Enter Achilles
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Enter Achilles
''Enter Achilles'' is a performance created by the dance and theatre company DV8 Physical Theatre and directed by Lloyd Newson. First performed on 7 June 1995 at Vienna Festwochen in Vienna, Austria, the piece initially toured around the UK and Europe in 1995, before moving to Australia in early 1996. The performance was later revived and toured in 1997, visiting Europe and North America, and again in 1998, where it toured Europe and Japan. An award-winning film version was released in 1996. It was revived in a new production in 2020, premiering at the Adelaide Festival. Description The performance, with a run time of 75 minutes, explores masculinity and our perception of the stereotypical "bloke". Set in a dark, dusty, British pub, a group of men gather around the blasting jukebox, a pint in one hand and a cigarette in the other. Movement- and dance-based, this physical theatre performance uncovers the men's insecurities and vulnerability. The concept of gender is investig ...
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DV8 Physical Theatre
DV8 Physical Theatre (or Dance and Video 8) was a physical theatre company based at Artsadmin in London, United Kingdom. It was officially founded in 1986 by Lloyd Newson (1986–2015), Michelle Richecoeur (1986–1988) and Nigel Charnock (1986–1989, 1992). Lloyd Newson led the company as choreographer and artistic director from its inception, apart from the production ''My Sex, Our Dance'' (1986), which was co-created and performed with Nigel Charnock. DV8 officially ended in April 2022 when Lloyd Newson announced his retirement via the company web page. DV8's work is characterised by the desire to communicate ideas and feelings clearly with a focus on socio-political issues. The work challenges the limitations of dance by using any means necessary to find the most appropriate way to say something, thereby incorporating elements of theatre, dance, film, and, increasingly, text. DV8 toured work in the UK and to 28 countries worldwide, and received 55 national and internatio ...
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Lloyd Newson
Lloyd Newson (born 1957) is a director, dancer and choreographer. He formed DV8 Physical Theatre and has led the company since its inception in 1986. He studied psychology and social work at Melbourne University and after graduating began his dancing career in New Zealand, initially as a dancer but later also as a choreographer. DV8 Physical Theatre was formed as a response to Newson's increasing frustration with the superficiality of contemporary dance. DV8's work is characterised by the desire to communicate ideas and feelings clearly and unpretentiously, with a focus on socio-political issues. Under the banner of DV8 Physical Theatre, Newson's work has won 55 national and international awards. He has choreographed and directed DV8's work since its inception, with the exception of ''My Sex; Our Dance'' (1986) which was co-created with performer Nigel Charnock. Between 1986 and 1992 Newson frequently collaborated with performers Michelle Richecoeur, Nigel Charnock and Wendy Hou ...
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Vienna Festival
__NOTOC__ The Wiener Festwochen (Vienna Festival) is a cultural festival in Vienna that takes place every year for five or six weeks in May and June. The Wiener Festwochen was established in 1951, when Vienna was still occupied by the four Allies. The opening of the Wiener Festwochen is an open-air event with free admission held in the square in front of Vienna’s City Hall. Each year the festival attracts about 180,000 visitors. Directors of the festival include: *1951-1958: Adolph Ario *1959: Rudolf Gamsjäger *1960-1964: Egon Hilbert *1964-1977: Ulrich Baumgartner *1978-1979: Gerhard Freund *1980-1984: Helmut Zilk *1984-1991: Ursula Pasterk *1991-1996: Klaus Bachler *1997-2001: Luc Bondy / Klaus-Peter Kehr / Hortensia Völckers *2002–2013: Luc Bondy *2014–2016: Markus Hinterhäuser *2017–2021: Tomas Zierhofer-Kin *2019-present: Christophe Slagmuylder, whose term ends in 2024 See also *List of opera festivals This is an inclusive list of opera festiva ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Adelaide Festival
The Adelaide Festival of Arts, also known as the Adelaide Festival, an arts festival, takes place in the South Australian capital of Adelaide in March each year. Started in 1960, it is a major celebration of the arts and a significant cultural event in Australia. The festival is based chiefly in the city centre and its parklands, with some venues in the inner suburbs (such as the Odeon Theatre, Norwood) or occasionally further afield. The Adelaide Festival Centre and River Torrens usually form the nucleus of the event, and in the 21st century Elder Park has played host to opening ceremonies. It comprises many events, usually including opera, theatre, dance, classical and contemporary music, cabaret, literature, visual art and new media. The four-day world-music event, WOMADelaide, and the literary festival, Adelaide Writers' Week, form part of the Festival. The festival originally operated biennially, along with the (initially unofficial) Adelaide Fringe; the Fringe has ta ...
