Entr'acte (film)
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Entr'acte (film)
''Entr'acte'' is a silent French Dada short film directed by René Clair. It premiered on 4 December 1924 at the Théâtre des Champs-Élysées in Paris as a prologue and entr'acte for the Ballets Suédois production of '' Relâche'', based on a book by Francis Picabia, which had settings by Picabia, was produced by Rolf de Maré, and was choreographed by Jean Börlin. The music for both the ballet and the film was composed by Erik Satie. Summary Prologue On a rooftop, a cannon, via stop motion photography, rolls itself back and forth. In slow motion, two men (Francis Picabia and Eric Satie), jump into the frame and jump up and down. They discuss the cannon and, after smelling a projectile, load it before jumping up and down and jumping out of frame in reverse. The projectile slowly comes out of the cannon toward the camera lens. Entr'acte Images are intercut of Parisian rooftops filmed with the camera tilted at various angles, three dolls with balloons-heads that are inflate ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Stop Motion
Stop motion is an animated filmmaking technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back. Any kind of object can thus be animated, but puppets with movable joints (puppet animation) or plasticine figures (''clay animation'' or claymation) are most commonly used. Puppets, models or clay figures built around an armature are used in model animation. Stop motion with live actors is often referred to as pixilation. Stop motion of flat materials such as paper, fabrics or photographs is usually called cutout animation. Terminology The term "stop motion", relating to the animation technique, is often spelled with a hyphen as "stop-motion". Both orthographical variants, with and without the hyphen, are correct, but the hyphenated one has a second meaning that is unrelated to animation or cinema: "a device for automatical ...
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Roller Coaster
A roller coaster, or rollercoaster, is a type of amusement ride that employs a form of elevated railroad track designed with tight turns, steep slopes, and sometimes inversions. Passengers ride along the track in open cars, and the rides are often found in amusement parks and theme parks around the world. LaMarcus Adna Thompson obtained one of the first known patents for a roller coaster design in 1885, related to the Switchback Railway that opened a year earlier at Coney Island. The track in a coaster design does not necessarily have to be a complete circuit, as shuttle roller coasters demonstrate. Most roller coasters have multiple cars in which passengers sit and are restrained. Two or more cars hooked together are called a train. Some roller coasters, notably Wild Mouse roller coasters, run with single cars. History The Russian mountain and the Aerial Promenades The oldest roller coasters are believed to have originated from the so-called "Russian Mountains", speciall ...
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Camel
A camel (from: la, camelus and grc-gre, κάμηλος (''kamēlos'') from Hebrew or Phoenician: גָמָל ''gāmāl''.) is an even-toed ungulate in the genus ''Camelus'' that bears distinctive fatty deposits known as "humps" on its back. Camels have long been domesticated and, as livestock, they provide food (milk and meat) and textiles (fiber and felt from hair). Camels are working animals especially suited to their desert habitat and are a vital means of transport for passengers and cargo. There are three surviving species of camel. The one-humped dromedary makes up 94% of the world's camel population, and the two-humped Bactrian camel makes up 6%. The Wild Bactrian camel is a separate species and is now critically endangered. The word ''camel'' is also used informally in a wider sense, where the more correct term is "camelid", to include all seven species of the family Camelidae: the true camels (the above three species), along with the "New World" camelids: the llama, ...
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Dromedary
The dromedary (''Camelus dromedarius'' or ;), also known as the dromedary camel, Arabian camel, or one-humped camel, is a large even-toed ungulate, of the genus ''Camelus'', with one hump on its back. It is the tallest of the three species of camel; adult males stand at the shoulder, while females are tall. Males typically weigh between , and females weigh between . The species' distinctive features include its long, curved neck, narrow chest, a single hump (compared with two on the Bactrian camel and wild Bactrian camel), and long hairs on the throat, shoulders and hump. The coat is generally a shade of brown. The hump, tall or more, is made of fat bound together by fibrous tissue. Dromedaries are mainly active during daylight hours. They form herds of about 20 individuals, which are led by a dominant male. They feed on foliage and desert vegetation; several adaptations, such as the ability to tolerate losing more than 30% of its total water content, allow it to thrive ...
