Exorcist Master
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Exorcist Master
''Exorcist Master'' (驅魔道長 Jyutping: ''Kui moh do jeung''; Pinyin: ''Qūmó Dàocháng''; literally, ''Expel Demon Taoist Priest'') is a Hong Kong films of 1992, 1992 Cinema of Hong Kong, Hong Kong film directed by Wu Ma and starring Wu Ma and Lam Ching-ying. It is a spin-off of the 1985 Hong Kong movie ''Mr. Vampire''. Lam Ching-ying reprises his role as a Taoist priest. Plot Priest Wu (Wu Ma) is due to re-open a church after a priest died there twenty years ago, Uncle Nine (Lam Ching-ying) recommends he does not re-open the church but Priest Wu goes ahead. The priest who died there becomes a vampire who wants to turn everyone in the town into a vampire. Cast *Lam Ching-ying as Master Chiou (Uncle Nine) *Wu Ma as Priest Wu *Collin Chou as Star (Yao-lung Chou) *Wing-Cho Yip as The Mayor *Hung Yue as Anny *Shen Yuen as Priest Shen *Chia-chun Chen as Yue Liang *Tzu-yu Yang as David References External links * *''Exorcist Master''
at Hong Kong Cinemagic 1992 films H ...
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Wu Ma
Fung Wang-yuen (22 September 1942 – 4 February 2014), better known by his stage name Wu Ma, was a Hong Kong actor, director, producer and writer. Wu Ma made his screen debut in 1963, and with over 240 appearances to his name (plus 49 directorial credits within a fifty-year period), he was one of the most familiar faces in the history of Hong Kong Cinema and is best known as the Taoist ghosthunter in ''A Chinese Ghost Story''. Early years Born Feng Hongyuan in Tianjin, Republic of China. At 16 he moved to Guangzhou and became a machinist before migrating to Hong Kong in 1960. In 1962, Feng enrolled in the Shaw Brothers acting course. Graduating a year later, he became a contract player for the studio and made his first appearance in ''Lady General Hua Mu-lan''. He then appeared in such films as ''Temple of the Red Lotus'' (1965), ''The Knight of Knights'' (1966) and ''Trail of the Broken Blade'' (1967). He took on the stage name 'Wu Ma' as it reflected the animal in the year of h ...
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Lam Ching-ying
Lam Ching-ying (; born Lam Gun-bo (); 27 December 1947 – 8 November 1997) was a Hong Kong stuntman, actor, and action director. As a practitioner of martial arts Lam starred in a number of notable films that found recognition outside Hong Kong including ''Encounters of the Spooky Kind'', ''The Prodigal Son'' and his best known role in '' Mr. Vampire''. Biography Childhood years He was born Lam Gun-bo (林根寶) on 27 December 1952 in the year of the Dragon, in Hong Kong. His family originated from Shanghai, in the People's Republic of China. Both of his parents made a living by doing catering services. Lam was the third child of six children. His family was poor, and his parents weren't educated. Lam attended Shun Yi Association Elementary School in Hong Kong, but eventually dropped out after 2 years. His father sent him to Chun Chau Drama Society to learn the Peking Opera style under the guidance of Madame Fan Fok Fa. Due to his slender and fragile body structure, Lam specia ...
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Jyutping
Jyutping is a romanisation system for Cantonese developed by the Linguistic Society of Hong Kong (LSHK), an academic group, in 1993. Its formal name is the Linguistic Society of Hong Kong Cantonese Romanization Scheme. The LSHK advocates for and promotes the use of this romanisation system. The name ''Jyutping'' (itself the Jyutping romanisation of its Chinese name, ) is a contraction consisting of the first Chinese characters of the terms ''Jyut6jyu5'' (, meaning " Yue language") and ''ping3jam1'' ( "phonetic alphabet", also pronounced as "pinyin" in Mandarin). Despite being intended as a romanisation system to indicate pronunciation, it has also been employed writing Cantonese as an alphabetic language, elevating it from its assistive status to a written language in effect. History The Jyutping system marks a departure from all previous Cantonese romanisation systems (approximately 12, including Robert Morrison's pioneering work of 1828, and the widely used Standard ...