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Masculinity
Masculinity (also called manhood or manliness) is a set of attributes, behaviors, and roles associated with men and boys. Masculinity can be theoretically understood as socially constructed, and there is also evidence that some behaviors considered masculine are influenced by both cultural factors and biological factors. To what extent masculinity is biologically or socially influenced is subject to debate. It is distinct from the definition of the biological male sex, as anyone can exhibit masculine traits. Standards of masculinity vary across different cultures and historical periods. Overview Masculine qualities and roles are considered typical of, appropriate for, and expected of boys and men. Standards of manliness or masculinity vary across different cultures, subcultures, ethnic groups and historical periods. Traits traditionally viewed as masculine in Western society include strength, courage, independence, leadership, and assertiveness.Thomas, R. Murray (2001),Fe ...
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Jukebox
A jukebox is a partially automated music-playing device, usually a coin-operated machine, that will play a patron's selection from self-contained media. The classic jukebox has buttons, with letters and numbers on them, which are used to select a specific record. Some may use compact discs instead. Disc changers are similar devices that are intended for home use, are small enough to fit in a shelf, may hold up to hundreds of discs, and allow discs to be easily removed, replaced, and inserted by the user. History Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These devices used paper rolls, metal disks, or metal cylinders to play a musical selection on an actual instrument, or on several actual instruments, enclosed within the device. In the 1890s, these devices were joined by machines which used recordings instead of actual physical instruments. In 1889, Louis Glass and William S. Arnold invented the nickel-in-th ...
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Physical Theatre
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions). Common elements Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include: * Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre * Challengin ...
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Rupert Christiansen
Rupert Christiansen (born 1954) is an English writer, journalist and critic. Life and career Born in London, Christiansen is the grandson of Arthur Christiansen (former editor of the ''Daily Express'') and son of Kay and Michael Christiansen (former editor of the ''Sunday'' and'' Daily Mirror''). He was educated at Millfield and King's College, Cambridge, where he took a double first in English. As a Fulbright scholar, he also attended Columbia University from 1977 to 1978. He was hired by Rodney Milnes as a reviewer for ''Opera'' magazine, and then took over Milnes' column in ''The Spectator''. He went on to write for many other newspapers and periodicals, including '' Harper's and Queen'', '' Vanity Fair'', ''The Times Literary Supplement'' and ''Literary Review'', all of them British or American. He has written a number of books, winning the Somerset Maugham Award in 1988 for ''Romantic Affinities''. His memoir I ''Know you're Going to be Happy'' won the Spear's Memoir of th ...
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The Observer
''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and ''The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the world's oldest Sunday newspaper. History Origins The first issue, published on 4 December 1791 by W.S. Bourne, was the world's first Sunday newspaper. Believing that the paper would be a means of wealth, Bourne instead soon found himself facing debts of nearly £1,600. Though early editions purported editorial independence, Bourne attempted to cut his losses and sell the title to the government. When this failed, Bourne's brother (a wealthy businessman) made an offer to the government, which also refused to buy the paper but agreed to subsidise it in return for influence over its editorial content. As a result, the paper soon took a strong line against radicals such as Thomas Paine, Francis Burdett and Joseph Priestley. 19th century In 180 ...
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Ballet Rambert
Rambert (known as Rambert Dance Company before 2014) is a leading British dance company. Formed at the start of the 20th century as a classical ballet company, it exerted a great deal of influence on the development of dance in the United Kingdom, and today, as a contemporary dance company, continues to be one of the world's most renowned dance companies. It has previously been known as the Ballet Club, and the Ballet Rambert. History Dame Marie Rambert (1888–1982), founder of Rambert Dance Company, was born in Warsaw, Poland where she was inspired to become a dancer after seeing Isadora Duncan perform. She went to Paris and after an early career as a recital artist and teacher she was engaged by Serge Diaghilev's Ballets Russes as assistant to the choreographer Vaslav Nijinsky on ''The Rite of Spring''. She also taught Dalcroze Eurythmics to the company. During her year with the Ballets Russes her appreciation of classical ballet developed thus combining a love for traditio ...
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Sadler's Wells
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. The ...
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