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Fabulation
In literary criticism, the term fabulation was popularized by Robert Scholes, in his work ''The Fabulators'', to describe the large and growing class of mostly 20th century novels that are in a style similar to magical realism, and do not fit into the traditional categories of realism or (novelistic) romance. They violate, in a variety of ways, standard novelistic expectations by drastic—and sometimes highly successful—experiments with subject matter, form, style, temporal sequence, and fusions of the everyday, fantastic, mythical, and nightmarish, in renderings that blur traditional distinctions between what is serious or trivial, horrible or ludicrous, tragic or comic.M.H Abrams, A Glossary of Literary Terms, p 204 To a large extent, fabulism and postmodernism coincide; John Barth, for example, was labeled a fabulist until the term "postmodernism" was coined. References Further reading *Robert Scholes, ''The Fabulators'' (1967); also expanded upon in ''Fabulation and Metafi ...
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Robert Scholes
Robert E. Scholes (1929 – December 9, 2016) was an American literary critic and theorist. He is known for his ideas on fabulation and metafiction. Education and career Robert Scholes was born in Brooklyn, New York in 1929. After taking his A.B. at Yale University in 1950, he served as a gunnery officer in the U. S. Navy from 1952-1955. He received his Ph.D. from Cornell University in 1959, and he taught at the University of Virginia and the University of Iowa, before joining the Brown faculty in the Departments of English and Comparative Literature in 1970. After his retirement from full-time teaching in 1999, Professor Scholes was appointed Research Professor of Modern Culture and Media. With Eric S. Rabkin, he published the 1977 book ''Science Fiction: History, Science, Vision'', which considerably influenced science fiction studies. In it, they attempt to explain the literary history of the genre, but also the sciences such as physics and astronomy. Scholes became wel ...
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Apichatpong Weerasethakul
Apichatpong Weerasethakul ( th, อภิชาติพงศ์ วีระเศรษฐกุล; ; ) is a Thai independent film director, screenwriter, and film producer. Working outside the strict confines of the Thai film studio system, Apichatpong has directed several features and dozens of short films. Friends and fans sometimes refer to him as "Joe" (a nickname that he, like many with similarly long Thai names, has adopted out of convenience). His feature films include ''Uncle Boonmee Who Can Recall His Past Lives'', winner of the 2010 Cannes Film Festival Palme d'Or prize; ''Tropical Malady'', which won a jury prize at the 2004 Cannes Film Festival; ''Blissfully Yours'', which won the top prize in the Un Certain Regard program at the 2002 Cannes Film Festival; '' Syndromes and a Century'', which premiered at the 63rd Venice Film Festival and was the first Thai film to be entered in competition there; and ''Cemetery of Splendour'', which premiered in the Un Certain Re ...
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Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ...
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Novel
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itself from the la, novella, a singular noun use of the neuter plural of ''novellus'', diminutive of ''novus'', meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella.Margaret Anne Doody''The True Story of the Novel'' New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p. 1. Retrieved 25 April 2014. The ancient romance form was revived by Romanticism, especially the histori ...
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Magical Realism
Magical is the adjective for magic. It may also refer to: * Magical (horse) (foaled 2015), Irish Thoroughbred racehorse * "Magical" (song), released in 1985 by John Parr * '' Magical: Disney's New Nighttime Spectacular of Magical Celebrations'', a 2009–2014 summer fireworks show at Disneyland * Magical Company , also known as Mahō, is a Japanese entertainment company. History Established in Kobe in 1983 to design and develop video games, the company was incorporated on May 29, 1985 as Home Data. During the 80's they developed and published various ...
, a Japanese entertainment company {{Disambig ...
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Literary Realism
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). Literary realism attempts to represent familiar things as they are. Realist authors chose to depict everyday and banal activities and experiences. Background Broadly defined as "the representation of reality", realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, as well as implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in large part a matter of technique and training, and the avoidance of stylization. In the visual arts, illusionistic realism is the accurate depiction of lifeforms, perspective, and the ...
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Romance Novel
A romance novel or romantic novel generally refers to a type of genre fiction novel which places its primary focus on the relationship and romantic love between two people, and usually has an "emotionally satisfying and optimistic ending." Precursors include authors of literary fiction, such as Samuel Richardson, Jane Austen, and Charlotte Brontë. There are many subgenres of the romance novel, including fantasy, gothic, contemporary, historical romance, paranormal fiction, and science fiction. Although women are the main readers of romance novels a growing number of men enjoy them as well. The Romance Writers of America cite 16% of men read romance novels. "Many people today don’t realize that romance is more than a love story. Romance can be a complex plotline with a setting from the past in a remote, faraway place. Instead of focusing on a love story, it idealizes values and principles that seem lost in today’s world of technology and instant gratification. However, roma ...
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Postmodernism
Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticism toward the "meta-narrative, grand narratives" of modernism, opposition to epistemological, epistemic certainty or stability of meaning (semiotics), meaning, and emphasis on ideology as a means of maintaining political power. Claims to objective fact are dismissed as naïve realism, with attention drawn to the instrumental conditionality, conditional nature of knowledge claims within particular historical, political, and cultural discourses. The postmodern outlook is characterized by self-reference, self-referentiality, epistemological relativism, moral relativism, pluralism (philosophy), pluralism, irony, irreverence, and eclecticism; it rejects the "universal validity" of binary oppositions, stable identity (philosophy), identity, hierar ...
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John Barth
John Simmons Barth (; born May 27, 1930) is an American writer who is best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include ''The Sot-Weed Factor'', a satirical retelling of Maryland's colonial history, and ''Lost in the Funhouse'', a self-referential and experimental collection of short stories. Though Barth's work has been controversial among critics and readers, he was co-recipient of the National Book Award in 1973 for his novel ''Chimera'' with John Williams for ''Augustus''. Despite Barth's influence on postmodern literature in America, his influence and publicity have decreased since his novels were published. Life John Barth, called "Jack", was born in Cambridge, Maryland. He has an older brother, Bill, and a twin sister Jill. In 1947 he graduated from Cambridge High School, where he played drums and wrote for the school newspaper. He briefly studied "Elementary Theory and Adv ...
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Fiction By Genre
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and conte ...
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