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Ethniu
In Irish mythology, Ethniu (), or Eithne (Modern Irish pronunciation: ) in modern spelling, is the daughter of the Fomorian leader Balor, and the mother of Lugh. She is also referred to as Ethliu (modern Eithle), Eithlionn (genitive; modern Eithleann), and Ethlinn (dative; modern Eithlinn). Name Ethniu is a fine example of the difficulty of conducting research into Irish mythology. Her oldest version of her name is probably Ethliu or Ethniu, giving rise to the modern Irish name Eithne. However thanks to changes in the Irish language, the lack of standardised spelling for many centuries, and attempts to anglicise the name, variations have arisen. Linguistic ignorance has further confused the issue: the genitive form of ''Ethniu'' is ''Ethnenn'' (modern ''Eithneann'') and the genitive of ''Ethliu'' is ''Ethlenn/Ethlinn'' (modern ''Eithleann/Eithlinn''), as in ''mac Ethlenn'' ("Ethliu's son"). This genitive has often been taken for a nominative, or a mistaken nominative has been in ...
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Lugh
Lugh or Lug (; ga, label=Modern Irish, Lú ) is a figure in Irish mythology. A member of the Tuatha Dé Danann, a group of supernatural beings, Lugh is portrayed as a warrior, a king, a master craftsman and a savior.Olmsted, Garrett. ''The Gods of the Celts and the Indo-Europeans''. University of Innsbruck, 1994. p.117 He is associated with skill and mastery in multiple disciplines, including the arts.Monaghan, Patricia. ''The Encyclopedia of Celtic Mythology and Folklore''. Infobase Publishing, 2004. pp.296-297 Lugh also has associations with oaths, truth and the law, and therefore with rightful kingship.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p.1200 Lugh is linked with the harvest festival of Lughnasadh, which bears his name. His most common epithets are ''Lámfada'' ("long hand" or "long arm", possibly for his skill with a spear or his ability as a ruler) and ''Samildánach'' ("equally skilled in many arts"). In mythology, Lugh is the ...
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Cian And Ethnea Millar
In Irish mythology, Cian or Cían (), nicknamed Scal Balb, was the son of Dian Cecht, the physician of the Tuatha Dé Danann, and best known as the father of Lugh Lamhfada. Cían's brothers were Cu, Cethen, and Miach. Cían was slain by the Sons of Tuireann, for which Lugh demanded various treasures around the world as éraic (compensation), according to the account in the "Book of Invasions" (''Lebor Gabála Érenn'', LGE) as well as the late romance version "The Fate of the Children of Tuireann". Name Cían means "enduring one"; ''cían'' signifying "long, enduring, far, distant". Scal BalbLebor Gabála Érenn, , p. 101 (Introduction); ¶311 p. 116 ¶330 p. 148–, ¶368 p. 186– is a nickname borne by other personages and means "dumb champion", with "dumb" in the sense of unable to make speech. By most accounts, Lug's mother is the Fomorian princess Ethniu,Lebor Gabála Érenn, ed. tr. ¶311 p. 117 but according to an interpolated text the LGE, Cían is also known by t ...
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Cian
In Irish mythology, Cian or Cían (), nicknamed Scal Balb, was the son of Dian Cecht, the physician of the Tuatha Dé Danann, and best known as the father of Lugh Lamhfada. Cían's brothers were Cu, Cethen, and Miach. Cían was slain by the Sons of Tuireann, for which Lugh demanded various treasures around the world as éraic (compensation), according to the account in the "Book of Invasions" (''Lebor Gabála Érenn'', LGE) as well as the late romance version "The Fate of the Children of Tuireann". Name Cían means "enduring one"; ''cían'' signifying "long, enduring, far, distant". Scal BalbLebor Gabála Érenn, , p. 101 (Introduction); ¶311 p. 116 ¶330 p. 148–, ¶368 p. 186– is a nickname borne by other personages and means "dumb champion", with "dumb" in the sense of unable to make speech. By most accounts, Lug's mother is the Fomorian princess Ethniu,Lebor Gabála Érenn, ed. tr. ¶311 p. 117 but according to an interpolated text the LGE, Cían is also known by t ...
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Fomorians
The Fomorians or Fomori ( sga, Fomóire, Modern ga, Fomhóraigh / Fomóraigh) are a supernatural race in Irish mythology, who are often portrayed as hostile and monstrous beings. Originally they were said to come from under the sea or the earth. Later, they were portrayed as sea raiders and giants. They are enemies of Ireland's first settlers and opponents of the Tuatha Dé Danann, the other supernatural race in Irish mythology; although some members of the two races have offspring. The Tuath Dé defeat the Fomorians in the '' Battle of Mag Tuired''. This has been likened to other Indo-European myths of a war between gods, such as the Æsir and Vanir in Norse mythology and the Olympians and Titans in Greek mythology. One theory is that the Fomorians were supernatural beings representing the wild or destructive powers of nature; personifications of chaos, darkness, death, blight and drought.MacCulloch, John Arnott. ''The Religion of the Ancient Celts''. The Floating Press, 2 ...
