Eugene Lanceray
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Eugene Lanceray
Yevgeny Yevgenyevich Lanceray (russian: Евгений Евгеньевич Лансере; 23 August 1875 – 13 September 1946), also often spelled Eugene Lansere, was a Russian graphic artist, painter, sculptor, mosaicist, and illustrator, associated stylistically with ''Mir iskusstva'' (Mir iskusstva, the World of Art).Scholl, Tim. "From Petipa to Balanchine: Classical Revival and the Modernization of Ballet", page 144. London: Routledge, 1994. Early life and education Lanceray was born in Pavlovsk, Saint Petersburg, Pavlovsk, Russia, a suburb of Saint Petersburg. He came from a prominent Russian artistic family of French origin.Chilvers, Ian. "A Dictionary of Twentieth-Century Art", p. 560. Oxford: Oxford University Press, 1999. His fatherEugeny Alexandrovich Lanceray was a sculptor. His grandfather Nicholas Benois, and his uncle Leon Benois, were celebrated architects. Another uncle, Alexandre Benois, was a respected artist, art critic, historian and preservationist. His ...
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Ernst Friedrich Von Liphart
Baron Ernst Friedrich von Liphart (1847–1932), Russified as Ernst Karlovich Lipgart and also referred to in English as Earnest Lipgart, was a painter, a noted art expert and art collector from what is now Tartu in Estonia. After living for a time in Florence, he moved to France and then to Russia, where he was a curator at the Hermitage Museum. Life Liphart was born in Kambja Parish in Tartu County in 1847. His father, Karl Eduard von Liphart, came from a noble Baltic German family that was based at Raadi Manor in what is now Estonia. His family were members of the national intelligentsia and owned a significant art collection.History of Manor
, Eesti. Rahva Muuseum, retrieved 30 December 2013

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Serebryakova
Serebryakov or Serebriakov (russian: Серебряков) is a Russian masculine surname originating from the word ''serebryak'', meaning ''silversmith''; its feminine counterpart is Serebryakova or Serebriakova. Notable persons with the surname include: * Aleksei Serebryakov (other), multiple persons * Alexander Serebryakov (born 1987), Russian cyclist * Boris Serebryakov (1941–1971), Soviet serial killer * Daria Serebriakova (born 1995), Russian badminton player *Esper Serebryakov (1854–1921), director of the Russian-language newspaper '' Nakanune'' *Galina Serebryakova (1905–1980), Polish-Russian writer * I. D. Serebryakov (1917–1998), Russian lexicographer and translator * Lazar Serebryakov (1795–1862), Russian admiral *Leonid Serebryakov (1890–1937), Soviet politician * Maria Serebriakova (born 1965), Russian artist *Nikolay Serebryakov (1928–2005), Soviet and Russian director of animated films * Pavel Serebryakov (1909–1977), Russian pianist *Zinaida ...
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Russian Avant-garde
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum and Neo-primitivism. Many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, Wassily Kandinsky, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde. The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism. Artists and de ...
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Revolution Of 1917
The Russian Revolution was a period of political and social revolution that took place in the former Russian Empire which began during the First World War. This period saw Russia abolish its monarchy and adopt a socialist form of government following two successive revolutions and a bloody civil war. The Russian Revolution can also be seen as the precursor for the other European revolutions that occurred during or in the aftermath of WWI, such as the German Revolution of 1918. The Russian Revolution was inaugurated with the February Revolution in 1917. This first revolt focused in and around the then-capital Petrograd (now Saint Petersburg). After major military losses during the war, the Russian Army had begun to mutiny. Army leaders and high ranking officials were convinced that if Tsar Nicholas II abdicated, the domestic unrest would subside. Nicholas agreed and stepped down, ushering in a new government led by the Russian Duma (parliament) which became the Russian Provi ...
