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Fantastic Comics (Ajax-Farrell)
Fantastic Comics was a 36-page, bi-monthly, comic book anthology produced by the Iger Shop and published by the comic book publisher, Ajax-Farrell from November/December 1954 to January/February 1955. Picking up from its predecessor series, Fantastic Fears, Fantastic Comics started its issue numbering at 10, rather than 1 and consisted primarily of Horror comics, with other genres such as Science fiction, War, and Adventure being present in its other stories. In the wake of 40's-50's sentiments, Fantastic Comics likely saw a crackdown by the public, the government, and the industry, as its story content can be speculated to have violated various elements of the Comics Code Authority's 1954 code, and with these reactions, and the decline in sales they presented, the book likely ceased publication after its January/February 1955 issue. Following its suspension, Fantastic Comics was superseded in issue number by the Ajax-Farrell issues of Samson in April 1955. Noted Professio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adventure Fiction
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of Romance (prose fiction)#Definition, romance fiction. History In the Introduction to the ''Encyclopedia of Adventure Fiction'', Critic Don D'Ammassa defines the genre as follows: D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel ''A Tale of Two Cities'' is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's ''Great Expectations'' is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." Adventure has been a common theme (literature), theme since the earliest days of written fiction. Indeed, the standard plot of Romance (heroic literature), Medieval romances was a serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IDW Publishing
IDW Publishing is an American publisher of comic books, graphic novels, art books, and comic strip collections. It was founded in 1999 as the publishing division of Idea and Design Works, LLC (IDW), itself formed in 1999, and is regularly recognized as the fifth-largest comic book publisher in the United States, behind Marvel, DC, Dark Horse and Image Comics, ahead of other major comic book publishers such as Archie, Boom!, Dynamite, Valiant and Oni Press. The company is perhaps best known for its licensed comic book adaptations of movies, television shows, video games, and cartoons. History Origin in 1999 Idea and Design Works (IDW) was formed in 1999 by a group of comic book managers and artists that met at Wildstorm Productions included Ted Adams, Robbie Robbins, Alex Garner, and Kris Oprisko for an outsource art and graphic design firm. Each of the four was equal partners, owning 25%. With Wildstorm owner Jim Lee selling to DC Comics in 1999, Lee turned that company's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terror Tales
''Terror Tales'' was the name of two United States, American publications: a pulp magazine of the weird menace genre of the 1930s, and a horror comic in the 1960s and 1970s. Pulp magazine ''Terror Tales'' was originally published by Popular Publications. The first issue was published in September 1934 One of the most successful horror magazines, it was joined shortly afterwards (1935) with its sister horror pulp, ''Horror Stories (magazine), Horror Stories'', also from the same publisher. Some of the writers whose work appeared in ''Terror Tales'' included E. Hoffmann Price, Wayne Rogers, Wyatt Rainey Blassingame, Wyatt Blassingame (who later wrote nonfiction books for children), Ray Cummings, Paul Ernst (American writer), Paul Ernst, Arthur Leo Zagat and Arthur J. Burks.''Who's Who in Horror and Fantasy Fiction'', Michael Ashley, Taplinger Pub. Co., 1978. . page 234. Rudolph Belarski provided several covers for the magazine. ''Terror Tales'' ceased publication in March 1941. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eerie Publications
Eerie Publications was a publisher of black-and-white horror-anthology comics magazines. History Less well-known and more downscale than the field's leader, Warren Publishing (''Creepy'', ''Eerie'', ''Vampirella''), the company, based at 150 Fifth Avenue in New York City, was one of several related publishing ventures run by comic-book artist and 1970s magazine entrepreneur Myron Fass. Titles published during its 15 years of operation included ''Weird'', ''Horror Tales'', ''Terror Tales'', ''Tales from the Tomb'', ''Tales of Voodoo'', and ''Witches' Tales''. All of these magazines featured grisly, lurid color covers and no advertisements, having the final page of a story on the back cover. New material was mixed with reprints from 1950s pre-Comics Code horror comics. Writer and artist credits seldom appeared, but included Marvel Comics penciler/inkers Dick Ayers and Chic Stone, as well as Fass himself, with brother Irving Fass and Ezra Jackson serving as art directors. Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Wertham
Fredric Wertham (; born Friedrich Ignatz Wertheimer, March 20, 1895 – November 18, 1981) was a German-American psychiatrist and author. Wertham had an early reputation as a progressive psychiatrist who treated poor black patients at his Lafargue Clinic at a time of heightened discrimination in urban mental health practice. Wertham also authored a definitive textbook on the brain, and his institutional stressor findings were cited when courts overturned multiple segregation statutes, most notably in ''Brown v. Board of Education.'' Despite this, Wertham remains best known for his concerns about the effects of violent imagery in mass media and the effects of comic books on the development of children. His best-known book is ''Seduction of the Innocent'' (1954), which asserted that comic books caused youth to become delinquents. Besides ''Seduction of the Innocent'', Wertham also wrote articles and testified before government inquiries into comic books, most notably as part of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghoul