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Delbáeth
Delbáeth or Delbáed (modern spelling: Dealbhaoth or Dealbhaodh) was one of several figures from Irish mythology who are often confused due to the repetition of the name in the mythological genealogies. Name According to the Dindsenchas, the name Delbaeth is derived from Dolb-Aed, meaning "enchanted fire" or "fire shape(d)." Family His father is variously listed as Aengus or Ogma of the Tuatha Dé Danann or Elatha of the Fomorians, and his mother was Ethniu of the Fomorians. He succeeded his grandfather Eochaid Ollathair (“the Dagda”) as High King of Ireland. Delbáeth ruled the united Tuatha Dé Danann and Fomorians for ten years, before dying at the hand of his son, Fiacha. Children His daughters, by Ernmas, were the three eponymous Irish goddesses Ériu, Banba, and Fodla. In some traditions the goddess Eithne is mentioned as his daughter. Portions of ''Lebor Gabála Érenn'' identify Delbáeth as the father of Brian, Iuchar, and Iucharba, and also mention that Delbáe ...
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Dagda
The Dagda (Old Irish: ''In Dagda,'' ga, An Daghdha, ) is an important god in Irish mythology. One of the Tuatha Dé Danann, the Dagda is portrayed as a father-figure, king, and druid.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. pp. 553–54 An Dagda
Mary Jones's Celtic Encyclopedia.
He is associated with , , manliness and strength, as well as magic, druidry and wisdom.Ó hÓgáin, Dáithí. ''Myth, Legend & Romance: An encyclopaedia of the Irish folk t ...
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Cethlenn
In Irish mythology, Caitlín ( sga, Cethlenn, Cethleann, Ceithlenn, Ceithlionn, italic=no) was the wife of Balor of the Fomorians and, by him, the mother of Ethniu. She was also a prophetess and warned Balor of his impending defeat by the Tuatha Dé Danann in the second battle of Magh Tuiredh. During that battle she wounded the Dagda with a projectile weapon. She was also known by the nickname Cethlenn of the Crooked Teeth. Name Ceithlinn in modern Irish is pronounced like "Kehlen", and her name is sometimes indicated by that spelling. Kethlenda is the form of the name that appeared in Roderick O'Flaherty's ''Ogygia'' or ''Rerum Hibernicarum Chronologia'', written in Latin, reused as "Kethlenda of the Crooked Teeth" by story-reteller P. W. Joyce. ;Nickname Ceithlinn is called by the nickname Ceithlion Chaisfhiaclach "the crooked toothed" in the ''Oidheadh Chloinne Tuireann'', also translatable as "twisted teeth", from Irish ''cas'' 'twisted'. She is also glossed as being "buck- ...
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Eithne
Eithne is a female personal name of Irish origin, meaning "kernel" or "grain". Other spellings and earlier forms include Ethnea, Ethlend, Ethnen, Ethlenn, Ethnenn, Eithene, Ethne, Aithne, Enya, Ena, Edna, Etney, Eithnenn, Eithlenn, Eithna, Ethni, Edlend, Edlenn. The name is popular in Ireland, and is borne by a variety of historical and legendary figures. Ancient * Ethniu, daughter of Balor and mother of Lug in Irish mythology * Eithne and Sodelb, Leinster saints * Eithne, daughter of the king of Alba, wife of the High King Fiacha Finnfolaidh and mother of Tuathal Teachtmhar * Eithne, the mother of Saint Columba * Eithne Tháebfhota, third wife of Conn Cétchathach Modern * Eithne Coyle, Irish republican activist * Eithne Farry, former literary editor of ''Elle'' * Eithne Fitzgerald, Irish economist and former Labour Party politician * Eithne Hannigan, Irish musician and actress who played one of five Dots in the children's TV show ''Playbus'' (later ''Playdays'') * Eithne ...
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Balor
In Irish mythology, Balor or Balar was a leader of the Fomorians, a group of malevolent supernatural beings. He is often described as a giant with a large eye that wreaks destruction when opened. Balor takes part in the Battle of Mag Tuired, and is primarily known from the tale in which he is killed by his grandson Lugh of the Tuatha Dé Danann. He has been interpreted as a personification of the scorching sun, and has also been likened to figures from other mythologies, such as the Welsh Ysbaddaden and the Greek Cyclops. Name The name ''Balor'' or The Lonni may come from Common Celtic ''*Boleros'', meaning "the flashing one". In the early literature he is also referred to as ''Balor Béimnech'' (Balor the smiter), ''Balor Balcbéimnech'' (Balor the strong smiter), ''Balor Birugderc'' (Balor of the piercing-eye), ''Balor mac Doit meic Néid'' (Balor, son of Dot son of Nét) or ''Balor ua Néit'' (Balor, grandson of Nét). Later forms are ''Balor Béimeann'' or ''Balar Bemen' ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Crom Cruach
Crom Cruach ( sga, Cromm Crúaich ) was a pagan god of pre-Christian Ireland. According to Christian writers, he was propitiated with human sacrifice and his worship was ended by Saint Patrick. He is also referred to as ''Crom Cróich'', ''Cenn Cruach''/''Cróich'' () and ''Cenncroithi'' (). He is related to the later mythological and folkloric figure Crom Dubh. The references in a ''dinsenchas'' ("place-lore") poem in the 12th century to sacrifice in exchange for milk and grain suggest that Crom had a function as fertility god. The description of his image as a gold figure surrounded by twelve stone or bronze figures has been interpreted by some as representing the sun surrounded by the signs of the zodiac, suggesting a function as solar deity. Name Crom Cruach's name takes several forms. ''Crom'' (or ''cromm'') means "bent, crooked, stooped" or according to O'Reilly is perhaps related to ''cruim'' meaning "thunder". ''Cenn'' means "head", and by extension "head, chief". ...
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Revue Celtique
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class s ...
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