Ernst Fritz Schmid
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Ernst Fritz Schmid
Ernst Fritz Schmid (7 March 1904 – 20 January 1960) was a German musicologist and Mozart scholar. Life Born in Tübingen, Schmid was the son of Wilhelm Schmid from Graz and grandson of Karl Emil Kauffmann. Initially, Schmid studied violin, viola and viola d'amore at the Akademie der Tonkunst in Munich from 1924 to 1927 and was also active as a violist in Düsseldorf in 1927. He then studied musicology in Freiburg, Tübingen and Vienna. He received his doctorate in 1929 and his habilitation in 1934. From 1935 to 1937 he was ''Extraordinarius'' for Musicology at the University of Tübingen and its University music director. Around 1937 he was robbed of his position by the National Socialists and initially worked as choir director in the southern German communities of Amorbach and Miltenberg as well as in Augsburg until he was enlisted as a soldier in 1940. During the war he married Lotte Köbele from Munich in 1942, with whom he had three sons. Schmid is the father of the Tübin ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Neue Mozart-Ausgabe
The ''Neue Mozart-Ausgabe'' (''NMA''; English: ''New Mozart Edition'') is the second complete works edition of the music of Wolfgang Amadeus Mozart. A longer and more formal title for the edition is ''Wolfgang Amadeus Mozart (1756–1791): Neue Ausgabe sämtlicher Werke'' olfgang Amadeus Mozart (1756–1791): New Edition of the Complete Works Publication Published between 1956 and 2007 by Bärenreiter-Verlag, the ''NMA'' is a scholarly critical edition of all of Mozart's compositions. It consists of 132 volumes containing 25,000 pages of music, organised in 35 work groups, arranged in ten series. Each music volume is accompanied by a separate critical commentary, totalling 8,000 pages. The ten series are: Strengths The ''Neue Mozart-Ausgabe'' is an advance over the previous complete works edition of Mozart published by Breitkopf & Härtel from 1877 to 1883 (with supplements until 1910), which is sometimes referred to today as the ''Alte Mozart-Ausgabe'' (or "Old Mozart Editi ...
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Academic Staff Of The University Of Tübingen
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, de ...
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Music Publishers (people)
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ...
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Mozart Scholars
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ...
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Walter Gerstenberg
Walter Gerstenberg (26 December 1904 in Hildesheim – 26 October 1988 in Tübingen) was a German musicologist and an expert on Johann Sebastian Bach, Wolfgang Amadeus Mozart and Franz Schubert.Gerstenberg Walter
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Publications

* ''Die Klavierkompositionen Domenico Scarlattis.'' Schiele, Regensburg 1931; also as (''Forschungsarbeiten des Musikwissenschaftlichen Instituts der Universität Leipzig.'' Volume 2, ). Bosse, Regensburg 1933 (in addition, music supplement in special issue; at the same time: Leipzig, University, thesis, 1931). * as editor with Heinrich Husmann and Harald Heckmann: ''Bericht über den internationalen musikwissenschaftlichen Kongreß Hamburg 1956.'' Bärenreiter, Kassel among others 1957, . ...
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Leopold Mozart
Johann Georg Leopold Mozart (November 14, 1719 – May 28, 1787) was a German composer, violinist and theorist. He is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook ''Versuch einer gründlichen Violinschule'' (1756). Life and career Childhood and youth He was born in Augsburg, son of Johann Georg Mozart (1679–1736), a bookbinder, and his second wife Anna Maria Sulzer (1696–1766). From an early age he sang as a choirboy. He attended a local Jesuit school, , where he studied logic, science, and theology, graduating ''magna cum laude'' in 1735. He studied then at the St. Salvator Lyzeum. While a student in Augsburg, he appeared in student theater productions as an actor and singer, and became a skilled violinist and organist. He also developed an interest, which he retained, in microscopes and telescopes. Although his parents had planned a career for Leopold as a Catholic priest, this apparently was not Leopold's own wish. An ...
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Adolph Nagel
Adolf (also spelt Adolph or Adolphe, Adolfo and when Latinised Adolphus) is a given name used in German-speaking countries, Scandinavia, the Netherlands and Flanders, France, Italy, Spain, Portugal, Latin America and to a lesser extent in various Central European and East European countries with non-Germanic languages, such as Lithuanian Adolfas and Latvian Ādolfs. Adolphus can also appear as a surname, as in John Adolphus, the English historian. The female forms Adolphine and Adolpha are far more rare than the male names. The name is a compound derived from the Old High German ''Athalwolf'' (or ''Hadulf''), a composition of ''athal'', or ''adal'', meaning "noble" (or '' had(u)''-, meaning "battle, combat"), and ''wolf''. The name is cognate to the Anglo-Saxon name '' Æthelwulf'' (also Eadulf or Eadwulf). The name can also be derived from the ancient Germanic elements "Wald" meaning "power", "brightness" and wolf (Waldwulf). Due to negative associations with Adolf Hitle ...
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Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ...
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Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he suc ...
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