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Everything's Coming Up Love
''Everything's Coming Up Love'' is a 1976 album from then-former Temptations singer, David Ruffin. Track listing All tracks composed by Van McCoy; except where indicated #"Discover Me" #"First Round Knock-Out" #"Good Good Times" (Charles H. Kipps, Jr.) #"On and Off" #"Ready, Willing And Able" #"Everything's Coming Up Love" #"Let's Get Into Something" #"Until We Said Goodbye" (Charles H. Kipps, Jr.) Personnel *Eric Gale, Hugh McCracken - guitar *Gordon Edwards - bass *Van McCoy - acoustic piano, arrangements, conductor *Leon Pendarvis, Richard Tee - electric piano, clavinet * "Bad" Steve Gadd - drums *Ralph MacDonald - congas, tambourine * Albert Bailey, Brenda Hilliard, Diane Destry, Van McCoy - background vocals *Bernie Glow, Buddy Morrow, Dominick Gravine, George Devens, Jon Faddis, Melvyn Davis, Mervin Gold, Paul Faulise, Robert Alexander - horns *Aaron Rosand, Alfred Brown, Beverly Lauridsen, Emanuel Green, Gene Orloff Gene Orloff (June 14, 1921 – March 23, 2009) was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph MacDonald
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinidadian and Tobagonian American, Trinbagonian-American percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist. His compositions include "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; "Just the Two of Us (Grover Washington Jr. song), Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by Grover Washington Jr. Career Growing up in Harlem, New York City, New York, United States, under the close mentorship of his Trinbagonian father, Patrick MacDonald (a calypsonian and bandleader originally from Trinidad and Tobago who used the stage name "Macbeth the Great"), MacDonald began showing his musical talent, particularly with the steelpan, and when he was 17 years old started playing pan for the Harry Belafonte show. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Orloff
Gene Orloff (June 14, 1921 – March 23, 2009) was an American violinist, concertmaster, arranger, contractor and session musician. Background The son of a Russian immigrant violin maker, Orloff would try and get his father's violin down from the piano and try to play it. He was only three at the time. By the time he was five, he was playing recitals in his home city of Boston. Later, he was playing concerts at venues which included performances at Carnegie Hall and with the Boston Symphony. Having won a scholarship at the Curtis Institute of Music, he left due to the schedule and found work as a commercial musician and, on occasion, was working for 15 hours work per day. During his time, the artists that Orloff performed with included Meat Loaf, The Bee Gees, Aretha Franklin, Frank Sinatra and Barbra Streisand. Orloff's daughter Marcy said that one of his favorites was Van McCoy. Career In the late 1940s, he was in Neal Hefti's orchestra, together with, among others, Curle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Faddis
Jon Faddis (born July 24, 1953) is an American jazz trumpet player, conductor, composer, and educator, renowned for both his playing and for his expertise in the field of music education. Upon his first appearance on the scene, he became known for his ability to closely mirror the sound of trumpet icon Dizzy Gillespie, who was his mentor along with pianist Stan Kenton and trumpeter Bill Catalano. Biography Jon Faddis was born in Oakland, California, United States. At 18, he joined Lionel Hampton's big band before joining the Thad Jones/Mel Lewis Orchestra as lead trumpet. After playing with Charles Mingus in his early twenties, Faddis became a noted studio musician in New York City, appearing on many pop recordings in the late 1970s and early 1980s. One such recording was "Disco Inferno" with the Players Association in which he plays trumpet recorded in 1977 on the LP ''Born to Dance''. In the mid-1980s, he left the studios to continue to pursue his solo career, which resulted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Morrow
Buddy Morrow (born Muni Zudekoff, aka Moe Zudekoff; February 8, 1919 – September 27, 2010) was an American trombonist and bandleader. Career On a scholarship at age 16, Morrow studied trombone with Ernest Horatio Clarke (1865–1947) at Juilliard from October to December 1936. During the next year he began playing trombone with Sharkey Bonano's Sharks of Rhythm, an Eddie Condon group. He then worked with Eddy Duchin, Vincent Lopez, and Artie Shaw. He became known as "Buddy Morrow" in 1938 when he joined the Tommy Dorsey band. In 1939 he performed with Paul Whiteman's Concert Orchestra for their recording of Gershwin's ''Concerto in F''. In 1940, Morrow joined the Tony Pastor band, but this was only a short detour on his way to replacing Ray Conniff in the Bob Crosby band. Shortly thereafter, he joined the U.S. Navy, during which he recorded with Billy Butterfield, leading a ten-piece band with three trombones, accompanying Red McKenzie singing four arrangements, including "Swe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Glow
Bernie Glow (February 6, 1926 – May 8, 1982) was an American trumpet player who specialized in jazz and commercial lead trumpet from the 1940s to 1970s. Glow's early career was on the road with Artie Shaw, Woody Herman and others during the last years of the Big band, big-band era. The majority of his years were spent as a first-rate New York City studio musician, where he worked with Miles Davis and Frank Sinatra, and did thousands of radio and television recording sessions. Training At The High School of Music & Art, during the Second World War, Bernie played in bands with future notables Stan Getz, Tiny Khan, Shorty Rogers and George Wallington. Other than the influence of symphonic trumpet masters and his peers, Glow was influenced early on by performances of Snooky Young with the Jimmie Lunceford band, and Billy Butterfield with Benny Goodman. Early career 1942–1949 Just sixteen and out of high school, Glow spent a year on the road with the Richard Himber Orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diane Destry
Faith Hope and Charity was the name of a vocal group from Tampa, Florida. They are best known for their 1975 hit, " To Each His Own". They were also an in-demand group of session singers in New York studios during the 1970s. Career The founding members of the group were Zulema Cusseaux, Brenda Hilliard and Al Bailey. They were originally a trio called the Lovelles, when they met record producer Van McCoy, who signed them to a recording contract at Maxwell Records. At this time, the group's name was changed to Faith, Hope and Charity. Their song "So Much Love" hit #14 on the ''Billboard'' R&B chart and #51 on the Hot 100 in 1970. The subsequent release "Baby Don't Take Your Love" reached #36 R&B and #96 in the Hot 100. Cusseaux left Faith, Hope and Charity in 1971, shortly after a label switch to Sussex Records, and started a solo career. She was eventually replaced by Diane Destry in 1974. Their biggest hit came with a switch to RCA Records in the mid-1970s. With Van McCoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brenda Hilliard
Faith Hope and Charity was the name of a vocal group from Tampa, Florida. They are best known for their 1975 hit, " To Each His Own". They were also an in-demand group of session singers in New York studios during the 1970s. Career The founding members of the group were Zulema Cusseaux, Brenda Hilliard and Al Bailey. They were originally a trio called the Lovelles, when they met record producer Van McCoy, who signed them to a recording contract at Maxwell Records. At this time, the group's name was changed to Faith, Hope and Charity. Their song "So Much Love" hit #14 on the ''Billboard'' R&B chart and #51 on the Hot 100 in 1970. The subsequent release "Baby Don't Take Your Love" reached #36 R&B and #96 in the Hot 100. Cusseaux left Faith, Hope and Charity in 1971, shortly after a label switch to Sussex Records, and started a solo career. She was eventually replaced by Diane Destry in 1974. Their biggest hit came with a switch to RCA Records in the mid-1970s. With Van McCoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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