Olga has written all the band's albums which include such titles as ''Absurd-Ditties'', '' Fat Bob's Feet'', ''Idle Gossip ...
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22 Tunes Live From Tokyo
''Twenty Two Tunes Live From Tokyo'' is a live album punk band Toy Dolls recorded during a concert in Tokyo Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 ... in 1990. Track listing Personnel *Michael "Olga" Algar– vocals, guitar *John "K'Cee" Casey– bass, vocals *Martin "Marty" Yule– drums, vocals References External linksAlbum page on the Toy Dolls website {{Toy Dolls 1990 live albums Toy Dolls albums ...
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Absurd-Ditties
''Absurd-Ditties'' is the seventh full-length album by the punk rock band Toy Dolls, recorded in September 1992 and released in January 1993 by Receiver Records. Album info and review It is considered by many, including vocalist and guitarist Olga, to be one of the band's best albums. The album title is a play on the word "absurdities", as a description of the album's "absurd ditties". In 2012, the website of music venue SO36 said that ''Absurd-Ditties'', along with the band's first album '' Dig That Groove Baby'' (1983), are "recognized as woof the best punk albums of all time." That same year, Olga was asked in an interview with ''For the Love of Punk'' "What is the favorite album you’ve done & why?," to which he replied "''Absurd Ditties'', best songs, best production!" He then was asked "what’s been the most popular Toy Dolls album?," to which he said "''Absurd Ditties''! and ''Dig that Groove Baby''." He had been previously quoted as saying the album was his personal f ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Kim Wilde
Kim Wilde (born Kim Smith, 18 November 1960) is an English pop singer, DJ and television presenter. She first saw success in 1981 with her debut single "Kids in America", which peaked at No. 2 in the UK. In 1983, she received the Brit Award for Best British Female solo artist.BRITs Profile: Kim Wilde
Brits.co.uk. Retrieved 29 February 2012
In 1986, she had a UK No. 2 hit with a reworked version of ' song "", which also topped the US
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Sphinx
A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of a lion, and the wings of a bird. She is mythicized as treacherous and merciless, and will kill and eat those who cannot answer her riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. Unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx ( grc, ανδρόσφιγξ)). In addition, the Egyptian sphinx was viewed as benevolent but having a ferocious strength similar to the malevolent Greek version. Both were thought of as guardians and often flank the entrances to temples. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, initially very similar to the original Ancient Egyptian concept, was exported ...
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Jimmy Crack Corn
"Jimmy Crack Corn" or "Blue-Tail Fly" is an American song which first became popular during the rise of blackface minstrelsy in the 1840s through performances by the Virginia Minstrels. It regained currency as a folk song in the 1940s at the beginning of the American folk music revival and has since become a popular children's song. Over the years, several variants have appeared. Most versions include some idiomatic African American English, although General American versions now predominate. The basic narrative remains intact. On the surface, the song is a black slave's lament over his white master's death in a horse-riding accident. The song, however, is also interpreted as having a subtext of celebration about that deathMahar, William J''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture'', pp. 234 ff University of Illinois Press (Champaign), 1999.Harris, Middleton & al''The Black Book'', 35th ann. ed., p ...
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