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Eric Thiman
Eric Harding Thiman (12 September 1900 – 13 February 1975) was an English composer, conductor and organist. The surname is pronounced 'tea-man'. By 1939 he was considered one of the leading non-conformist organists in England. His choral and educational music is still performed today. Life Thiman was born in Ashford, Kent, England as Eric Harding Thimann. He later changed his last name to Thiman. Educated at Caterham School he was largely self-taught in music. In 1921 he was awarded a fellow of the Royal College of Organists (FRCO) and (after some coaching from Harold Darke, who remained a friend) took his DMus in 1928. Hurd, Michael. 'Thiman, Eric (Harding)' in ''Grove Music Online'' (2001) That year he married Madeline Arnold, a musician and singer. From 1930 he was Professor of Harmony at the Royal Academy of Music and later, from 1956 to 1962, was Dean of the Faculty of Music at the University of London. In 1958, after 29 years as organist at Park Chapel (a Congregatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English People
The English people are an ethnic group and nation native to England, who speak the English language in England, English language, a West Germanic languages, West Germanic language, and share a common history and culture. The English identity is of History of Anglo-Saxon England, Anglo-Saxon origin, when they were known in Old English as the ('race or tribe of the Angles'). Their ethnonym is derived from the Angles, one of the Germanic peoples who migrated to Great Britain around the 5th century AD. The English largely descend from two main historical population groups the West Germanic tribes (the Angles, Saxons, Jutes and Frisians) who settled in southern Britain following the withdrawal of the Ancient Rome, Romans, and the Romano-British culture, partially Romanised Celtic Britons already living there.Martiniano, R., Caffell, A., Holst, M. et al. Genomic signals of migration and continuity in Britain before the Anglo-Saxons. Nat Commun 7, 10326 (2016). https://doi.org/10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Wesley
Charles Wesley (18 December 1707 – 29 March 1788) was an English leader of the Methodist movement. Wesley was a prolific hymnwriter who wrote over 6,500 hymns during his lifetime. His works include " And Can It Be", " Christ the Lord Is Risen Today", the carol "Hark! The Herald Angels Sing", and " Lo! He Comes With Clouds Descending". Charles Wesley was born in Epworth, Lincolnshire, the son of Anglican cleric and poet Samuel Wesley and his wife Susanna. He was a younger brother of Methodist founder John Wesley and Anglican cleric Samuel Wesley the Younger, and he became the father of musician Samuel Wesley and grandfather of musician Samuel Sebastian Wesley. He was educated at Oxford University, where his brothers had also studied, and he formed the "Holy Club" among his fellow students in 1729. John Wesley later joined this group, as did George Whitefield. Charles followed his father and brother into the church in 1735, and he travelled with John to Georgia in America, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
York Bowen
Edwin York Bowen (22 February 1884 – 23 November 1961) was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a talented conductor, organist, violist and horn player. Despite achieving considerable success during his lifetime, many of the composer's works remained unpublished and unperformed until after his death in 1961. Bowen's compositional style is widely considered as ‘ Romantic’ and his works are often characterized by their rich harmonic language. Biography York Bowen was born in Crouch Hill, London, to a father who was the owner of the whisky distillers Bowen and McKechnie. The youngest of three sons, Bowen began piano and harmony lessons with his mother at an early age. His talent was recognised almost immediately and he soon began his musical education at the North Metropolitan College of Music. He subsequently went on to study a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Isaacs (pianist)
Harry Isaacs (3 June 1902 – 1972) was a British pianist. Born in Finchley, he began piano lessons with his great aunt, Miss Selina Pyke, from the age of seven, and three years later he took lessons from Sidney Rosenbloom. In 1916 he entered the Tobias Matthay Pianoforte School, studying with Hedwig McEwen (wife of John Blackwood McEwen). The following year he won the MacFarren Scholarship for composition at the Royal Academy of Music, and went there to study composition with Frederick Corder. He became pianoforte professor there in 1922 at the age of 20.Palmer, Russell. ''British Music'' (1947), p. 132-3 Isaacs had an absorbing interest in chamber music, and from 1929 until 1943 often played with the Griller String Quartet, performing quintets by Brahms, Schumann, Dvorak, Elgar, Bax and Bloch. He also performed many recitals at the Wigmore Hall with members of the Griller, and with Jean Pougnet, William Primrose, Lionel Tertis, Elsie Owen (violin), Winifred Copperwheat, Maurice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crucifixion (Stainer)