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Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese form, to learners already familiar with the Latin alphabet. The system includes four diacritics denoting tones, but pinyin without tone marks is used to spell Chinese names and words in languages written in the Latin script, and is also used in certain computer input methods to enter Chinese characters. The word ' () literally means "Han language" (i.e. Chinese language), while ' () means "spelled sounds". The pinyin system was developed in the 1950s by a group of Chinese linguists including Zhou Youguang and was based on earlier forms of romanizations of Chinese. It was published by the Chinese Government in 1958 and revised several times. The International Organization for Standardization (ISO) adopted pinyin as an international standard ...
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Hong Kong Films Of 1992
A list of films produced in Hong Kong in 1992:. 1992 See also * 1992 in Hong Kong References External links IMDB list of Hong Kong films* Hong Kong films of 1992 aHKcinemamagic.com {{DEFAULTSORT:Hong Kong Films Of 1992 1992 Hong Kong Hong Kong ( (US) or (UK); , ), officially the Hong Kong Special Administrative Region of the People's Republic of China ( abbr. Hong Kong SAR or HKSAR), is a city and special administrative region of China on the eastern Pearl River Delt ... 1992 in Hong Kong ...
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Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ...
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Hong Kong Movie DataBase
The Hong Kong Movie Database (HKMDB) is a bilingual (English and Chinese) website started in 1995 by Hong Kong resident Ryan Law to provide a repository for information about movies originating from Hong Kong and the people who created them. The database was initially populated with data on over 6000 films, and reviews from the defunct database hosted at egret0.stanford.edu. In subsequent years it has expanded to contain information on more than 20,000 films and nearly 100,000 people, and includes films from Taiwan and China. The Database HKMDB contains information about films, people, and companies associated with Hong Kong cinema. This includes detailed film credits for cast and crew members as well as image and portrait galleries. The site also includes user-submitted film reviews. The database is bi-lingual, so movies, people and companies are required to have both Chinese and English information. Additional information about individual films such as production companies ...
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Hong Kong Cinemagic
Hong Kong Cinemagic, sometimes referred to as HKCinemagic, is a bilingual ( French and English) website providing a repository for information about Chinese language films from Hong Kong, China and Taiwan, and the people who created them. The website contains news, interviews, film reviews and a database of people, films and film studios as well as an illustrated glossary of terms. The web magazine has existed in various forms for over a decade. As of March 2009, the database contains over 10,000 films. The site was designed and is maintained by Marc Delcambre, Jean-Louis Ogé and Thomas Podvin. The key staff and editors are Stéphane Jaunin, Arnaud Lanuque, Van-Thuan Ly, Philippe Quevillart and David-Olivier Vidouze. History The original HKCinemagic1 site was created in late 1998 by Laurent Henry and Thomas Podvin, and initially hosted on Wanadoo France, it began as a site dedicated to directors Tsui Hark and Wong Kar-wai. As the site expanded with new contributors coming on board ...
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1992 Films
The year 1992 in film involved many significant film releases. Highest-grossing films The top 10 films released in 1992 by worldwide gross are as follows: Events * August 24 – Production begins on '' Jurassic Park''. Awards 1992 wide-release films January–March April–June July–September October–December Notable films released in 1992 United States unless stated # *'' 1492: Conquest of Paradise'', directed by Ridley Scott, starring Gérard Depardieu, Sigourney Weaver, Armand Assante, Loren Dean – (Spain/U.K./France) *'' 1991: The Year Punk Broke'' *'' 588 rue paradis'', Directed by Henri Verneuil, starring Richard Berry and Omar Sharif – (France) A *'' Afterburn'', directed by Robert Markowitz, starring Laura Dern, Robert Loggia, Vincent Spano, Michael Rooker *''Agantuk'' (The Stranger), directed by Satyajit Ray – (India) – winner of FIPRESCI Award at Venice Film Festival *''Al-Lail'' (The Night) – ( Syria) *'' Aladdin'', directed by John ...
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Hong Kong Action Films
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emerge ...
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1990s Monster Movies
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as the ...
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Hong Kong Martial Arts Films
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards. The first Hong Kong action films favoured the ''wuxia'' style, emphasizing mysticism and swordplay, but this trend was politically suppressed in the 1930s and replaced by kung fu films that depicted more down-to-earth unarmed martial arts, often featuring folk heroes such as Wong Fei Hung. Post-war cultural upheavals led to a second wave of wuxia films with highly acrobatic violence, followed by the emer ...
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