|
Ensemble Micrologus
Ensemble Micrologus is an Italian group that performs vocal and instrumental medieval music, including both religious and secular pieces from the 12th to the 16th century in their repertoire. Through research into manuscripts, organology, and iconography, and a familiarity with ethnographic research on the musical traditions of the Mediterranean, they revive the sound of the Middle Ages, playing reconstructions of ancient instruments as well as using period wardrobe and scenery. They perform more than forty concerts worldwide annually, introducing one or two new shows every year, as well as collaborating in movies and theater productions, such as the soundtrack of the Academy Award-winning ''Mediterreneo''. In 2007 and 2008 they toured wit''Myth'' a theater-dance show produced by Belgian choreographer Sidi Larbi Cherkaoui. They also teach medieval music courses at the ''Festival of Urbino'', the ''Royaumont Abbey'', and the ''Cité de la Musique'' in Paris. Members The group was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Musical Groups
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Musical Groups
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam De La Halle
Adam de la Halle (1245–50 – 1285–8/after 1306) was a French poet-composer ''trouvère''. Among the few medieval composers to write both monophonic and polyphonic music, in this respect he has been considered both a conservative and progressive composer, resulting in a complex legacy: he cultivated admired representatives of older trouvère genres, but also experimented with newer dramatic works. Adam represented the final generation of the ''trouvère'' tradition and "has long been regarded as one of the most important musical and literary figures of thirteenth-century Europe". Adam's literary and musical works include chansons and jeux-partis (poetic debates) in the style of the ''trouvères''; polyphonic rondel and motets in the style of early liturgical polyphony; and a musical play, '' Jeu de Robin et Marion'' (), which is considered the earliest surviving secular French play with music. He was a member of the Confrérie des jongleurs et bourgeois d'Arras, a frat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu De Robin Et Marion
''Le Jeu de Robin et de Marion'' is reputedly the earliest French secular play with music, written in around 1282 or 1283,''Hutchinson Encyclopedia'' (1988), p.10 and is the most famous work of Adam de la Halle. It was performed at the Angevin Court in Naples around this time. Plot and music The story is a dramatization of a traditional genre of medieval French song, the pastourelle. This genre typically tells of an encounter between a knight and a shepherdess, frequently named Marion. Adam de la Halle's version of the story places a greater emphasis on the activities of Marion, her lover Robin and their friends after she resists the knight's advances. It consists of dialogue in the old Picard dialect of de la Halle's home town, Arras, interspersed with short refrains or songs in a style which might be considered popular. The melodies to which these are set have the character of folk music, and seem more spontaneous than the author's more elaborate songs and motets. Two of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappella Della Pietà De' Turchini
Cappella Neapolitana is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era. The Cappella Neapolitana was founded in 2016 by the musicologist and conductor Antonio Florio ( it), who studied under Nino Rota, as well as participating in events at the church Chiesa della Pietà dei Turchini. The name of church, conservatory, and now the modern cappella and music centre go back to the turquoise (Italian "turchino") shirts worn by the original children of the institute. The association between church, conservatory, and commercial opera productions goes back to the roots of the original Pietà de' Turchini, and the days when Leonardo Leo used his students from the Conservatorio Pietà de' Turchini as chorus singers in his opera productions. Florio's work in recovering music which has lain unperformed for three centuries often involves reconstructing lost parts, or "discreetly recomposing" missing portions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diapason D'Or
The Diapason d'Or (French for "Golden Tuning Fork") is a recommendation of outstanding (mostly) classical music recordings given by reviewers of '' Diapason'' magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British '' Gramophone'' magazine. The Diapason d'Or de l'Année (; en, "Golden Tuning Fork of the Year") is a more prestigious award, decided by a jury comprising critics from ''Diapason'' and broadcasters from France Musique, and is comparable to the United Kingdom's Gramophone Awards, associated with the ''Gramophone'' magazine. __TOC__ Diapason d'Or de l'année 2007 * Philippe Jaroussky: Vivaldi Opera Arias. Jean-Christophe Spinosi, Ensemble Matheus. Virgin Classics Diapason d'Or de l'année 2008 * Marc-André Hamelin: Charles-Valentin Alkan, Concerto for solo piano; Troisième recueil de chants. Hyperion Records * Jean-Guihen Queyras J. S. Bach, Cello Suites. Harmonia Mundi * Masaaki Suzuki: J. S. Bach, Mass in B minor, Peter Kooy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses ''tangents''—small wedges, typically made of wood—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. One or more of the drone strings usually passes over a loose bridge that can be made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyre
The lyre () is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar. The lyre has its origins in ancient history. Lyres were used in several ancient cultures surrounding the Mediterranean Sea. The earliest known examples of the lyre have been recovered at archeological sites that date to c. 2700 BCE in Mesopotamia. The oldest lyres from the Fertile Crescent are known as the eastern lyres and are distinguished from other ancient lyres by their flat base. They have been found at archaeological sites in Egypt, Syria, Anatolia, and the Levant. The round lyre or the Western lyre also originated in Syria and Anatolia, but was not as widely used and eventually died out in the east c. 1750 BCE. The round lyre, called so fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab '' rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
