Emilio Caraffa
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Emilio Caraffa
Emilio Caraffa (1862–1939) was an Argentine painter of the post-impressionist school. Life and work Emilio Caraffa was born in Catamarca, Argentina, in 1862. His family relocated to Rosario, where he attended the local National College (a system of public college preparatory schools), and learned to draw and sketch. He received lessons in painting in Buenos Aires from 1883 to 1884, an experience which earned him a scholarship from the Minister of Justice and Culture, Eduardo Wilde. Caraffa attended art academies in Naples and Rome, as well as in Madrid's Royal Fine Arts Academy of San Fernando, where he studied under Francisco Pradilla and was inducted into the Order of Charles III, in 1887.Parker, William Belmont. ''Argentines of Today''. New York: The Hispanic Society of America, 1920. Returning to Argentina in 1890, Caraffa relocated to Córdoba, where in 1896, he received authorization from the progressive Governor of Córdoba Province, José Figueroa Alcorta, to estab ...
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San Fernando Del Valle De Catamarca
San Fernando del Valle de Catamarca () is the capital and largest city in Catamarca Province in Argentine Northwest, northwestern Argentina, on the Río Valle River, at the feet of the Cerro Ambato. The city name is normally shortened as Catamarca. The city of , located above sea level, has 159,000 inhabitants (), with more than 200,000 counting the suburbia, what represents around 70% of the population of the province. Overview The city is located from Buenos Aires. The closest provincial capitals are La Rioja, Argentina, La Rioja (), San Miguel de Tucumán, Tucumán () and Santiago del Estero (). Many pilgrims come to San Fernando del Valle de Catamarca to visit the Church of the Virgin of the Valley (1694), which contains a statue of ''Nuestra Señora'' del Valle (Our Lady of the Valley). Catamarca is also the touristic centre of the province, with its colonial architecture, and serves as a hub to many touristic points and excursions, hiking, mountain-bike tours, horse r ...
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José Figueroa Alcorta
José María Cornelio Figueroa Alcorta (November 20, 1860 – December 27, 1931) was an Argentines, Argentine lawyer and politician, who managed to be the only person to head the three powers of the State: List of vice presidents of Argentina, Vice President of the Nation (President of the Senate), from October 12, 1904 to March 12, 1906, President of Argentina, President of the Nation from that date and until October 12, 1910; and Supreme Court of Argentina, President of the Supreme Court of Justice of the Argentine Nation, from 1929 until his death in 1931. Biography Figueroa Alcorta was born in Córdoba as the son of José Figueroa and Teodosia Alcorta. He was elected a Argentine Chamber of Deputies, National Deputy for Córdoba Province, Argentina, Córdoba before becoming Provincial Governor in 1895. In 1898 he returned to the Argentine Congress as a Argentine Senate, Senator. In 1904 he became President of Argentina#The office of Vice-President, Vice-President of Arge ...
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National University Of Córdoba Faculty
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900-1924 * National Supermarkets, a defunct American grocery store chain * National String Instrument Corporation, a guitar company formed to manufacture the first resonator gui ...
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Argentine Male Painters
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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Argentine Painters
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ...
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Museo Nacional De Bellas Artes (Buenos Aires)
The Museo Nacional de Bellas Artes ("National Museum of Fine Arts") is an Argentine art museum in Buenos Aires, located in the Recoleta section of the city. The Museum inaugurated a branch in Neuquén in 2004. The museum hosts works by Goya, Rembrandt, Van Gogh, Rodin, Manet and Chagall among other artists. History Argentine painter and art critic Eduardo Schiaffino, was the first director of the museum, which opened on 25 December 1895, in a building on Florida Street that today houses the Galerías Pacífico shopping mall. In 1909, the museum moved to a building in Plaza San Martín, originally erected in Paris as the Argentine Pavilion for the 1889 Paris exhibition, and later dismantled and brought to Buenos Aires. In its new home, the museum became part of the International Centenary Exhibition held in Buenos Aires in 1910. Following the demolition of the pavilion in 1932, as part of the remodeling of Plaza San Martín, the museum was transferred to its present location ...
