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Faerie
Fairyland (''Faerie'', Scottish ''Elfame'', c.f. Old Norse ''Álfheimr'') in English and Scottish folklore is the fabulous land or abode of fairies or ''fays''. Old French (Early Modern English ) referred to an illusion or enchantment, the land of the ''faes''. Modern English (by the 17th century) ''fairy'' transferred the name of the realm of the ''fays'' to its inhabitants, e.g. the expression ''fairie knight'' in Edmund Spenser's ''The Faerie Queene'' refers to a "supernatural knight" or a "knight of Faerie" but was later re-interpreted as referring to a knight who is "a fairy". Folklore Fairyland may be referred to simply as ''Fairy'' or ''Faerie'', though that usage is an archaism. It is often the land ruled by the " Queen of Fairy" and thus anything from fairyland is also sometimes described as being from the "Court of the Queen of " or from the Seelie court in Scottish folklore. The Scots word or ' "fairyland" has other variant forms, attested in Scottish witch trials, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues, and though the text is primarily an allegorical work, it can be read on several levels of allegory, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairies
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, with a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy Queen
In folklore and literature, the Fairy Queen or Queen of the Fairies is a female ruler of the fairies, sometimes but not always paired with a king. Depending on the work, she may be named or unnamed; Titania and Mab are two frequently used names. Numerous characters, goddesses or folkloric spirits worldwide have been labeled as Fairy Queens. Folklore The Tuatha Dé Danann and Daoine Sidhe of Irish mythology had numerous local kings and queens. Oonagh, Una or Nuala was the wife of Finvarra or Fionnbharr, fairy king of western Ireland, although he frequently took other lovers. She was usually described living with Finvarra in his hill Cnoc Meadha, but was sometimes said to have a separate residence in Cnoc Sidh Una ( Knockshegouna). In one story following the model of the Fairies’ Midwife ( Aarne-Thompson type 476), “Fionnbharr’s wife” (unnamed) is thoughtlessly cursed by a human girl who must then serve as her midwife. Fionnbharr’s wife attempts revenge by giving the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas The Rhymer
Sir Thomas de Ercildoun, better remembered as Thomas the Rhymer (fl. c. 1220 – 1298), also known as Thomas Learmont or True Thomas, was a Scottish laird and reputed prophet from Earlston (then called "Erceldoune") in the Borders. Thomas' gift of prophecy is linked to his poetic ability. He is often cited as the author of the English ''Sir Tristrem'', a version of the Tristram legend, and some lines in Robert Mannyng's ''Chronicle'' may be the source of this association. It is not clear if the name ''Rhymer'' was his actual surname or merely a sobriquet. In literature, he appears as the protagonist in the tale about Thomas the Rhymer carried off by the " Queen of Elfland" and returned having gained the gift of prophecy, as well as the inability to tell a lie. The tale survives in a medieval verse romance in five manuscripts, as well as in the popular ballad "Thomas Rhymer" (Child Ballad number 37).Child Ballad #37. "Thomas the Rymer", The romance occurs as "Thomas off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Of Elphame
Queen of Elphame or "Elf-hame" (-''hame'' stem only occurs in conjectural reconstructed orthography), in the folklore belief of Lowland Scotland and Northern England, designates the elfin queen of Faerie, mentioned in Scottish witch trials. In ballads and contemporary texts, she is referred to as Queen of Elphane, Elphen, or the Fairies. She is equivalent to the Queen of Fairy who rules Faërie or Fairyland. The character as described in witch trials has many parallels with the legends of ''Thomas the Rhymer'' and ''Tam Lin''. History of usage The actual text spelling is "Quene of Elfame" and other variants in the witch trial transcripts. The supposition of a ''- hame'' stem, leading to the etymological meaning "Elf-home" in the Scots language, is speculative on the part of Robert Pitcairn, the modern editor. The ''Dictionary of the Older Scottish Tongue'' lists only the '' Elfame'' and '' elphyne'' spellings, both defined as "Fairyland".DOST (''Dictionary of the Older Scottis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Mythology
