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Endless Summer Nights
"Endless Summer Nights" is a song written and performed by American rock singer Richard Marx released in January 1988 as the third single from his eponymous debut album. The song peaked at #2 on the U.S. pop and Adult Contemporary charts. Background and composition "Endless Summer Nights" was a track from Marx's original demo tapes. It begins with a similar intro beat style as "It Must Have Been Love" by Roxette. The lyrics were inspired by a trip to Hawaii that Marx had taken with his then-girlfriend (and future wife), Cynthia Rhodes. According to Marx, he wrote the song as a theme to summer love that does not last when lovers go their separate ways in the fall. In the liner notes of his 1997 ''Greatest Hits'' album, Marx commented on the song: "Aside from replacing synthesized bass with the great Nathan East, this recording is the demo that every record company in the business rejected in 1985 and 1986." Marx eventually signed with EMI-Manhattan Records in 1986. Release a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Marx
Richard Noel Marx (born September 16, 1963) is an American adult contemporary music, adult contemporary and pop rock singer-songwriter. He has sold over 30 million albums worldwide. Marx's Richard Marx (album), self-titled debut album went triple-platinum in 1987, and his first single, "Don't Mean Nothing", reached number three on the Billboard Hot 100, ''Billboard'' Hot 100 chart. Between 1987 and 1994, he had 14 top 20 hits, including three number one singles. Marx is the only male artist in history to have his first seven singles reach the top 5 of the Billboard charts, ''Billboard'' charts. He has scored a total of 14 number one singles, both as a performer and as a songwriter/producer. As a singer, his No. 1 hits include "Right Here Waiting", "Hold On to the Nights", "Endless Summer Nights", and "Satisfied (Richard Marx song), Satisfied". According to ''Billboard (magazine), Billboard'', Marx "holds the distinction of having written songs that have hit No. 1 on various '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Moore
Dorothy Moore (born October 13, 1946) is an American blues, gospel, and R&B singer best known for her 1976 hit song, "Misty Blue". Career Moore's parents were Mary Moore and Melvin Hendrex Senior. Her father performed under the stage name Melvin Henderson as a member of the Five Blind Boys of Mississippi. She was raised by her great grandmother and began singing in the church choir at a young age. She was a member of the Poppies with Petsye McCune and Rosemary Taylor when she was attending Jackson State University. The group recorded for Epic Records' Date subsidiary, reaching number 56 on the ''Billboard'' Hot 100 chart in 1966 with "Lullaby of Love". Solo singles for the Avco, GSF and Chimneyville labels followed. Her career took off with several ballads for Malaco Records. "Misty Blue" (1976) reached number 1 on the R&B chart and number 3 on the ''Billboard'' Hot 100. "Funny How Time Slips Away" (also 1976) reached number 7 on the R&B chart and number 58 on the pop chart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Gaitsch
Bruce R. Gaitsch (; born February 7, 1953) is an American guitarist, composer, and producer. He is best known for working with notable bands and musicians such Chicago, Peter Cetera, Madonna, and Agnetha Fältskog as a session musician and songwriter. Gaitsch co-wrote the Madonna song "La Isla Bonita", an international #1 single that earned Gaitsch an award from the American Society of Composers, Authors and Publishers in 1987. He has collaborated numerous times with fellow Chicago native Richard Marx whose career he was instrumental in launching. Discography Solo albums * 1995 – ''A Lyre in a Windstorm'' * 1997 – ''Aphasia'' * 2002 – ''Nova'' * 2003 – ''One on One'' (with Janey Clewer) * 2003 – ''Countertale'' (with Tommy Denander) * 2006 – ''Nightingale'' * 2006 – ''Sincerely'' Other appearances * 1977 – Jim Peterik – ''Don't Fight the Feeling'' * 1984 – Barbra Streisand – ''Emotion'' * 1984 – Stephanie Mills – '' I've Got the Cure'' * 1984 – E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Landau
Michael Christopher Landau (born June 1, 1958) is an American musician, audio engineer, and record producer. He is a session musician and guitarist who has played on many albums since the early 1980s with Boz Scaggs, Minoru Niihara, Joni Mitchell, Rod Stewart, Seal, Michael Jackson, James Taylor, Helen Watson, Luis Miguel, Richard Marx, Steve Perry, Pink Floyd, Phil Collins on " Two Hearts" and "Loco in Acapulco", Roger Daltrey, Stevie Nicks, Glenn Frey, Eros Ramazzotti, Whitney Houston, and Miles Davis. Landau, along with fellow session guitarists Dean Parks, Steve Lukather, Michael Thompson and Dann Huff, played on many of the major label releases recorded in Los Angeles from the 1980s–1990s. He has released music with several record labels, including Ulftone Music and Tone Center Records, a member of Shrapnel Label Group. In addition to his session work, Landau has led several bands, including Raging Honkies and Burning Water. In the early 1980s, he was also in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Keane Brothers
The Keane Brothers was an American pop music duo from 1976–82, composed of pre-teens, Tom Keane on piano and John Keane on drums. The duo released four albums and briefly hosted a television variety show on CBS. The brothers subsequently went on to solo careers as songwriters and music producers. History Tom and John Keane of Los Angeles, California, were the sons of Bob Keane, the founder of Del-Fi Records. After the elder Keane closed his record label, he promoted the boys as a bubblegum pop band. The Keane Brothers’ first single, “Sherry” (#84), was released in 1976, followed closely by a self-titled debut album in 1977. During the summer of 1977, John who was 12 years and Tom who was 13 years, reportedly became the youngest people ever to host a prime-time variety television program. ''The Keane Brothers Show'' aired on CBS for four weeks in 1977 as a summer replacement for ''Wonder Woman''. Between the years of 1977 and 1982, the brothers released four albums. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultratop
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio statio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
