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Fanfares Of Love
''Fanfares of Love'' (german: Fanfaren der Liebe) is a 1951 West German comedy film directed by Kurt Hoffmann and starring Dieter Borsche, Georg Thomalla and Inge Egger. It is a remake of the 1935 French film ''Fanfare of Love''. It was a major hit and in 1953 a sequel ''Fanfare of Marriage'' was released, showing the further adventures of the main characters. Production The story was based on a screenplay written by Robert Thoeren while working in the Weimar Republic in the early 1930s. After emigrating to Paris following the Nazi takeover of power, it was developed into a French film directed by Richard Pottier. It was shot at the Bavaria Studios in Munich with sets designed by the art director Franz Bi. Location filming also took place at Berchtesgaden in the Bavarian Alps. Hollywood remake The film was later remade in Hollywood by Billy Wilder as '' Some Like it Hot''. Thoeren screened the 1951 German film for Wilder, who secured the remake rights. In contrast to the co ...
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Kurt Hoffmann
Kurt Hoffmann (12 November 1910 – 25 June 2001) was a German film director, the son of Carl Hoffmann. He directed 48 films between 1938 and 1971. He ran a production company Independent Film along with Heinz Angermeyer. His 1958 film ''Wir Wunderkinder'' was entered into the 1st Moscow International Film Festival and his 1960 film '' The Haunted Castle'' was entered into the 2nd Moscow International Film Festival where it won the Silver Prize. His 1961 film ''The Marriage of Mr. Mississippi ''The Marriage of Mr. Mississippi'' (german: Die Ehe des Herrn Mississippi) is a 1961 Swiss-West German comedy film directed by Kurt Hoffmann and starring O.E. Hasse, Johanna von Koczian and Martin Held. It is based on the 1952 play with the ...'' was entered into the 11th Berlin International Film Festival. Selected filmography References External links * {{DEFAULTSORT:Hoffmann, Kurt 1910 births 2001 deaths Film people from Freiburg im Breisgau People from the Gran ...
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Nazi
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term " neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that ...
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All-female Band
An all-female band is a musical group in popular music that is exclusively composed of female musicians. This is distinct from a girl group, in which the female members are solely vocalists, though this terminology is not universally followed. While all-male bands are common in many rock and pop scenes, all-female bands are less common. 1920s–1950s In the Jazz Age and during the 1930s, "all-girl" bands such as the Blue Belles, the Parisian Redheads (later the Bricktops), Lil-Hardin's All-Girl Band, the Ingenues, the Harlem Playgirls led by the likes of Neliska Ann Briscoe and Eddie Crump, the International Sweethearts of Rhythm, Phil Spitalny's Musical Sweethearts, "Helen Lewis and Her All-Girl Jazz Syncopators" as well as "Helen Lewis and her Rhythm Queens were popular. Dozens of early sound films were made of the vaudeville style all-girl groups, especially short subject promotional films for Paramount and Vitaphone. (In 1925, Lee de Forest filmed Lewis and her band in his sho ...
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Jack Lemmon
John Uhler Lemmon III (February 8, 1925 – June 27, 2001) was an American actor. Considered equally proficient in both dramatic and comic roles, Lemmon was known for his anxious, middle-class everyman screen persona in dramedy pictures, leading ''The Guardian'' to coin him "the most successful tragi-comedian of his age." He starred in over sixty films and was nominated for an Academy Award eight times, winning twice, and received many other accolades, including six Golden Globe Awards (counting the honorary Cecil B. DeMille Award), two Cannes Film Festival Awards, two Volpi Cups, one Silver Bear, three BAFTA Awards, and two Emmy Awards. In 1988, he was awarded the American Film Institute's Lifetime Achievement Award for his contributions to the American cinema. His best known films include '' Mister Roberts'' (1955, for which he won the year's Oscar for Best Supporting Actor), '' Some Like It Hot'' (1959), ''The Apartment'' (1960), '' Days of Wine and Roses'' (1962), ''Irm ...
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Some Like It Hot
''Some Like It Hot'' is a 1959 American crime comedy film directed, produced and co-written by Billy Wilder. It stars Marilyn Monroe, Tony Curtis and Jack Lemmon, with George Raft, Pat O'Brien, Joe E. Brown, Joan Shawlee, Grace Lee Whitney and Nehemiah Persoff in supporting roles. The screenplay by Wilder and I. A. L. Diamond is based on a screenplay by Robert Thoeren and Michael Logan from the 1935 French film ''Fanfare of Love''. The film is about two musicians who disguise themselves by dressing as women to escape from mafia gangsters whom they witnessed committing a crime. ''Some Like It Hot'' opened to critical and commercial success and is considered to be one of the greatest films of all time. The film received six Academy Award nominations, including Best Actor, Best Director and Best Adapted Screenplay, winning for Best Costume Design. In 1989, the Library of Congress selected it as one of the first 25 films for preservation in the United States National Film Registry ...