__NOTOC__ ''The Crucifixion: A Meditation on the Sacred Passion of the Holy Redeemer'' is an oratorio composed by John Stainer in 1887. It is scored for a SATB choir and organ, and features solos for bass and tenor. Stainer intended the piece to be within the scope of most parish church choirs; it includes five hymns for congregational participation. The text was written by W J Sparrow Simpson, the librettist of Stainer's earlier cantata ''Mary Magdalene''. The work is dedicated "to my pupil and friend W. Hodge and the choir of Marylebone Church", who first performed it on 24 February 1887, the day after Ash Wednesday. There have been performances in Marylebone Church annually since then. The work premiered on 24 February 1887 and continues to be performed today. The oratorio has been recorded several times, including a popular recording released by RCA Victor in 1930, featuring Richard Crooks and Lawrence Tibbett. There is a modern (2016) recording by the Choir of St. Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Parry
Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 18487 October 1918) was an English composer, teacher and historian of music. Born in Richmond Hill in Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode '' Blest Pair of Sirens'', and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for ''Ode to Newfoundland'', the Newfoundland and Labrador provincial anthem (and former national anthem). After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive '' Dictionary of Music and Musicians'' in the 1870s and '80s, and then in 1883 as professor of composition and musical history at the Royal College of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in University of Music and Theatre Leipzig, Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music (Cambridge), Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Johannes Brahms, Brahms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stainer
Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion'', still heard at Passiontide in some churches of the Anglican Communion), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at Oxford. Stainer was born in Southwark, London, in 1840, the son of a schoolmaster. He became a chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university. He died unexpectedly while on holiday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Elgar
Sir Edward William Elgar, 1st Baronet, (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the ''Enigma Variations'', the ''Pomp and Circumstance Marches'', concertos for Violin Concerto (Elgar), violin and Cello Concerto (Elgar), cello, and two symphony, symphonies. He also composed choral works, including ''The Dream of Gerontius'', chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-consci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canticle
A canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a hymn, psalm or other Christianity, Christian song of praise with lyrics usually taken from biblical or holy texts. Canticles are used in Christian liturgy. Catholic Church Prior to the Pope Pius X's Reform of the Roman Breviary by Pope Pius X, 1911 reforms, a single cycle of seven canticles was used at Lauds: * Sunday – The Song of the Three Holy Children () * Monday – The Song of Isaiah the Prophet () * Tuesday – The Song of Hezekiah () * Wednesday – The Song of Hannah () * Thursday – The (First) Song of the sea, Song of Moses () * Friday – The Prayer of Habakkuk () * Saturday – The (Second) Song of Moses () These canticles are rather long, and the weekday ones display something of a penitential theme, but some were not often used, as all feasts, and weekdays in Eastertide used the Canticle of Daniel, the Sunday canticle. The 1911 reform introduced for weekdays not of penitenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part Songs
A part song, part-song or partsong is a form of choral music that consists of a song to a secular or non-liturgical sacred text, written or arranged for several vocal parts. Part songs are commonly sung by an SATB choir, but sometimes for an all-male or all-female ensemble. This music is usually homophonic, meaning that the highest part carries the melody and the other voices or parts supply the accompanying harmonies, in contrast to songs that are contrapuntal, as are madrigals. Part songs are intended to be sung a cappella, that is without accompaniment, unless an instrumental accompaniment is particularly specified. The part song was created in Great Britain, first growing from, and then gradually superseding, the earlier form of glee, as well as being particularly influenced by the choral works of Felix Mendelssohn (1809–1847). This was linked with the growth of choral societies during the 19th century which were larger groups than glee clubs had been.Hillier, Paul. Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
