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Es Reißet Euch Ein Schrecklich Ende, BWV 90
Johann Sebastian Bach composed the church cantata (A horrible end will carry you off), 90, in Leipzig for the 25th Sunday after Trinity and first performed it on 14 November 1723. History and words Bach composed the cantata in his first year in Leipzig for the 25th Sunday after Trinity. The prescribed readings for the Sunday were from the First Epistle to the Thessalonians, the coming of the Lord (), and from the Gospel of Matthew, the Tribulation (). The closing chorale is the seventh stanza of Martin Moller's hymn "" (1584), sung to the melody of "". Bach first performed the cantata on 14 November 1723. Scoring and structure The cantata in five movements is scored for three vocal soloists—alto, tenor and bass—a four-part choir only in the closing chorale, trumpet, two violins, viola, and basso continuo. # Aria (tenor): # Recitative (alto): # Aria (bass): # Recitative (tenor): # Chorale: Music The cantata's two arias "paint a dismal picture", as Klaus Hof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich-Schütz-Chor Heilbronn
Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berlin, Werner studied at the Berliner Akademie für Kirchen- und Schulmusik, the University in Berlin and at the Preußische Akademie der Künste. His teachers were Wolfgang Reimann, Arthur Egidi, Fritz Heitmann, Richard Münnich, Carl Stumpf and Georg Schumann (composition, organ), Kurt Schubert (piano), Max Seiffert and Johannes Wolf (history of music), Richard Hagel (conducting). In 1935 he became organist at the Bethlehem Church in Potsdam-Babelsberg and a school teacher. In 1936 he became organist and cantor at St. Nicholas' Church in Potsdam, promoted to Kirchenmusikdirektor (director of church music) in 1938. In 1939 he became music director at Radio Paris. After World War II he was organist and cantor at St. Kilian's Church in Hei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fritz Werner
Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berlin, Werner studied at the Berliner Akademie für Kirchen- und Schulmusik, the University in Berlin and at the Preußische Akademie der Künste. His teachers were Wolfgang Reimann, Arthur Egidi, Fritz Heitmann, Richard Münnich, Carl Stumpf and Georg Schumann (composition, organ), Kurt Schubert (piano), Max Seiffert and Johannes Wolf (history of music), Richard Hagel (conducting). In 1935 he became organist at the Bethlehem Church in Potsdam-Babelsberg and a school teacher. In 1936 he became organist and cantor at St. Nicholas' Church in Potsdam, promoted to Kirchenmusikdirektor (director of church music) in 1938. In 1939 he became music director at Radio Paris. After World War II he was organist and cantor at St. Kilian's Church in Hei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, label=none) is part of the Abrahamic religions and the '' Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the approval of some and the penalizing of others. The concept is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in the 43rd chapter ('' Az-Zukhruf'') of the Quran, according to some interpretations. Christian futurists believe it will follow the resurrection of the dead and the Second Coming of Jesus, while full preterists believe it has already occurred. The Last Judgment has inspired numerous art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Hofmann
Klaus Hofmann (born 20 March 1939) is a German musicologist who is an expert on the music of Johann Sebastian Bach. Born in Würzburg, Hofmann studied after graduation (1958) from 1958 to 1959 at the University of Erlangen. He then continued his studies at the Albert-Ludwigs-University Freiburg. In 1968 he received his doctorate with a dissertation " " (Studies on the composition technique of the motet in the 13th century, performed on the motets with tenor ). From 1968 to 1978 he worked as an employee of the Hänssler Verlag. From 1978 he was a research assistant of the Johann Sebastian Bach Institute in Göttingen, one of the two institutions which prepared the Neue Bach-Ausgabe, the second complete edition of Bach's work. In 2004 he was appointed to the position of Executive Director, a position which he held until the Institute closed in 2006. He is a board member of the copyright collective . In 1994 he was appointed honorary professor at the Georg-August-Universitä ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vater Unser Im Himmelreich
"" (Our Father in Heaven) is a Lutheran hymn in German by Martin Luther. He wrote the paraphrase of the Lord's Prayer in 1538, corresponding to his explanation of the prayer in his (''Small Catechism''). He dedicated one stanza to each of the seven petitions and framed it with an opening and a closing stanza, each stanza in six lines. Luther revised the text several times, as extant manuscript show, concerned to clarify and improve it. He chose and possibly adapted an older anonymous melody, which was possibly associated with secular text, after he had first selected a different one. Other hymn versions of the Lord's Prayer from the 16th and 20th-century have adopted the same tune, known as "Vater unser" and "Old 112th". The hymn was published in Leipzig in 1539 in Valentin Schumann's hymnal , with a title explaining "The Lord's Prayer briefly expounded and turned into metre". It was likely first published as a broadsheet. The hymn was translated into English in several versions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
