Faerie Lullabies
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Faerie Lullabies
Fairyland (''Faerie'', Scottish ''Elfame'', c.f. Old Norse ''Álfheimr'') in English and Scottish folklore is the fabulous land or abode of fairies or ''fays''. Old French (Early Modern English ) referred to an illusion or enchantment, the land of the ''faes''. Modern English (by the 17th century) ''fairy'' transferred the name of the realm of the ''fays'' to its inhabitants, e.g. the expression ''fairie knight'' in Edmund Spenser's ''The Faerie Queene'' refers to a "supernatural knight" or a "knight of Faerie" but was later re-interpreted as referring to a knight who is "a fairy". Folklore Fairyland may be referred to simply as ''Fairy'' or ''Faerie'', though that usage is an archaism. It is often the land ruled by the " Queen of Fairy" and thus anything from fairyland is also sometimes described as being from the "Court of the Queen of " or from the Seelie court in Scottish folklore. The Scots word or ' "fairyland" has other variant forms, attested in Scottish witch trials, b ...
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Scottish Mythology
Scottish mythology is the collection of myths that have emerged throughout the history of Scotland, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives. Nature myths The myths and legends of Scotland have a "local colour" as they tell about the way of life during the olden times, apart from giving a perspective of the nature of the country during various seasons of the year. It was the belief that Beira, the Queen of Winter, had a firm hold on the country by raising storms during January and February thus preventing greenery to emerge. She was considered a tough and brutal old woman who stirred the deadly spiraling action of Corryvreckan, ushering snow, as well as torrents resulting in the overflow of rivers. Even the creation of lochs and mountains were attributed to her. Scottish mythology is not like the Greek and Roman myths as it deals with various aspects of nature. In this context ...
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Alison Pearson (accused Witch)
Alison Pearson (or Pierson) (or Alesoun Pierson) (born 1533, died Edinburgh 1588) was executed for witchcraft. On being tried in 1588, she confessed to visions of a fairy court. Background Alison Pearson was born 1533. She lived in Boarhills (Byrehill), Fife, near St Andrews, Fife. She worked as a healer around the St Andrews area with a ghost of her uncle, William Simpson, as a spirit guide. Simpson's ghost associated with fairies and a vision of him had cured Pearson of illness when she was a child. Witchcraft She was investigated for witchcraft in 1583 by Patrick Adamson, Archbishop of St Andrews; however, when he was ill and others could not cure him, treatment by Pearson led to his full recovery. Adamson's enemies claimed this was witchcraft and Pearson was imprisoned in St Andrews Castle, from where Adamson helped her to escape. Scottish Ballad-writer, Robert Sempill, wrote about Pearson and Adamson. Investigation, confession and conviction In 1588 she was again inve ...
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Fairies
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a m ...
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English Folklore
English folklore consists of the myths and legends of England, including the English region's mythical creatures, traditional recipes, urban legends, proverbs, superstitions, and folktales. Its cultural history is rooted in Celtic, Christian, and Germanic folklore. During the Renaissance in the 16th century, England looked to more European texts to develop a national identity. English folklore has continued to differ according to region, although there are shared elements across the country. Its folktales include the traditional Robin Hood tales and the Brythonic-inspired Arthurian legend, and their stories often contained a moral imperative stemming from Christian values. The folktales, characters and creatures are often derived from aspects of English experience, such as topography, architecture, real people, or real events. History Before England was founded in the year 927, Wessex and its surrounding areas' cultures were transformed by the invasion of the Danish Kin ...
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Tír Na NÓg
In Irish mythology Tír na nÓg (; "Land of the Young") or Tír na hÓige ("Land of Youth") is one of the names for the Celtic Otherworld, or perhaps for a part of it. Tír na nÓg is best known from the tale of Oisín and Niamh. Other Old Irish names for the Otherworld include Tír Tairngire (Land of Promise/Promised Land),Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. pp.1671 Tír fo Thuinn (Land under the Wave), Mag Mell (Plain of Delight/Delightful Plain), Ildathach (Multicoloured Place), and Emain Ablach (the Isle of Apple Trees). Similar myths in the northern Celtic cultures include these of Annwn, Fairyland, Avalon and Hy Brasil. Description, themes, and symbolism Tír na nÓg is depicted as an island paradise and supernatural realm of everlasting youth, beauty, health, abundance and joy. Its inhabitants are described as the Tuatha Dé Danann or the warriors of the Tuatha Dé, the gods of pre-Christian Ireland, who engage in poetry, musi ...
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Seelie
Seelie is a term for fairies in Scottish folklore, appearing in the form of seely wights or The Seelie Court. The Northern and Middle English word (also , , ), and the Scots form , mean "happy", "lucky" or "blessed." Despite their name, the seelie folk of legend could be morally ambivalent and dangerous. Calling them "seelie," similar to names such as "good neighbors," may have been a euphemism to ward off their anger. Etymology The word derives from the Old English and and the Proto-West Germanic ''*sālīg'' (“blissful, happy”). The Modern Standard English word " silly" is also derived from this root. The antonym, ''unseely'' (also ''unsall'', ''unsell)'' means "unhappy", "misfortunate" or "unholy." Seelie wights Many Scottish ballads and tales tell of "Seilie wichts" or "wights," meaning blessed beings. Julian Goodare theorized that these were legendary nature spirits, similar to but distinct from fairies. Goodare additionally hypothesized that there was a sixteent ...
