Exit (Pat Martino Album)
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Exit (Pat Martino Album)
''Exit'' is an album by guitarist Pat Martino which was recorded in 1976 and first released on the Muse label. Reception In his review on Allmusic, Scott Yanow notes that "This LP gave listeners a good sampling of mid-1970s Pat Martino... An excellent outing." A reviewer for ''Billboard'' stated: "Bass, piano and drums surround the guitarist... Program of six tracks ranges from frothy bossa nova through Ellington's reflective 'Come Sunday' theme to Benny Golson's semi-classic 'I Remember Clifford' with markedly effective interplay between Martino and the virtuosic bass pluckings of Richard Davis." Track listing ''All compositions by Pat Martino except as indicated'' # "Exit" - 9:23 # "Come Sunday" (Duke Ellington) - 7:30 # "Three Base Hit" - 4:30 # " Days of Wine and Roses" (Henry Mancini, Johnny Mercer) - 4:47 # " Blue Bossa" (Kenny Dorham) - 4:57 # " I Remember Clifford" (Benny Golson) - 7:48 Personnel *Pat Martino - guitar *Gil Goldstein - piano * Richard ...
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Pat Martino
Pat Martino (born Patrick Carmen Azzara; August 25, 1944 – November 1, 2021) was an American jazz guitarist and composer. Biography Martino was born Patrick Carmen Azzara in Philadelphia, Pennsylvania, United States, to father Carmen "Mickey" Azzara (d. 1990) and mother Jean (née Orlando, d. 1989). He was first exposed to jazz by his father, who sang in local clubs and briefly studied guitar. Martino began playing professionally at the age of 15 after moving to New York City. He lived for a period with Les Paul and began playing at jazz clubs such as Smalls Paradise. He later moved into a suite in the President Hotel on 48th Street. He played at Smalls for six months of the year, and played summers at the Club Harlem in Atlantic City, New Jersey. Martino played and recorded early in his career with Lloyd Price, Willis Jackson, and Eric Kloss. He also worked with jazz organists Charles Earland, Richard "Groove" Holmes, Jack McDuff, Don Patterson, Trudy Pitts, Jimmy Smith, ...
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Blue Bossa
"Blue Bossa" is an instrumental jazz composition by Kenny Dorham. It was introduced on Joe Henderson's 1963 album '' Page One''. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive li .... See also * List of post-1950 jazz standards Notes External links * 1963 compositions Bossa nova jazz standards Instrumentals 1960s jazz standards Songs with music by Kenny Dorham Hard bop jazz standards Jazz compositions in C minor {{1960s-jazz-composition-stub ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ...
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Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's " Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed recording ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Richard Davis (bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's '' Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Col ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Gil Goldstein
Gil Goldstein (born November 6, 1950 in Baltimore, Maryland) is an American jazz pianist and accordionist. He has won 5 Grammy Awards and he was nominated 8 time Biography He began studying accordion at age 5 after noticing it in The Lawrence Welk Show and stating he instantly connected with it personally, but later moved on to cello and piano at age 10. He studied at the Berklee College of Music and by 1973 was working with Pat Martino and Lee Konitz. He started with the Gil Evans Orchestra in the early 1980s and also worked with Wayne Shorter, Billy Cobham, and Jim Hall. He returned to accordion for an album by Michel Petrucciani and occasionally uses it on his solo albums. As an accordionist he toured with Richard Galliano in 2000 but also played piano on the tour. During the 1980s and 90s he was a member of the group Elements. In 1990 he toured Germany with the Blues Brothers, temporarily replacing Leon Pendarvis on keyboards. In 2007 he released the album ''The Musi ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/ hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including " Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson ...
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I Remember Clifford (song)
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Notable recordings * Bob Acri - ''Bob Acri'' (Blujazz, 2004) * Art Blakey and The Jazz Messengers – '' 1958 – Paris Olympia'' (Fontana, 1958) * Donald Byrd - ''Jazz Lab'' (Columbia, 1957) * George Cables – ''Circle'' (Contemporary, 1979) * Ray Charles – ''My Kind of Jazz'' (1970) * Kenny Dorham – ''This Is the Moment!'' (Riverside, 1958) * Don Ellis – '' Shock Treatment'' (2002) * Stan Getz and Kenny Barron – '' People Time: The Complete Recordings'' (1991) * Dizzy Gillespie – ''Dizzy Gill ...
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