A ghoul ( ar, غول, ') is a demon-like being or monstrous humanoid. The concept originated in pre-Islamic Arabian religion, associated with graveyards and the consumption of human flesh. Modern fiction often uses the term to label a certain kind of undead monster. By extension, the word ghoul is also used in a derogatory sense to refer to a person who delights in the macabre or whose occupation directly involves death, such as a gravedigger or graverobber. Etymology Ghoul is from the Arabic ''ghūl'', from ''ghāla'', "to seize". In Arabic, the term is also sometimes used to describe a greedy or gluttonous individual. See also the etymology of gal and gala: "to cast spells," "scream," "crow," and its association with "warlike ardor," "wrath," and the Akkadian "gallu," which refer to demons of the underworld. The term was first used in English literature in 1786 in William Beckford's Orientalist novel ''Vathek'', which describes the ''ghūl'' of Arabic folklore. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson (Fox Feature Syndicate)
Samson is a fictional superhero that appeared in comic books published by Fox Feature Syndicate. He first appeared in ''Fantastic Comics'' #1 (Dec. 1939). The writer was uncredited, but is believed to be Will Eisner; the artist was Alex Blum, using the pseudonym "Alex Boon". Publication history After appearing in ''Fantastic Comics'' in 1939, Samson was given his own title in the fall of 1940. He simultaneously appeared in ''Big 3'' comics, along with The Flame and the Blue Beetle. Samson's origin story was revealed in ''Samson'' comics #1. ''Fantastic Comics'' ceased publication in November 1941 with issue #23. After six issues, ''Samson'' comics was changed to ''Captain Aero'' (September 1941) and Samson no longer had his own title. Finally, Samson was replaced in ''Big 3'' comics in issue #7 (Jan. 1942; this issue proved to be last) by the patriotic hero V-Man. A short-lived revival appeared in 1955 from another publisher, Ajax-Farrell. Samson is among the public doma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Comics
War comics is a genre of comic books that gained popularity in English-speaking countries following World War II. History American war comics Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre omnibus titles then popular as a format. Even prior to the U.S. involvement in World War II after the attack at Pearl Harbor, Hawaii, comic books such as '' Captain America Comics'' #1 (March 1941) depicted superheroes fighting Adolf Hitler and the Nazis. Golden Age publisher Quality Comics debuted its title ''Blackhawk'' in 1944; the title was published more or less continuously until the mid-1980s. In the post-World War II era, comic books devoted solely to war stories began appearing and gained popularity in the United States and Canada through the 1950s, the 1960s, and 1970s, i.e. covering the time periods of the Korean War and the Vietnam War. The titles tended to concentrate o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruth Roche (comics)
Ruth Ann Roche (18 February 1917 – 4 May 1983), also credited as R. A. Roche and Rod Roche, was a writer and editor in the Golden Age of Comic Books. She was also the business partner of Jerry Iger. Life and career Roche started as a writer at the Eisner-Iger studio, a packager for Fiction House, in 1940. She wrote such features as "Phantom Lady", "Senorita Rio", "Sheena, Queen of the Jungle", "Kaanga", and "Camilla". She also wrote the female-led adventure newspaper strip "Flamingo", drawn by Matt Baker and syndicated by Iger's Universal Phoenix Features Syndicate. In 1944, she created the Kismet, Man of Fate, the first Muslim superhero, published in the comic book ''Bomber Comics'' from Elliot Publishing Company. She soon became Iger's associate editor; later they became business partners, and the studio became the Roche-Iger studio. She stayed with the Roche-Iger studio until it ceased operations in 1961. She later married a man named Schaffer (or possibly "Schaefer"). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Science Fiction Comics
Publication of comic strips and comic books focusing on science fiction became increasingly common during the early 1930s in newspapers published in the United States. They have since spread to many countries around the world. History The first science fiction comic was the gag cartoon ''Mr. Skygack, from Mars'' by A.D. Condo, which debuted in newspapers in 1907. The first non-humorous science fiction comic strip, ''Buck Rogers'', appeared in 1929, and was based on a story published that year in Amazing Stories. It was quickly followed by others in the genre, such as ''Flash Gordon'', ''Brick Bradford'', and the British strip ''Dan Dare''. This influence spread to comic books, in which science fiction themes became increasingly more popular; one title was ''Planet Comics''. With the introduction of ''Superman'', the superhero genre was born, which often included science fiction elements. EC Comics had success and popularity in publishing science fiction comics of increasing co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