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Hearse
A hearse is a large vehicle, originally a horse carriage but later with the introduction of motor vehicles, a car, used to carry the body of a deceased person in a coffin at a funeral, wake, or memorial service. They range from deliberately anonymous vehicles to heavily decorated vehicles. In the funeral trade of some countries hearses are called funeral cars or funeral coaches. History The name is derived, through the French herse, from the Latin , which means a harrow. The funeral hearse was originally a wooden or metal framework, which stood over the bier or coffin and supported the pall. It was provided with numerous spikes to hold burning candles, and, owing to the resemblance of these spikes to the teeth of a harrow, was called a hearse. Later on, the word was applied, not only to the construction above the coffin, but to any receptacle in which the coffin was placed. Thus from about 1650Oxford English Dictionary Online accessed 26 January 2018 it came to denote the vehi ...
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Double-barreled Shotgun
A double-barreled shotgun is a break-action shotgun with two parallel barrels, allowing two single shots to be fired in quick succession or simultaneously. Construction Modern double-barreled shotguns, often known as ''doubles'', are almost universally break action, with the barrels hinge down at the rear to expose the breech ends for unloading and reloading. Since there is no reciprocating action needed to eject and reload the shells, doubles are more compact than repeating designs such as pump action, lever action, bolt action, or self-loading shotguns. Barrel configuration Double-barreled shotguns come in two basic configurations: * side-by-side (S×S) — the two barrels are arranged horizontally; * over-and-under (O/U) — the two barrels are arranged vertically. The original double-barreled guns were nearly all S×S designs, which was a more practical design for muzzleloaders. Early cartridge-firing shotguns also used the side-by-side action, because they kept t ...
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Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ...
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Pince-nez
Pince-nez ( or , plural form same as singular; ) is a style of glasses, popular in the late 19th and early 20th centuries, that are supported without earpieces, by pinching the bridge of the nose. The name comes from French ''pincer'', "to pinch", and ''nez'', "nose". Although pince-nez were used in Europe since the late 14th century, modern ones appeared in the 1840s and reached their peak popularity around 1880 to 1900. Because they did not always stay on the nose when placed, and because of the stigma sometimes attached to the constant wearing of eyeglasses, pince-nez were often connected to the wearer's clothing or ear via a suspension chain, cord, or ribbon so that they could be easily removed and not lost. Varieties Rivet spectacles The earliest form of eyewear for which any archaeological record exists comes from the middle of the 15th century. It is a primitive pince-nez whose frames were made from pieces of either metacarpal bone from the forelimb of a bull or f ...
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Ballet Dancer
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such ...
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Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and often in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them. Suspense may be added by cross-cutting. It is built through the expectations that it creates and in the hopes that it will be explained with time. Cross-cutting also forms parallels; it illustrates a narrative action that happens in several places at approximately the same time. For instance, in D. W. Griffith's ''A Corner in Wheat'' (1909), the film cross-cuts between the activities of rich businessmen and poor people waiting in line for bread. This creates a sharp dichotomy between the two actions, and encourages the viewer to compare the two shots. Often, this contra ...
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Reverse Motion
Reverse motion (also known as reverse motion photography or reverse action) is a special effect in cinematography whereby the action that is filmed is shown backwards (i.e. time-reversed) on screen. It can either be an in-camera effect or an effect produced with the use of an optical printer. There are various reasons why this technique may be adopted, such as for comedic effect (destruction reversal) or for safety reasons (a car stopping just in time may be filmed starting at the stop point). Uses Artistic There are several uses for reverse action. Some are artistic in nature. For example, reverse action can be used for comedic effect. Or it can be used to bring things "back to life" on screen, by filming a process of destruction or decay in reverse. Sometimes it is necessary, for the intended effect to be achieved, for all actions other than the one that it is intended to reverse to be performed, during shooting, backwards—actors have to perform their actions and dialogue backwar ...
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