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Emily Pogorelc
Emily Pogorelc is an American operatic soprano. She is a member of the Bavarian State Opera in Munich, and has performed leading roles internationally. Life Born in Milwaukee, Wisconsin Pogorelc studied at the Curtis Institute of Music in Philadelphia, graduating in 2018. She won the Ginette Theano Prize for Most Promising Talent at the first Glyndebourne Festival Opera competition in 2018. Pogorelc made her debut as Cunegonde in Bernstein's ''Candide (operetta), Candide'' at the Washington National Opera. She then took part in the Mozart Académie of the Aix-en-Provence Festival, and at the Britten–Pears School for Advanced Musical Studies, Britten-Pears Young Artist Programme of the Aldeburgh Festival. She performed at the Glimmerglass Festival, as Romilda in Handel's ''Serse'' as Berenice in Rossini's ''L'occasione fa il ladro'', and as Johanna in Sondheim's ''Sweeney Todd: The Demon Barber of Fleet Street, Sweeney Todd''. Pogorelc was a member of the Ryan Opera Center at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milwaukee
Milwaukee ( ), officially the City of Milwaukee, is both the most populous and most densely populated city in the U.S. state of Wisconsin and the county seat of Milwaukee County. With a population of 577,222 at the 2020 census, Milwaukee is the 31st largest city in the United States, the fifth-largest city in the Midwestern United States, and the second largest city on Lake Michigan's shore behind Chicago. It is the main cultural and economic center of the Milwaukee metropolitan area, the fourth-most densely populated metropolitan area in the Midwest. Milwaukee is considered a global city, categorized as "Gamma minus" by the Globalization and World Cities Research Network, with a regional GDP of over $102 billion in 2020. Today, Milwaukee is one of the most ethnically and culturally diverse cities in the U.S. However, it continues to be one of the most racially segregated, largely as a result of early-20th-century redlining. Its history was heavily influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operalia
Plácido Domingo's Operalia, The World Opera Competition is an annual international competition for opera singers. Founded in 1993 by Plácido Domingo, the competition's varied prizes have been given to known artists such as Joseph Calleja, Rolando Villazón, José Cura, Joyce DiDonato, Elizabeth Futral, Nina Stemme, Erwin Schrott, Sonya Yoncheva and Lise Davidsen.''Opera News''"Norwegian Soprano Lise Davidsen and Romanian tenor Ioan Hotea Win Top Prizes in Plácido Domingo's Operalia Competition in London" Retrieved 21 July 2015.Christansen, Rupert (20 July 2015) ''Daily Telegraph''. Retrieved 21 July 2015. Overview The competition's parent organization, Operalia Foundation, is a nonprofit organization based in Beverly Hills, California, with postal address in New York City's Upper West Side. The competition itself takes place in different cities each year. Cities which have hosted the competition include Paris at both the Palais Garnier and Théâtre du Châtelet, Mexico City i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Maestri
Ambrogio Maestri (born 1970) is an Italian operatic baritone. He is especially known for his portrayal of the title character in Giuseppe Verdi's ''Falstaff''. He studied piano and singing in his home town, Pavia. In Italy he has performed at the Teatro alla Scala in Milan, Teatro di San Carlo in Naples, Teatro Regio in Parma, Teatro dell'Opera di Roma, Teatro Regio in Turin, Teatro Verdi in Trieste and the Arena di Verona. Abroad he has performed at the Deutsche Oper Berlin, Teatro Nacional de São Carlos in Lisbon, the Royal Opera House in London, the Teatro Real in Madrid, the Metropolitan Opera in New York City, San Francisco Opera House, the Konzerthaus and the Staatsoper in Vienna, the Gran Teatre del Liceu in Barcelona and others. He presents as a powerful, robust man on stage. ''Gramophone'' has described him as Italy's answer to Bryn Terfel, "fresh-voiced ndemotionally sympathetic." He has been critically praised by the likes of Riccardo Muti. Edward Seckerson of '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertrand De Billy
Bertrand de Billy (born Paris, 11 January 1965) is a French conductor. He attended a Jesuit school, but only started serious musical studies when he was around 14–15; he studied piano and violin.Bertrand de Billy, chef d’orchestre, interview with Valéry Fleurquin, 3 January 2007, in French accessed 7 February 2014. After his career as an instrumental musician, de Billy began his conducting career in . He later moved to and built up his career as an opera conductor. His professional operatic conducting debu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotte De Beer
Lotte de Beer (born 11 August 1981) is a Dutch opera director. Biography Raised in Mheer in the Zuid-Limburg region of Limburg, de Beer studied singing and piano in her youth. She subsequently developed an interest in acting, and studied acting at the ''Toneelschool Maastricht''. She subsequently studied directing at the Amsterdam University of the Arts, from which she graduated in 2009. She was a prizewinner in the Ton Lutz Awards in 2009 for ''grooste regietalent'' (greatest directing talent), for her production of ''Hauptling Abendwind'' / ''Vent du Soir''. Her mentors have included Peter Konwitschny and Pierre Audi. In 2010, de Beer founded Operafront, an opera company based in Amsterdam focused on small-scale and experimental productions of opera, and became its first artistic director. Her work with contemporary opera has included directing the premiere productions of the new operas ''Waiting for Miss Monroe'' and ''The New Prince'', both for Dutch National Opera. Outs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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