False Advertising Law
False or falsehood may refer to: *False (logic), the negation of truth in classical logic *Lie or falsehood, a type of deception in the form of an untruthful statement *false (Unix), a Unix command * ''False'' (album), a 1992 album by Gorefest *Matthew Dear or False (born 1979), American DJ and producer * ''Falsehood'' (1952 film), an Italian melodrama film * ''Falsehood'' (2001 film), an American short film See also * *Anrita Adharma is the Sanskrit antonym of dharma. It means "that which is not in accord with the dharma". Connotations include betrayal, discord, disharmony, unnaturalness, wrongness, evil, immorality, unrighteousness, wickedness, and vice..In Indian s ...

False (logic)
In logic, false or untrue is the state of possessing negative truth value or a nullary logical connective. In a truth-functional system of propositional logic, it is one of two postulated truth values, along with its negation, truth. Usual notations of the false are 0 (especially in Boolean logic and computer science), O (in prefix notation, O''pq''), and the up tack symbol \bot. Another approach is used for several formal theories (e.g., intuitionistic propositional calculus), where a propositional constant (i.e. a nullary connective), \bot, is introduced, the truth value of which being always false in the sense above. It can be treated as an absurd proposition, and is often called absurdity. In classical logic and Boolean logic In Boolean logic, each variable denotes a truth value which can be either true (1), or false (0). In a classical propositional calculus, each proposition will be assigned a truth value of either true or false. Some systems of classical l ...
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False (Unix)
False or falsehood may refer to: *False (logic), the negation of truth in classical logic * Lie or falsehood, a type of deception in the form of an untruthful statement *false (Unix), a Unix command * ''False'' (album), a 1992 album by Gorefest *Matthew Dear or False (born 1979), American DJ and producer * ''Falsehood'' (1952 film), an Italian melodrama film * ''Falsehood'' (2001 film), an American short film See also * *Anrita Adharma is the Sanskrit antonym of dharma. It means "that which is not in accord with the dharma". Connotations include betrayal, discord, disharmony, unnaturalness, wrongness, evil, immorality, unrighteousness, wickedness, and vice..In Indian s ...

False (album)
''False'' is the second studio album by Dutch death metal band Gorefest. It was released in 1992 via Nuclear Blast. Track listing Personnel ;Gorefest * Jan-Chris de Koeijer – vocals, bass * Frank Harthoorn – guitar * Boudewijn Bonebakker – guitar * Ed Warby Edward R. Warby (born 7 March 1968) is a Dutch musician, best known as the drummer for death metal band Gorefest and progressive rock/metal project Ayreon. He also appeared in the band Agressor in 1982 and joined the Eindhoven-based metal band ... – drums ;Production * Hannah Bear – photography * Mid – cover art * Repro Desaster – artwork (cover realization) * Markus Staiger – executive producer * Pete Coleman – engineering, mixing * Colin Richardson – engineering, producer, recording * Ton Homans – photography References 1992 albums Gorefest albums Nuclear Blast albums {{1990s-death-metal-album-stub ...
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Matthew Dear
Matthew Dear (born April 4, 1979) is an American electronic music producer and DJ. History Texas-born Dear moved to Michigan as a teenager, where he was inspired by the sound of Detroit Techno. Dear met Sam Valenti IV at a party while attending the University of Michigan, after which the two started the record label, Ghostly International, based on a shared love of electronic music. Dear's first single was 1999's "Hands Up For Detroit" (co-produced by ghettotech pioneer Disco D, who performed under the name Daisha). Successive singles, such as "Stealing Moves" and the chart-topping "Mouth to Mouth" (as Audion) were issued on Spectral Sound, Ghostly's offshoot that focuses on dancefloor music. Dear's first album ''Leave Luck to Heaven'' appeared in 2003 and was praised widely as a seminal fusion of pop and minimal techno. The album's single "Dog Days" became one of Spectral's best sellers and a favorite of international DJs like Richie Hawtin. Dear followed the album with ''Ba ...
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Falsehood (1952 Film)
''Falsehood'' ( it, Menzogna) is a 1952 Italian melodrama film.Bayman p.32 Cast * Yvonne Sanson: Luisa Sanni * Irène Galter: Mariella * Alberto Farnese: Gianni * Folco Lulli: Rocco * Mario Ferrari: Padre di Mariella * Emma Baron: Maddalena * Enrica Dyrell: Capena * Tino Carraro: Fabrizio * Gualtiero Tumiati: Don Clemente * Enrico Olivieri: Cucciolo * Carletto Sposito: Brigadiere Oriani * Virgilio Riento: Brigadiere Sante * Roberto Murolo: Il pescatore cantante * Carlo Sposito Carlo Sposito (1 May 1924 – 9 September 1984) was an Italian character actor, sometimes credited as Carletto Sposito. Born in Palermo, he was among the most active actors in the post-war Italian genre cinema. He was also pretty active on stag ...: Il brigadiere Oriani References Bibliography * Bayman, Louis. ''The Operatic and the Everyday in Postwar Italian Film Melodrama''. Edinburgh University Press, 2014. External links * 1952 films 1952 drama films Italian drama films 1950s Italian-langu ...
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Falsehood (2001 Film)
''Falsehood'' (2001 in film, 2001) is a short film written and directed by Kenneth Lui starring Anne Welles, Mark Irvingsen, Marie-Noelle Marquis and Stuart Proffitt. Its style is a highly visual fusion of film noir against classic fairy tale motifs. It is written in the style of a courtroom drama with neo-noir elements. Story The film opens on an idyllic pasture where a young Bo Peep awakens from an ill-timed nap to find her sheep missing. After searching for her sheep with no luck, she finds bloody wool remains and believes that The Big Bad Wolf has eaten her flock. Years later, the grown up Bo Peep (Anne Welles) is working as a public defense attorney and confronts her own prejudice when she's assigned to defend The Big Bad Wolf (Mark Irvingsen) in the infamous Red Riding Hood (Marie-Noelle Marquis) rape trial. In the tradition of fables, the film makes use of the interactions between humans and imaginary characters to explore themes of racial discrimination and hypocrisy se ...
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