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Otherworld
The concept of an otherworld in historical Indo-European religion is reconstructed in comparative mythology. Its name is a calque of ''orbis alius'' (Latin for "other Earth/world"), a term used by Lucan in his description of the Celtic Otherworld. Comparable religious, mythological or metaphysical Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility. It includes questions about the nature of conscio ... concepts, such as a realm of supernatural beings and a realm of the dead, are found in cultures throughout the world.''Gods, goddesses, and mythology'', Volume 11, C. Scott Littleton, Marshall Cavendish, 2005, , . Pp. 1286-1287 Spirits are thought to travel between worlds, or layers of existence in such traditions, usually along an Axis mundi, axis such as a world tree, giant tree, a tent pole, a river, a rope or mountains. Indo-European ...
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Childe Rowland
Childe Rowland is a fairy tale, the most popular version written by Joseph Jacobs in his ''English Fairy Tales'', published in 1890, based on an earlier version published in 1814 by Robert Jamieson. Jamieson's was repeating a "Scottish ballad", which he had heard from a tailor. Joseph Jacobs called the King of Elfland's palace "the Dark Tower" in his version, an addition he made that was not part of the original ballad. This harks to Shakespeare's ''King Lear'' and Robert Browning's poem "Childe Roland to the Dark Tower Came". Synopsis The story tells of how the four children of the Queen (by some accounts Guinevere), Childe Rowland, his two older brothers, and his sister, Burd Ellen, were playing ball near a church. Rowland kicked the ball over the church and Burd Ellen went to retrieve it, inadvertently circling the church "widdershins", or opposite the way of the sun, and disappeared. Rowland went to Merlin to ask what became of his sister and was told that she was taken to ...
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Queen Of Elphame
Queen of Elphame or "Elf-hame" (-''hame'' stem only occurs in conjectural reconstructed orthography), in the folklore belief of Lowland Scotland and Northern England, designates the elfin queen of Faerie, mentioned in Scottish witch trials. In ballads and contemporary texts, she is referred to as Queen of Elphane, Elphen, or the Fairies. She is equivalent to the Queen of Fairy who rules Faërie or Fairyland. The character as described in witch trials has many parallels with the legends of ''Thomas the Rhymer'' and ''Tam Lin''. History of usage The actual text spelling is "Quene of Elfame" and other variants in the witch trial transcripts. The supposition of a ''- hame'' stem, leading to the etymological meaning "Elf-home" in the Scots language, is speculative on the part of Robert Pitcairn, the modern editor. The ''Dictionary of the Older Scottish Tongue'' lists only the '' Elfame'' and '' elphyne'' spellings, both defined as "Fairyland".DOST (''Dictionary of the Older Scottis ...
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Robert Graves
Captain Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist and critic. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—''Good-Bye to All That'', and his speculative study of poetic inspiration ''The White Goddess'' have never been out of print. He is also a renowned short story writer, with stories such as "The Tenement" still being popular today. He earned his living from writing, particularly popular historical novels such as ''I, Claudius''; '' King Jesus''; ''The Golden Fleece''; and ''Count Belisarius''. He also was a prominent translator of Classical Latin and Ancient Greek texts; his versions of ''The Twelve Caesars'' and ...
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Thomas The Rhymer
Sir Thomas de Ercildoun, better remembered as Thomas the Rhymer (fl. c. 1220 – 1298), also known as Thomas Learmont or True Thomas, was a Scottish laird and reputed prophet from Earlston (then called "Erceldoune") in the Borders. Thomas' gift of prophecy is linked to his poetic ability. He is often cited as the author of the English ''Sir Tristrem'', a version of the Tristram legend, and some lines in Robert Mannyng's ''Chronicle'' may be the source of this association. It is not clear if the name ''Rhymer'' was his actual surname or merely a sobriquet. In literature, he appears as the protagonist in the tale about Thomas the Rhymer carried off by the " Queen of Elfland" and returned having gained the gift of prophecy, as well as the inability to tell a lie. The tale survives in a medieval verse romance in five manuscripts, as well as in the popular ballad "Thomas Rhymer" (Child Ballad number 37).Child Ballad #37. "Thomas the Rymer", The romance occurs as "Thomas off ...
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Dictionary Of The Older Scottish Tongue
The ''Dictionary of the Older Scottish Tongue'' (DOST) is a 12-volume dictionary that documents the history of the Scots language covering Older Scots from the earliest written evidence in the 12th century until the year 1700. DOST was compiled over a period of some eighty years, from 1931 to 2002. Craigie and Aitken The fundamental principles of editorial policy were established under the authority of the first editor, Sir William Craigie, who was also the third editor of the ''Oxford English Dictionary'' (1901–1928) and co-editor of the first ''OED'' Supplement (1933). Craigie was followed by Professor A. J. Aitken, who endorsed Craigie's principles, but he was nonetheless aware that the coverage of the language provided in Volumes I and II still had some room for improvement. He more than doubled the number of source texts read for the dictionary and launched a new reading programme, with more than 50 new voluntary excerptors, reading both printed editions and, mostly on m ...
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