|
Ellington Uptown
''Ellington Uptown'' (also released as ''Hi-Fi Ellington Uptown'') is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952.A Duke Ellington Panorama accessed May 24, 2010 The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the '' Liberian Suite'' EP. Reception The review by awarded the album 4½ stars and stated: "Although some historians have characterized ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history" , Penguin Books. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shelton Hemphill
Shelton "Scad" Hemphill (March 16, 1906 – January 6, 1960) was an American jazz trumpeter whose career lasted from the mid 1920s through the late 1950s. Born in Birmingham, Alabama, Hemphill was still in his teens when he played in the band of Fred Longshaw, which accompanied Bessie Smith on recordings in 1924–25. Also in 1924, at age 18, he enrolled at Wilberforce University in Ohio, and was a member of Horace Henderson's student band alongside Ted and Castor McCord. He moved to New York City late in the 1920s, where he played with Benny Carter and Chick Webb before joining the Mills Blue Rhythm Band, playing with this group from 1931 to 1937. He was in Louis Armstrong's band from 1937 to 1944 and Duke Ellington's from 1944 to 1949. In the 1950s, he played occasionally in New York City but left music due to mounting health problems later in the decade. Shelton Hemphill died in New York City two months and ten days before his 54th birthday. His demise, along with that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Cook
Willie Cook (November 11, 1923 – September 22, 2000) was an American jazz trumpeter. Cook was born in Tangipahoa, Louisiana, on November 11, 1923.Hogan, E"Willie Cook" AllMusic. Retrieved July 13, 2017. He grew up in Chicago and learned to play violin before settling on trumpet as a teenager. He joined King Perry's band in the late 1930s, then joined Jay McShann's band early in the 1940s. His later credits include performing and recording with Johnny Hartman, Earl Hines, Jimmie Lunceford, Ella Fitzgerald, Dizzy Gillespie, Duke Ellington, B.B. King, and Count Basie. He joined Ellington's band in October 1951 as lead trumpeter and stayed for a decade. He moved to Sweden in 1982 after spending time in the country touring. He died of heart failure in Maria Regina Hospice in Stockholm on September 22, 2000.Ratliff, Ben (October 21, 2000"Willie Cook, 76, Lead Trumpeter with Gillespie and Ellington" ''The New York Times''. Discography With The Young Swedes *''Christl Mood'' ( Phont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Baker
Harold "Shorty" Baker (May 26, 1914 in St. Louis, Missouri, US – November 8, 1966) was an American jazz trumpeter. Baker began on drums, but switched to trumpet during his teens. He started his career on riverboats and played with Don Redman in the mid-1930s. He also worked with Teddy Wilson and Andy Kirk before joining Duke Ellington. He married Kirk's pianist Mary Lou Williams and though the two separated shortly thereafter, they never officially divorced. Baker worked on and off in Duke Ellington's Orchestra from 1942 to 1962. He also worked with Johnny Hodges's group in the early 1950s, during the period when Hodges was not a member of Ellington's orchestra. He died of throat cancer in New York at the age of 52.Owsley, D. (2006). ''City of Gabriels: The History of Jazz in St. Louis, 1895-1973''. United States: Reedy Press, p. 57 Discography As leader/co-leader *''The Broadway Beat'' (King, 1959) *'' The Bud Freeman All-Stars featuring Shorty Baker'' (Swingville, 1960) wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cat Anderson
William Alonzo "Cat" Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register. Biography Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname "Cat" (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins' big band, Doc Wheeler's Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis's Orchestra, and Lionel Hampton, with whom he recorded the classic "Flying Home No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Tizol
Juan Tizol Martínez (22 January 1900 – 23 April 1984) was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards " Caravan", "Pyramid", and " Perdido". Biography Tizol was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he played throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Tizol played in his uncle's band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Tizol joined a band that was traveling to the United States to work in Washington, D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater, where they played for tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perdido (song)
"Perdido" is a jazz standard composed by Juan Tizol that was recorded on December 3, 1941 by Duke Ellington. However, it is the January 21, 1942, recording of the song on the Victor label by the Ellington orchestra, of which Tizol was a member, that is regarded as the original recording. In 1944, Ervin Drake and Hans Lengsfelder were hired to write lyrics for the song. Background "Perdido" is Spanish and means ''lost'', but also sloppy or indecent. The song refers to Perdido Street in New Orleans. Ella Fitzgerald recording "Perdido" was not usually sung with the Ellington band, the exception being Ella Fitzgerald on her 1957 album ''Ella Fitzgerald Sings the Duke Ellington Songbook''. Other recordings Many others recorded the song, including: *Sarah Vaughan *Dinah Washington *Art Tatum *Quincy Jones *The Charlie Parker Quintet *Dave Brubeck *Charles Mingus *Randy Weston *Erroll Garner *Bill Doggett *Harry James Harry Haag James (March 15, 1916 – July 5, 1983) was an Ame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem (Ellington)
''Harlem'' is a symphonic jazz composition by the American composer Duke Ellington. Originally commissioned by Arturo Toscanini in 1950 as part of a larger New York City–inspired orchestral suite, Toscanini never conducted it. Ellington himself first recorded it on 7 December 1951 (as "A Tone Parallel to Harlem (Harlem Suite)" for his ''Ellington Uptown'' album), and it had been given its live premiere on 21 January 1951 in a benefit concert for the NAACP at the Metropolitan Opera House. It was first performed by symphony orchestra in 1955 at Carnegie Hall by Don Gillis and the Symphony of the Air. The piece lasts for around fourteen minutes and exists in Ellington's large jazz orchestra version as well as a full symphonic version orchestrated by Luther Henderson. Both versions begin with a distinctive trumpet solo which intones the word "Harlem." In his own memoirs Ellington wrote: We would now like to take you on a tour of this place called Harlem... It is Sunday morning. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
