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Expander (song)
"Expander" is a 1994 song by British electronic music group The Future Sound of London, taken from their 1992 album, ''Accelerator (The Future Sound of London album), Accelerator''. The single was released along with a remixed version and two other songs: "Moscow" and "Central Industrial". ''Accelerator'' was subsequently re-released in the US in 1996. Track listing # Expander (Radio Edit) (3:48) # Expander (Remix) (4:53) # Moscow (Remix) (4:55) # Central Industrial (4:22) Crew *Written, performed & produced by FSOL *Photography: FSOL Private Collection. Artwork design at Red Hot. Charts References External links * {{authority control The Future Sound of London songs 1994 singles 1992 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums ''Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FSOL
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), " Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London Songs
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Dance Singles Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week. The dates listed in the menus below represent the Saturday after the Sunday the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Dance Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week. The dates listed in the menus below represent the Saturday after the Sunday the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Future Sound Of London
The Future Sound of London (often abbreviated FSOL) is a British electronic music duo composed of Garry Cobain and Brian Dougans. They have been described as a "boundary-pushing" electronic act, covering techno, ambient, house music, trip hop, psychedelia, and dub. While keeping an enigmatic image and releasing music under many aliases, the band found commercial success with singles "Papua New Guinea" (1991), "Cascade" (1993), and albums '' Lifeforms'' (1994) and ''Dead Cities'' (1996). In recent years, the duo has become more candid with their fanbase online. History Formation Garry Cobain and Brian Dougans met in the mid-1980s while studying electronics at university in Manchester, England. Dougans had already been making electronic music, working between Glasgow and Manchester, when the pair first began working together in local clubs. In 1988, Dougans embarked on a project for a graphic studio ''Stakker'', which resulted with a single "Stakker Humanoid" that reached ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accelerator (The Future Sound Of London Album)
''Accelerator'' is the debut studio album by British electronic group the Future Sound of London. It was released in April 1992 by the record label Jumpin' & Pumpin'. It includes the hit single "Papua New Guinea". Release ''Accelerator'' was released in the United Kingdom in 1992 by Jumpin' & Pumpin'. Following the commercial success of the single "Papua New Guinea", the album was re-released a year later with two additional remixes. Due to record label difficulties, it could not be released in the United States until 1996, where it contained a further remix. It was re-released, enhanced, in 2001 worldwide, with a bonus CD entitled ''Papua New Guinea Remix Anthology'', which contained both old and new remixes of "Papua New Guinea", several of which had already been released on previous singles by the group. ''Accelerator'' marked the first time that The Future Sound of London worked with artist and frequent collaborator Buggy G. Riphead, who created the album's cover art. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Far-Out Son Of Lung And The Ramblings Of A Madman
''The Far-Out Son of Lung and the Ramblings of a Madman'' is an EP which was released by Future Sound of London in 1995 to promote the album ''ISDN Integrated Services Digital Network (ISDN) is a set of communication standards for simultaneous digital transmission of voice, video, data, and other network services over the digitalised circuits of the public switched telephone network. Wo ...''. Unlike the band's other EPs, there are no variations on a theme here, simply album versions of the tracks segued together in a new way. The only exception is Snake Hips, which appears in an extended version sometimes referred to as "Snake Hips (Parts 1 & 2)". Track listing # "Far-Out Son of Lung and the Ramblings of a Madman" – 4:41 # "Snake Hips" – 8:33 # "Smokin' Japanese Babe" – 5:42 # "Amoeba" – 5:00 Chart Position Crew *Written, produced and performed by FSOL. *Artwork by Buggy G. Riphead and FSOL. *The man depicted on the cover and in album artwork is "Vit", the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lifeforms (single)
"Lifeforms" is a song by British electronic music group The Future Sound of London, released as the second single from their 1994 album, '' Lifeforms''. Vocals on the single were performed by Elizabeth Fraser of the Cocteau Twins. The original version of "Lifeforms" from the album of the same name is present as "Path 3", while the album track "Life Form Ends" from the album can be heard in somewhat remixed form as "Path 5". A 2:50 edit of "Path 4" was used as a radio edit and for the promotional video for the single. It is this version that appears on the commercial compilation album The Best... Album in the World...Ever! (vol 1). In 1995, Fraser called the collaboration "disappointing". She said, "I sang my heart out for eleven fucking hours on that record and all that is on it is something that sounds like a sample. It was good, but it could have been brilliant." Brian Dougans, however, has given an alternate story, stating "If it sounds sampled it’s because that’s th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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