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Family Album (play)
''Family Album'', described as "a Victorian comedy with music", is a short comic play in one scene by Noël Coward. It is one of ten short plays that make up '' Tonight at 8.30'', a cycle written to be performed in groups of three plays across three evenings. The original production, starring Coward and Gertrude Lawrence played in a pre-London tour, and then the West End, and finally New York, in 1935–1937. ''Family Album'' has been revived periodically and has been adapted for television. The play depicts a prosperous middle-class Victorian family gathered after the funeral of their father. It emerges that he was a man of bad character, who wanted to deprive his children of their inheritance, but they have the last laugh. Background In the late 1920s and early 1930s, Coward wrote a succession of hits, ranging from the operetta '' Bitter Sweet'' (1929) and the epic ''Cavalcade'' (1931), requiring a large cast, gargantuan sets and a complex hydraulic stage, to the intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Family Album
Family album may refer to: * A photo album containing family photographs Literature * ''Family Album'' (novel), a 1985 novel by Danielle Steel * ''Family Album'' (play) a 1935 short play by Noël Coward Music * ''Family Album'' (David Allan Coe album) or the title song, 1978 * ''Family Album'' (Faun Fables album), 2004 * ''Family Album'' (Stoneground album), 1971 * ''The Family Album'', an album by Rick Wakeman, 1987 * ''Family Album'', an album by Lia Ices, 2021 * ''Steve Ashley's Family Album ''Steve Ashley's Family Album'' is an album of original songs by British singer-songwriter Steve Ashley. It was released as an LP by Woodworm Records in 1983 and was reissued in LP and CD format on the Road Goes On Forever label in 1991. An ex ...'', a 1983 album by Steve Ashley Television * ''Family Album'' (1993 TV series), an American sitcom * ''Family Album'' (miniseries), a 1994 American miniseries based on the Danielle Steel novel * "Family Album" (''The Colbys''), an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Were Dancing
''We Were Dancing'' is a short comic play in two scenes by Noël Coward. It is one of ten short plays that make up ''Tonight at 8.30'', a cycle written to be performed in groups of three plays across three evenings. The original production, starring Coward and Gertrude Lawrence played in a pre-London tour, and then the West End, and finally New York, in 1935–1937. ''We Were Dancing'' has been revived periodically and was adapted for the cinema in 1942. The play depicts a married woman who falls in love with a divorced man at a dance on a South Pacific island. They plan to go to Australia, but in the cold light of morning, they realise that they have nothing in common and go their separate ways, Background In the late 1920s and early 1930s, Coward wrote a succession of hits, ranging from the operetta '' Bitter Sweet'' (1929) and the epic ''Cavalcade'' (1931), requiring a large cast, gargantuan sets and a complex hydraulic stage, to the intimate comedies ''Private Lives'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Webb (actor)
Alan Norton Fletcher Webb (2 July 1906 – 22 June 1982) was an English actor. He was principally known as a stage performer, but made several film and television appearances. He seldom played leading roles, but was frequently cast in important character parts. He created roles in plays by A. A. Milne, Noël Coward, T. S. Eliot and other contemporary playwrights. Life and career Early years Webb was born in York on 2 July 1906, the elder of the two sons of Major Thomas Francis Albertoni Webb (1862–1955) and his wife Lili, ''née'' Fletcher."Alan Norton Fletcher Webb" Ancestry UK. Retrieved 17 June 2021 Herbert, pp. 1537–1539 He was educated at |
Moya Nugent
Moya Nugent (27 March 1901 – 26 January 1954) was a British actress and singer. She made a few broadcasts and three silent films but was chiefly known as a stage performer, and was particularly associated with the works of Noël Coward, appearing in twelve of his plays and two of his revues. Before that, she appeared early in her career in ''Peter Pan'', and was cast in other children's plays and pantomimes. She was in the West End casts of revues by Cole Porter and others, and in musical comedies such as '' Lilac Time''. Her last stage role was in 1950; she died suddenly in 1954, aged 52. Life and career Nugent was born in Dublin. At the age of ten she made her first appearance on the stage, at the Playhouse Theatre, London on 21 September 1911, as Meenie in ''Rip Van Winkle''.Parker, pp. 1818–1819 Later that year she played the Baby Mermaid and Liza in ''Peter Pan'' at the Duke of York's Theatre, repeating the roles in the three succeeding annual revivals of the play. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Carten
Kenneth Hare Bicker-Caarten (29 August 1911 - 1980) was an English actor who worked under the name Kenneth Carten. Biography Kenneth Hare Bicker-Caarten was born on 29 August 1911 at Blomfield Road, Maida Vale, London, the son of middle-class parents Catherine and Edwin Hare Bicker-Caarten. His sisters were playwrights Waveney Carten and Audrey Carten. Tallulah Bankhead, a very close friend of his sister, Audrey, became a surrogate mother to Carten, who during the summer break from Eton College, went to live with them. In the late 1930s, with his sister, Audrey, he frequented the social circle of Elvira Mullens Barney. Appearances *1930: ''Charlot's Masquerade'' with Beatrice Lillie *1930: ''Wonder Bar'' with Gwen Farrar and Norah Blaney. *1933: ''Gay Love'' by Waveney Carten and Audrey Carten, with Gwen Farrar *1933: ''Please'' with Beatrice Lillie. *1934: ''Streamline'' with Tilly Losch. *1935: ''Roulette'' *1935: ''Full House'' by Ivor Novello. *1936: as Edward Valance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alison Leggatt
