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Euphiletos Painter Panathenaic Prize Amphora
The Euphiletos Painter Panathenaic Amphora is a black-figure terracotta amphora from the Archaic Period depicting a running race, now in the Metropolitan Museum of Art in New York. It was painted by the Euphiletos Painter as a victory prize for the Panathenaic Games in Athens in 530 BC. Description The amphora was made by the Euphiletos Painter in 530 BC near the end of the Archaic Period of Greece. It was discovered in Attica. Made out of terracotta, the amphora has a height of 24.5 inches (62.2 cm). On one side of the vase there is a depiction of a foot race, or '' stadion'', and on the other side of the vase is a depiction of Athena Promachos. Many Panathenaic amphorae featured Athena in this pose and the event for which the vase was a prize for on the other side. Athena, brandishing a spear in one hand and a shield in the other, stands in between two pillars that have roosters sitting atop them. Alongside the left pillar is an inscription in Greek. This Attic amphora i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta Panathenaic Prize Amphora MET DP245711
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stadion (running Race)
''Stadion'' or ''stade'' ( grc, στάδιον) was an ancient running event, part of the Ancient Olympic Games and the other Panhellenic Games. It was one of the five major Pentathlon events. It was the premier event of the ''gymnikos agon'' (γυμνικὸς ἀγών "nude competition"). History From the years 776 to 724 BC, the ''stadion'' was the only event that took place at the Olympic Games. The victor gave his name to the entire four-year Olympiad, which has allowed scholars to know the names of nearly every ancient Olympic stadion winner. The ''stadion'' was named after the building in which it took place, also called the ''stadion''. This word became ''stadium'' in Latin, which became the English word stadium. The race also gave its name to the unit of length, the stadion. There were other types of running events, but the ''stadion'' was the most prestigious; the winner was often considered to be the winner of an entire Games. Though a separate event, the ''stadion' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Amphorae
Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the ''aegis'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pithos
Pithos (, grc-gre, πίθος, plural: ' ) is the Greek name of a large storage container. The term in English is applied to such containers used among the civilizations that bordered the Mediterranean Sea in the Neolithic, the Bronze Age and the succeeding Iron Age. Pithoi were used for bulk storage, primarily for fluids and grains; they were comparable to the drums, barrels and casks of recent times. The name was different in other languages; for instance, the Hittites used ''harsi-''. Secondarily, discarded pithoi found other uses. Like the ceramic bathtubs of some periods, the size of a pithos made it a convenient coffin. In Middle Helladic burials in Mycenae and Crete, sometimes the bones of the interred were placed in pithoi. The ancient Iberian culture of El Argar used pithoi for coffins in its B phase (1500–1300 BC). The external shape and materials were approximately the same: a ceramic jar about as high as a man, a base for standing, sides nearly straight or gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moria (tree)
In ancient Greece, the moriai (plural of moria) were olive trees considered to be the property of the state because of their religious significance. Overview From ''Attic Orators'', vol. I. p. 289: Throughout Attica, besides the olives which were private property (ἴδιαι ἐλαῖαι, Lys. or. 7 § 10) there were others which, whether on public or on private lands, were considered as the property of the State. They were called "moriae" (μορίαι), the legend being that they had been propagated (μεμορημέναι) from the original olive which Athena herself had caused to spring up on the Acropolis. This theory was convenient for their conservation as State property, since, by giving them a sacred character, it placed them directly under the care of the Areiopagus, which caused them to be visited once a month by Inspectors (ἐπιμεληταί, Lys. or. 7 § 29), and once a year by special Commissioners (γνώμονες, ib. § 25). To uproot a moria was an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pankration
Pankration (; el, παγκράτιον) was a sporting event introduced into the Greek Olympic Games in 648 BC, which was an empty-hand submission sport with few rules. The athletes used boxing and wrestling techniques but also others, such as kicking, holds, joint-locks, and chokes on the ground, making it similar to modern mixed martial arts. The term comes from the Greek , meaning 'all of power', from (''pan'') 'all' and (''kratos'') 'strength, might, power'. History In Greek mythology, it was said that the heroes Heracles and Theseus invented pankration as a result of using both wrestling and boxing in their confrontations with opponents. Theseus was said to have used pankration to defeat the Minotaur in the Labyrinth. Heracles too was often depicted in ancient artworks subduing the Nemean lion using pankration. In this context, pankration was also referred to as ''pammachon'' or ''pammachion'' (πάμμαχον or παμμάχιον), meaning "total combat," from π ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panathenaic Amphora
Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were and high. This oil came from the sacred grove of Athena at Akademia. The amphorae which held it had the distinctive form of tight handles, narrow neck and feet, and they were decorated with consistent symbols, in a standard form using the black figure technique, and continued to be so, long after the black figure style had fallen out of fashion. Some Panathenaic amphorae depicted Athena Promachos, goddess of war, advancing between columns brandishing a spear and wearing the ''aegis'', and next to her the inscription ''"(one) of the prizes from Athens"''. On the back of the vase was a representation of the event for which it was an award. Sometimes roosters are depicted perched on top of the columns. The significance of the roosters remains a mystery. Later amphorae also had that year's archon's name written on it making finds of those ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena Promachos
The ''Athena Promachos'' (, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Pheidias, which stood between the Propylaea and the Parthenon on the Acropolis of Athens. Athena was the tutelary deity of Athens and the goddess of wisdom and warriors. Pheidias also sculpted two other figures of Athena on the Acropolis, the huge gold and ivory ("chryselephantine") cult image of ''Athena Parthenos'' in the Parthenon and the ''Lemnian Athena''. The designation ''Athena Promachos'' is not attested before a dedicatory inscription of the early fourth century CE; Pausanias (1.28.2) referred to it as "the great bronze Athena" on the Acropolis. History The ''Athena Promachos'' was one of the earliest recorded works by Pheidias and was originally a well-known and famous Athenian landmark. According to the Greek traveler and geographer, Pausanias, the top of Athena's helmet as well as the tip of her spear could be seen by sailors and anyone approachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta Panathenaic Prize Amphora MET DT5492
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including vessels (notably flower pots), water and waste water pipes, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed pieces, and those made for building construction and industry, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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