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Billy Wilder
Billy Wilder (; ; born Samuel Wilder; June 22, 1906 – March 27, 2002) was an Austrian-American filmmaker. His career in Hollywood spanned five decades, and he is regarded as one of the most brilliant and versatile filmmakers of Classic Hollywood cinema. He was nominated for the Academy Award for Best Director eight times, winning twice, and for a screenplay Academy Award 13 times, winning three times. Wilder became a screenwriter while living in Berlin. The rise of the Nazi Party and antisemitism in Germany saw him move to Paris. He then moved to Hollywood in 1933, and had a major hit when he, Charles Brackett and Walter Reisch wrote the screenplay for the Academy Award-nominated film ''Ninotchka'' (1939). Wilder established his directorial reputation and received his first nomination for the Academy Award for Best Director with the film noir adaptation of the novel ''Double Indemnity'' (1944), for which he co-wrote the screenplay with Raymond Chandler. Wilder won the Best ...
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ...
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Bavarian Alps
The Bavarian Alps (german: Bayerische Alpen) is a collective name for several mountain ranges of the Northern Limestone Alps within the German state of Bavaria. Geography The term in its wider sense refers to that part of the Eastern Alps that lies on Bavarian state territory. However, it is traditionally understood that the Bavarian Alps are only those ranges between the rivers Lech and Saalach ('' Altbayern''). In this narrower sense, the Allgäu Alps in Swabia, which have only been part of Bavaria in more recent times, and the Berchtesgaden Alps in the east are not considered part of the Bavarian Alps. The term is frequently used, but does not correspond to the common classification of the Eastern Alps (AVE) developed by the German, Austrian and South Tyrol Alpine Clubs. It should not be confused with the term Bavarian Prealps either. The latter only covers the Bavarian section of the Prealps between the River Loisach in the west and the River Inn in the east. According t ...
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Berchtesgaden
Berchtesgaden () is a municipality in the district Berchtesgadener Land, Bavaria, in southeastern Germany, near the border with Austria, south of Salzburg and southeast of Munich. It lies in the Berchtesgaden Alps, south of Berchtesgaden; the Berchtesgaden National Park stretches along three parallel valleys. The Kehlstein mountain (), with its ''Kehlsteinhaus'' (Eagle's Nest) is located in the area. Etymology ''Berchtesgaden'', Upper Bavaria (Achental), earlier ''Perchterscadmen'', ''Perhtersgadem'', ''Berchirchsgadem'', ''Berchtoldesgadem''; the word underwent a Latin distortion of Old High German ''parach'', Romance ''bareca'' 'hay shed'. After the basic meaning was forgotten, a variant word of Old High German ''gadem'' 'room, one-room hut' was added, implying the same meaning: 'hay shed'. Cf. Old High German ''muosgadem'' 'spice room'. There was a folk etymology that supported a derivation based on the legendary figure of ''Frau'' Perchta (Berchta), a woman (''Holle'' ...
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Location Filming
In geography, location or place are used to denote a region (point, line, or area) on Earth's surface or elsewhere. The term ''location'' generally implies a higher degree of certainty than ''place'', the latter often indicating an entity with an ambiguous boundary, relying more on human or social attributes of place identity and sense of place than on geometry. Types Locality A locality, settlement, or populated place is likely to have a well-defined name but a boundary that is not well defined varies by context. London, for instance, has a legal boundary, but this is unlikely to completely match with general usage. An area within a town, such as Covent Garden in London, also almost always has some ambiguity as to its extent. In geography, location is considered to be more precise than "place". Relative location A relative location, or situation, is described as a displacement from another site. An example is "3 miles northwest of Seattle". Absolute location An absolute locatio ...
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Franz Bi
Franz Bi (2 April 1899 – 25 December 1968) was a German art director.Giesen p.197 He worked on the set design of more than forty films during his career, often in collaboration with Bruno Monden. Selected filmography * ''The Rainer Case'' (1942) * ''The Golden Spider'' (1943) * ''Beloved Darling'' (1943) * '' When the Young Wine Blossoms'' (1943) * ''A Man Like Maximilian'' (1945) * ''In the Temple of Venus'' (1948) * ''Chased by the Devil'' (1950) * ''The Man Who Wanted to Live Twice'' (1950) * ''Five Suspects'' (1950) * ''Fanfares of Love'' (1951) * ''The Blue and White Lion'' (1952) * ''House of Life'' (1952) * ''The Great Temptation'' (1952) * ''Street Serenade'' (1953) * '' A Heart Plays False'' (1953) * ''The Eternal Waltz'' (1954) * ''A Woman of Today'' (1954) * ''André and Ursula'' (1955) * '' San Salvatore'' (1956) * ''A Piece of Heaven'' (1957) * '' Restless Night'' (1958) * ''A Summer You Will Never Forget'' (1959) * ''People in the Net'' (1959) * ''Conny and Peter Ma ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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