Scottish mythology is the collection of myths that have emerged throughout the history of Scotland, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives. Nature myths The myths and legends of Scotland have a "local colour" as they tell about the way of life during the olden times, apart from giving a perspective of the nature of the country during various seasons of the year. It was the belief that Beira, the Queen of Winter, had a firm hold on the country by raising storms during January and February thus preventing greenery to emerge. She was considered a tough and brutal old woman who stirred the deadly spiraling action of Corryvreckan, ushering snow, as well as torrents resulting in the overflow of rivers. Even the creation of lochs and mountains were attributed to her. Scottish mythology is not like the Greek and Roman myths as it deals with various aspects of nature. In this context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Sempill
Robert Sempill (the elder) (c. 1530–1595), in all probability a cadet of illegitimate birth of the noble house of Sempill or Semple, was a Scottish ballad-writer and satirist. Very little is known of Sempill's life. He was probably a soldier, and must have held some office at the Scottish court, as his name appears in the Lord Treasurer's books in February 1567 – 1568, and his writings show him to have had an intimate knowledge of court affairs. As a Protestant, he was a bitter opponent of Queen Mary and of the Catholic Church, authoring ballads supporting action against Queen Mary. Sempill was present at the siege of Leith (1559-1560) and at the siege of Edinburgh Castle, serving with the army of James Douglas, Earl of Morton. He was in Paris in 1572, but fled the country after the massacre of St Bartholomew. Three of his poems appear in the Bannatyne Manuscript. His chief works are: *''The Ballat maid vpoun Margret Fleming callit the Flemyng bark'' *''The defence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Folklore
English folklore consists of the myths and legends of England, including the English region's mythical creatures, traditional recipes, urban legends, proverbs, superstitions, and folktales. Its cultural history is rooted in Celtic, Christian, and Germanic folklore. During the Renaissance in the 16th century, England looked to more European texts to develop a national identity. English folklore has continued to differ according to region, although there are shared elements across the country. Its folktales include the traditional Robin Hood tales and the Brythonic-inspired Arthurian legend, and their stories often contained a moral imperative stemming from Christian values. The folktales, characters and creatures are often derived from aspects of English experience, such as topography, architecture, real people, or real events. History Before England was founded in the year 927, Wessex and its surrounding areas' cultures were transformed by the invasion of the Danish Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tír Na NÓg
In Irish mythology Tír na nÓg (; "Land of the Young") or Tír na hÓige ("Land of Youth") is one of the names for the Celtic Otherworld, or perhaps for a part of it. Tír na nÓg is best known from the tale of Oisín and Niamh. Other Old Irish names for the Otherworld include Tír Tairngire (Land of Promise/Promised Land),Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. pp.1671 Tír fo Thuinn (Land under the Wave), Mag Mell (Plain of Delight/Delightful Plain), Ildathach (Multicoloured Place), and Emain Ablach (the Isle of Apple Trees). Similar myths in the northern Celtic cultures include these of Annwn, Fairyland, Avalon and Hy Brasil. Description, themes, and symbolism Tír na nÓg is depicted as an island paradise and supernatural realm of everlasting youth, beauty, health, abundance and joy. Its inhabitants are described as the Tuatha Dé Danann or the warriors of the Tuatha Dé, the gods of pre-Christian Ireland, who engage in poetry, musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seelie
Seelie is a term for fairies in Scottish folklore, appearing in the form of seely wights or The Seelie Court. The Northern and Middle English word (also , , ), and the Scots form , mean "happy", "lucky" or "blessed." Despite their name, the seelie folk of legend could be morally ambivalent and dangerous. Calling them "seelie," similar to names such as "good neighbors," may have been a euphemism to ward off their anger. Etymology The word derives from the Old English and and the Proto-West Germanic ''*sālīg'' (“blissful, happy”). The Modern Standard English word " silly" is also derived from this root. The antonym, ''unseely'' (also ''unsall'', ''unsell)'' means "unhappy", "misfortunate" or "unholy." Seelie wights Many Scottish ballads and tales tell of "Seilie wichts" or "wights," meaning blessed beings. Julian Goodare theorized that these were legendary nature spirits, similar to but distinct from fairies. Goodare additionally hypothesized that there was a sixteent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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