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FFWD
''FFWD'' is an eponymous album by FFWD - Robert Fripp, Thomas Fehlmann, Kris Weston, and Dr. Alex Paterson. The title is also a play on the abbreviation often used on the fast forward control of a tape deck or CD player, also referenced in the "double-arrow" graphic used on the cover. The album peaked at #48 in the UK Albums Chart in August 1994. Production Fripp was recorded for hours improvising on his guitar; Paterson constructed these improvisations into working parts for the album. Critical reception ''Trouser Press ''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference ...'' wrote that "the modular systems-sounds of ''FFWD'' are neither danceable nor dreamable." Track listing #"Hidden" – 7:16 #"Lucky Saddle – 6:40 #"Drone" – 1:01 #"Hempire" – 3:12 #"Collossus" – 5: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FFWD Albums
''FFWD'' is an eponymous album by FFWD - Robert Fripp, Robert Fripp, Thomas Fehlmann, Thomas Fehlmann, Kris Weston, Kris Weston, and Alex Paterson, Dr. Alex Paterson. The title is also a play on the abbreviation often used on the fast forward control of a tape deck or CD player, also referenced in the "double-arrow" graphic used on the cover. The album peaked at #48 in the UK Albums Chart in August 1994. Production Fripp was recorded for hours improvising on his guitar; Paterson constructed these improvisations into working parts for the album. Critical reception ''Trouser Press'' wrote that "the modular systems-sounds of ''FFWD'' are neither danceable nor dreamable." Track listing #"Hidden" – 7:16 #"Lucky Saddle – 6:40 #"Drone" – 1:01 #"Hempire" – 3:12 #"Collossus" – 5:38 #"What Time Is Clock" – 1:15 #"Can of Bliss" – 3:15 #"Elevenses" – 0:49 #"Meteor Storm" – 4:25 #"Buckwheat & Grits" – 10:51 #"Klangtest" – 5:01 #"Suess Wie Eine Nuss" – 8:20 Referen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kris Weston
Kristian "Kris" Weston (a.k.a. Thrash) (born 1972) is a British electronic musician, record producer and remixer best known for his work as a member of The Orb. Around the beginning of his career, he worked with Andrew Weatherall on remixes of Meat Beat Manifesto, remixed for Saint Etienne, U2 and others. He was still a teen when working on the first few albums by The Orb. Thrash was with The Orb for less than five years, from around 1990 to the end of 1995. He appeared on the Orb albums and the many remixes they did during this period, including the album '' FFWD'', a collaboration with Robert Fripp that is credited to Fripp, Thomas Fehlmann, Weston, and Alex Paterson. He also worked with Fortran 5 on their first album ''Blues''. Late 1980s-early 1990s In 1990 and 1991, Weston performed remixes for many pop groups including Depeche Mode, Miranda Sex Garden, and Bananarama under the name ''Thrash''. The Orb In 1991 while working as a studio engineer, Kris Weston was invit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Paterson
Alex Paterson (also known as Dr Alex Paterson, born Duncan Alexander Robert Paterson; 15 October 1959 in Battersea, London) is an English musician and co-founder of ambient house group The Orb, in which he has worked since its inception. Life and work Paterson attended Kingham Hill School in Oxfordshire between 1970 and 1979, at the same time as Killing Joke bassist Martin "Youth" Glover. Paterson was a roadie for Killing Joke in the 1980s and later worked in the A&R department of E.G. Records, to whom the band were signed. New York radio stations were a force driving his musical direction, especially the Chuck Chill-Out shows on 98.7 KISS FM. In the late 1970s Paterson sang for the band 'Bloodsport' while also DJing at Killing Joke gigs. In 1989, Youth and Alex Paterson started the WAU! Mr. Modo label. Their early releases of a selection of industrial techno dubs and heavy sound system dubs from artists such as Napthali, Manasseh, Bim Sherman and Jah Warrior are long del ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Fripp
Robert Fripp (born 16 May 1946) is a British musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, Midge Ure, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista operating system, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to over 700 official releases. His compositions often feature unusual asymmetric rhythms, influenced by classical and folk traditions. His innovations include a tape delay system known as Frippertronics and new standard tuning. Early life Robert Fripp was born in Wimborne Minster, Dorset, England, the second child of a working-class family. His mother Edith (''née'' Greene; 1914–1993) was from a Welsh mining family. Her earnings f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inter-Modo
WAU/Mr. Modo Records was a record label set up by Alex Paterson and Youth. "WAU" stands for "What About Us?" (although in a 2016 interview Glover stated that it stood for "weird and unusual") and "Mr. Modo" is Adam Morris, Paterson's manager. They released several early albums by The Orb, that were mainly distributed by record labels such as Big Life. WAU/Mr. Modo Records featured releases from many different ambient artists including Sun Electric, Blue Pearl, and Keiichi Suzuki of the Japanese band Moonriders. Their sublabel, Inter-Modo, also released records from Juno Reactor and The Orb's collaborative side-project FFWD. See also * Lists of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External links * Wau! Mr. Modo Recordings Wau! Mr. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Fehlmann
Thomas Fehlmann (born 1957) is a Swiss composer/producer who lives in Berlin, Germany, and has been active in electronic music since the 1980s. He is currently active on the Kompakt record label based in Germany. Fehlmann is an on-and-off member of Sun Electric and The Orb The Orb are an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. Known for their psychedelic sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. Their influential 19 .... Notable releases include ''Visions of Blah'' on the Kompakt label, The Orb's 2004 '' Bicycles and Tricycles,'' and 2010's ''Gute Luft'' album soundtrack to the TV documentary ''24H Berlin''. His 2007 album ''Honigpumpe'' was rated 8.6 on the '' Pitchfork'' music review site. In 2018, Fehlmann released three albums: A collaborative effort with Terrence Dixon titled ''We Take It from Here'' as well as two solo albums, ''Los Lagos'' and the documentary soundtrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fast Forward
To fast-forward is to move forwards through a recording at a speed faster than that at which it would usually be played, for example two times or two point five times. The recordings are usually audio, video or computer data. It is colloquially known as 'f-forwarding'. On media control symbols, such as player buttons and interfaces, the function is commonly represented by two solid arrows pointing right and these typical icons were correctly recognised by 75% of a sample of European consumers. This symbol is represented in Unicode as . Usage in audio To reach a certain portion of a song, a person may fast-forward through a cassette tape by pressing a button (often labeled "Fast Forward" itself) on the tape deck containing the tape. The tape deck's motor activates at a speed higher than usual—for example, double the standard 1-7/8 ips playing speed of the 1/8" cassette tape—and can be stopped by the end of the tape, the pressing of a "Stop" button on the deck (or another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Deck
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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