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Moscow Kazansky Railway Station
Kazansky railway terminal (russian: Каза́нский вокза́л, ''Kazansky vokzal'') also known as Moscow Kazansky railway station (russian: Москва́-Каза́нская, ''Moskva-Kazanskaya'') is one of nine railway terminals in Moscow, situated on the Komsomolskaya Square, across the square from the Leningradsky and Yaroslavsky stations. Kazansky station primarily serves two major railway lines radiating from Moscow: the eastbound one, to Kazan, Yekaterinburg, and points beyond (one of the routes of the Trans-Siberian Railway), and the south-east-bound one, to Ryazan. After Ryazan, the south-eastern line branches a number of times, so that trains originating from Kazansky station serve most of south-eastern Russia, Kazakhstan, and the post-Soviet Central Asian states (mostly via the Trans-Aral line). Commuter trains serving these two directions use Kazansky station as well. Occasionally, long-distance trains serving the eastbound Moscow-Nizhny Novgorod line ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Léon Bakst
Léon Bakst (russian: Леон (Лев) Николаевич Бакст, Leon (Lev) Nikolaevich Bakst) – born as Leyb-Khaim Izrailevich (later Samoylovich) Rosenberg, Лейб-Хаим Израилевич (Самойлович) Розенберг (27 January (8 February) 1866 – 28 December 1924) was a Russian painter and scene and costume designer of Jewish origin. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes. He designed the décor for such productions as ''Carnaval'' (1910), ''Spectre de la rose'' (1911), ''Daphnis and Chloe'' (1912), ''The Sleeping Princess'' (1921) and others. Early life Leyb-Khaim Izrailevich (later Samoylovich) Rosenberg was born in Grodno, into a middle-class Jewish family. As his grandfather was an exceptional tailor, the Tsar gave him a very good position, and he had a huge and wonderful house in Saint Petersburg. Later, when Leyb's parents moved to the capi ...
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Walter Nouvel
Walter Feodorovich Nouvel (russian: Вальтер Федорович Нувель) (1871–1949) was a Russian émigré art-lover and writer. He co-wrote with Arnold Haskell a biography of Sergei Pavlovitch Diaghilev (''Diaghileff. His Artistic and Private life''), and was the ghost-writer of Igor Stravinsky's autobiography ''Chronique de ma Vie (Chronicle of my life)''. Nouvel fled the Soviet Union in 1919 and worked as secretary and factotum for Diaghilev's Ballets Russes The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. A .... Literature: Zil'bershtein, I.S. and V.A. Samkov, eds. Sergei Diagilev i russkoe iskusstvo, 2.vols. Moscow: Iskusstvo 1982. vol. 2, pp. 342–343. References 1871 births 1949 deaths {{Russia-writer-stub ...
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Konstantin Somov
Konstantin Andreyevich Somov (russian: Константин Андреевич Сомов; November 30, 1869 – May 6, 1939) was a Russian artist associated with the ''Mir iskusstva''. Biography Early life Konstantin Somov was born on November 30, 1869 in St. Petersburg. He was the second son of art historian and curator of the Hermitage Museum Andrei Somov. His mother, Nadezhda Konstantinovna, came from the noble family of the Lobanovs. She was well-educated and a musician. She instilled in her children a love of theater, music, and painting. The Somovs had a large private collection of old prints, paintings and drawings. Young Konstantin dreamed of becoming an artist from a very young age. For the first time Alexandre Benois met with Somov in the private gymnasium of Karl May. Dmitry Filosofov also studied there, and Somov found a common language and even became friends with him. Benois in his memoirs says that their manner of sticking together, but apart from everyon ...
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Literary Magazine
A literary magazine is a periodical devoted to literature in a broad sense. Literary magazines usually publish short stories, poetry, and essays, along with literary criticism, book reviews, biographical profiles of authors, interviews and letters. Literary magazines are often called literary journals, or little magazines, terms intended to contrast them with larger, commercial magazines. History ''Nouvelles de la république des lettres'' is regarded as the first literary magazine; it was established by Pierre Bayle in France in 1684. Literary magazines became common in the early part of the 19th century, mirroring an overall rise in the number of books, magazines, and scholarly journals being published at that time. In Great Britain, critics Francis Jeffrey, Henry Brougham and Sydney Smith founded the '' Edinburgh Review'' in 1802. Other British reviews of this period included the ''Westminster Review'' (1824), ''The Spectator'' (1828), and ''Athenaeum'' (1828). In the Unite ...
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