Alison Joy Leggatt (7 February 1904 – 15 July 1990) was an English character actress. Career Born in the Kensington district of London, Leggatt trained under Elsie Fogerty at the Central School of Speech and Drama, then based in the Royal Albert Hall, London. Leggatt spent the early part of her career primarily on the stage. Her performance in Miles Malleson's ''The Fanatics'' in 1927 launched her, according to ''The New York Times'', as "one of the most promising theatrical newcomers of her generation". Other stage work included the original 1931 Drury Lane production of ''Cavalcade'' by Noël Coward. Her first major film credit was as Aunt Sylvia in ''This Happy Breed'' (1944), Noël Coward's homage to the British working class. She was known for playing a variety of disapproving in-laws, motherly landladies, nosy neighbours and helpful housekeepers. She played opposite Petula Clark three times, in ''Here Come the Huggetts'' (1948), ''The Card'' (1952) and ''Goodbye, Mr. Chips ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Pelissier
Harry Anthony Compton Pelissier (27 July 1912 – 2 April 1988) was an English actor, screenwriter, producer and director. Biography Pelissier was born in Barnet and came from a theatrical family. His parents were the theatre producer H. G. Pelissier (who presented ''Pelissier's Follies'') and the actress Fay Compton. His uncle was Compton MacKenzie, who wrote '' Whisky Galore''. Pelissier began acting in the 1930s. In 1935 and 1936, he was featured in Noël Coward's play cycle, '' Tonight at 8.30'', both in Britain and on Broadway. He also played in Coward's ''Set to Music'' (1939) He began writing in 1937 and directing in 1949. He was the screenwriter and director of four popular films: ''The History of Mr Polly'' (1949), ''The Rocking Horse Winner'' (1950), ''Night Without Stars'' (1951), and ''Personal Affair'' starring Gene Tierney written by Lesley Storm. He also directed ''Encore'' (1951). He also directed Ealing's satire on television '' Meet Mr Lucifer'' (1953). He lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Underdown
Charles Edward Underdown (3 December 190815 December 1989) was an English theatre, cinema and television actor. He was born in London and educated at Eton College in Berkshire. Notable work Early theatre credits include: Noël Coward's '' Words and Music'' and '' Tonight at 8.30''; Cole Porter's ''Nymph Errant''; Moss Hart & Irving Berlin's ''Stop Press''; and ''Streamline''.University of Bristol Theatre Collection Database (2011). at http://www.bristol.ac.uk/theatrecollection, accessed 26 September 2011. His film credits include: ''They Were Not Divided'', '' Beat the Devil'', '' Wings of the Morning'', ''The Rainbow Jacket'', ''The Woman's Angle'', '' Her Panelled Door'', ''The Camp on Blood Island'', ''Dr. Terror's House of Horrors'', '' Thunderball'', ''Khartoum'', '' The Magic Christian'' and ''Digby, the Biggest Dog in the World''. Television appearances include: ''Dad's Army'', ''Danger Man'', ''The Saint'', '' The Avengers'', ''The Rat Catchers'', ''Weavers Green'', '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joyce Carey
Joyce Carey, OBE (30 March 1898 – 28 February 1993) was an English actress, best known for her long professional and personal relationship with Noël Coward. Her stage career lasted from 1916 until 1987, and she was performing on television in her 90s. Although never a star, she was a familiar face both on stage and screen. In addition to light comedy, she had a large repertory of Shakespearean roles. Career Joyce Carey was born Joyce Lilian Lawrence, the daughter of actor Gerald Lawrence, a matinée idol who had been a juvenile in Henry Irving's Shakespeare company, and his wife, actress Lilian Braithwaite,''Gaye'', pp 426–427 a major West End star."Obituary", ''The Times'', 3 March 1993, p. 17 Carey was educated at the Florence Etlinger Dramatic School. Carey made her stage debut in 1916, aged 18, as Princess Katherine in an all-female production of ''Henry V''. She joined Sir George Alexander's company at the St James's Theatre playing Jacqueline, a French countess, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everley Gregg
Everley Gregg (26 October 1903, in Bishopstoke, Hampshire – 9 June 1959, in Beaconsfield, Buckinghamshire) was an English actress. Early in her career, she became associated especially with plays of Noël Coward. She began making films in the 1930s and added television roles in her last decade; she acted until her last year. Life and career Gregg was the daughter of Richard Russell Gregg and his wife Gertrude Everley, ''née'' Pope. She was educated at Badminton School, Bristol, and the Royal Academy of Dramatic Art.Parker, pp. 710–711 She made her professional stage debut as the maid in Noël Coward's '' Easy Virtue'' at the Duke of York's Theatre, London. Engagements in minor parts followed in ''The Constant Nymph,'' tours in ''Easy Virtue'' and ''Hit the Deck,'' and a repertory season at the Alexandra Theatre, Birmingham. In the West End in 1929, she succeeded Phyllis Konstam as Val Power in ''The Matriarch''. Her association with the plays of Coward was renewed at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life (play)
''Still Life'' is a short play in five scenes by Noël Coward, one of ten plays that make up '' Tonight at 8.30'', a cycle written to be performed across three evenings. One-act plays were unfashionable in the 1920s and 30s, but Coward was fond of the genre and conceived the idea of a set of short pieces to be played across several evenings. The actress most closely associated with him was Gertrude Lawrence, and he wrote the plays as vehicles for them both. The play portrays the chance meeting, subsequent love affair, and eventual parting of a married woman and a physician. The sadness of their serious and secretive affair is contrasted throughout the play with the boisterous, uncomplicated relationship of a second couple. ''Still Life'' differs from most of the plays in the cycle by having an unhappy ending. The play was first produced in London in May 1936 and was staged in New York in October of that year. It has been revived frequently and has been adapted for television ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
