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Eugen Szenkar
Eugen Szenkar (Hungarian: Szenkár Jenő; 9 April 189125 March 1977) was a Hungarian-born German-Brazilian conductor who made an international career in Austria, Germany, Russia, and Brazil. He promoted the stage works of Bela Bartók and other contemporary music at the Oper Frankfurt, the Cologne Opera, where he conducted the world premiere of ''The Miraculous Mandarin'', and in Berlin. He conducted all of the symphonies by Gustav Mahler. Szenkar escaped the Nazi regime in 1933 to Vienna, Paris, and Moscow, from where he was expelled in a Stalinist purge. He tried to build musical life in Rio de Janeiro from 1939 but returned to Germany after World War II. He remained faithful to his intentions for life, although he was often restricted as a Jew, a foreigner, a perceived leftist, and a non-conformist. As he preferred live performances to recording, few sound documents of his work are extant. Life Szenkar was born in Budapest, the son of the conductor, organist and composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austria-Hungary
Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of 1867 in the aftermath of the Austro-Prussian War and was dissolved shortly after its defeat in the First World War. Austria-Hungary was ruled by the House of Habsburg and constituted the last phase in the constitutional evolution of the Habsburg monarchy. It was a multinational state and one of Europe's major powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at and the third-most populous (after Russia and the German Empire). The Empire built up the fourth-largest machine building industry in the world, after the United States, Germany and the United Kingdom. Austria-Hungary also became the world's third-largest manufacturer and exporter of electric home appliances, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Koessler
Hans von Koessler (1 January 1853 – 23 May 1926) was a German composer, conductor and music teacher. In Hungary, where he worked for 26 years, he was known as János Koessler. Biography Koessler, a cousin of Max Reger, was born in Waldeck, Fichtelgebirge (now part of Kemnath, Upper Palatinate). He was taught the organ from 1874 to 1877 by Josef Rheinberger and attended the choir lessons of Franz Wüllner in Munich. Immediately after that, he moved to Dresden, where he was appointed director and teacher for music theory and choral music at the Dresden School of Music. From 1878, he was also conductor of the Dresdner Liedertafel orchestra. From 1882 to 1908, he initially taught organ and choir at the National Music Academy of Budapest in Hungary. Later, he also became professor for composition and was also given a peerage. His students became some of the best Hungarian composers of the time: Zoltán Kodály, Béla Bartók, Ernő Dohnányi; for more After his retirement in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Klemperer
Otto Nossan Klemperer (14 May 18856 July 1973) was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor. A protégé of the composer Gustav Mahler, Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. From 1929 to 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. The rise of the Nazis caused him to leave Germany in 1933, and shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumour. An operation to remove it was succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Des Westens
The Theater des Westens (Theatre of the West) is one of the most famous theatres for musicals and operettas in Berlin, Germany, located at 10–12 in Charlottenburg. It was founded in 1895 for plays. The present house was opened in 1896 and dedicated to opera and operetta. Enrico Caruso made his debut in Berlin here, and the Ballets Russes appeared with Anna Pavlova. In the 1930s it was run as the Volkstheater Berlin. After World War II it served as the temporary opera house of Berlin, the Städtische Oper (Municipal Opera). In 1961 it became the first theatre in Germany to show musicals. Since then it has become the "German equivalent of Broadway extravaganzas", putting on plays and musical comedies. History The theatre was founded in 1895. The construction of the present building began in 1896, designed by Bernhard Sehring. It was opened on 1 October 1896 with a fairy tale, Holger Drachmann's ''Tausendundeine Nacht''. From 1898 the house was used for opera, from 1908 for operet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generalmusikdirektor
A music(al) director or director of music is the person responsible for the musical aspects of a performance, production, or organization. This would include the artistic director and usually chief conductor of an orchestra or concert band, the director of music of a film, the director of music at a radio station, the person in charge of musical activities or the head of the music department in a school, the coordinator of the musical ensembles in a university, college, or institution (but not usually the head of the academic music department), the head bandmaster of a military band, the head organist and choirmaster of a church, or an organist and master of the choristers (the title given to a director of music at a cathedral, particularly in England). Orchestra The title of "music director" or "musical director" is used by many symphony orchestras to designate the primary conductor and artistic leader of the orchestra. The term "music director" is most common for orchestras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wooden Prince
''The Wooden Prince'' ( hu, A fából faragott királyfi), Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914–1916 (orchestrated 1916–1917) to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango. The work ''The Wooden Prince'' has never achieved the fame of Bartók's other ballet, ''The Miraculous Mandarin'' (1926) but it was enough of a success at its premiere to prompt the Opera House to stage Bartók's opera, ''Bluebeard's Castle'' (which had not been performed since 1911) in the following year. Like ''Bluebeard'', ''The Wooden Prince'' uses a huge orchestra (it even includes saxophones), though the critic Paul Griffiths believes it sounds like an earlier work in style (Griffiths p. 71). The music shows the influence of Debussy and Richard Strauss, as well as Wagner (the introduction echoes the prelude of ''Das Rheingold''). Bartók used a scenario by the poet Béla Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluebeard's Castle
''Duke Bluebeard's Castle'' ( hu, A kékszakállú herceg vára, link=no, or ''The Blue-Bearded Duke's Castle'') is a one-act expressionism, expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale ''Bluebeard, La Barbe bleue'' by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard (), and his new wife Judith (); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time. ''Bluebeard's Castle'', András Szőllősy, Sz. 48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the Royal Hungarian Opera House in Budapest. Universal Edition published the vocal (1921) and full score (1925). The Boosey & Hawkes full score includes only the German and English singing translations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Prinzessin Girnara
(''The Princess Girnara''), Op. 27, is an opera in two acts by Egon Wellesz to a libretto by Jakob Wassermann which he based on his own text. It was the composer's first opera. The world premiere was performed on 14 May 1921 simultaneously at the Oper Frankfurt and the Opernhaus Hannover. A revised version was first performed at the Nationaltheater Mannheim in 1928. History Egon Wellesz was prompted to compose his first opera by listening to a reading by Jakob Wassermann from his then unpublished ''Die Prinzessin Girnara: Weltspiel und Legende'' in summer 1918. Based on an Indian legend, it was a play not intended for the stage, but to be read. It was published by Ed. Strache in Warnsdorf in 1919,''Die Prinzessin Girnara'' zulu-ebooks.com as the conclusion of his novel ''Christian Wahnscha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Rottenberg
Ludwig Rottenberg (11 October 1865 – 6 May 1932) was an Austrian/German composer and conductor. Biography Rottenberg came from a German-speaking Jewish family in Czernowitz, the then-capital of Bukovina, which at the time was part of the Austrian-Hungarian Monarchy. He studied music in his birthplace, and later at the Vienna Conservatory. During his studies he conducted an amateur orchestra and worked as a Lieder accompanist. He started his professional conducting career at the Brno opera house. In 1892 he succeeded Felix Dessoff as ''Erster Kapellmeister'' at the Frankfurt Opera. He was recommended for the position by Johannes Brahms and Hans von Bülow, being preferred to two other famous applicants, Richard Strauss and Felix Mottl. He held this position until 1926. During his tenure he worked with six different artistic directors, and helped establish the Frankfurt Opera as one of the leading opera houses of its time. Numerous contemporary operas were staged there durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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