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Juan B
''Juan'' is a given name, the Spanish and Manx versions of ''John''. It is very common in Spain and in other Spanish-speaking communities around the world and in the Philippines, and also (pronounced differently) in the Isle of Man. In Spanish, the diminutive form (equivalent to ''Johnny'') is , with feminine form (comparable to ''Jane'', ''Joan'', or ''Joanna'') , and feminine diminutive (equivalent to ''Janet'', ''Janey'', ''Joanie'', etc.). Chinese terms * ( or 娟, 隽) 'beautiful, graceful' is a common given name for Chinese women. * () The Chinese character 卷, which in Mandarin is almost homophonic with the characters for the female name, is a division of a traditional Chinese manuscript or book and can be translated as 'fascicle', 'scroll', 'chapter', or 'volume'. Notable people * Juan (footballer, born 1979), Brazilian footballer * Juan (footballer, born 1982), Brazilian footballer * Juan (footballer, born March 2002), Brazilian footballer * Juan (footballer, ...
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Caraffa Fine Arts Museum
The Emilio Caraffa Provincial Fine Arts Museum is an art museum in Córdoba, Argentina. Overview The institution was established as the Provincial Fine Arts Museum by the Province of Córdoba. In 1915, the museum's design was commissioned to German Argentine architect Juan Kronfuss. Built on the western edge of the newly inaugurated Sarmiento Park, the work of Neoclassical architecture was completed in 1916, and originally included 255 m² (2,700 ft²) and one exhibit hall, the Kronfuss Salon. The Provincial Museum was renamed in honor of local artist Emilio Caraffa, in 1950, and new wings completed in 1962 and 2007 brought the museum's display area to 1,500 m² (17,000 ft²), distributed among nine exhibit halls. Aside from its permanent collection, the museum maintains paintings and sculptures by other renowned local artists such as Juan Carlos Castagnino, Pablo Curatella Manes, Fernando Fader, Emilio Pettoruti, Lino Enea Spilimbergo, as well as lithographs by Pablo P ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Romanticism (art)
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, liber ...
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Caraffa Untitled
Caraffa may refer to: * Caraffa del Bianco, municipality in the Province of Reggio Calabria in the Italian region Calabria of southern Italy * Caraffa di Catanzaro, town and comune in the province of Catanzaro in the Calabria region of southern Italy * Caraffa Fine Arts Museum, an art museum in Córdoba, Argentina People * Antonio Caraffa, General Commissary of the Imperial-Habsburg Army * Emilio Caraffa, Argentine painter of the post-impressionist school * Girolamo Caraffa, general in Spanish and Imperial service from Italian descent See also * Carafa Carafa is a surname held by: * Tony Carafa, Australian rules footballer * Members of the house of Carafa See also *Carafa Chapel *Caraffa (other) Caraffa may refer to: * Caraffa del Bianco, municipality in the Province of Reggio Calabri ...
{{Disambiguation ...
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Louisiana Purchase Exposition
The Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, was an World's fair, international exposition held in St. Louis, Missouri, United States, from April 30 to December 1, 1904. Local, state, and federal funds totaling $15 million were used to finance the event. More than 60 countries and 43 of the then-45 American states maintained exhibition spaces at the fair, which was attended by nearly 19.7 million people. Historians generally emphasize the prominence of the themes of Race (human categorization), race and imperialism, and the fair's long-lasting impact on intellectuals in the fields of history, art history, architecture and anthropology. From the point of view of the memory of the average person who attended the fair, it primarily promoted entertainment, consumer goods and popular culture. The monumental Greco-Roman architecture of this and other fairs of the era did much to influence permanent new buildings and master plans of major cities. ...
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