Elizabeth Cowie
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Elizabeth Cowie
Elizabeth Cowie ( ) is a British academic, author, and emeritus professor of film studies at the University of Kent. Biography Cowie has a degree in history, politics and sociology. After university, she found work in publishing, and from 1972 to 1976, was editorial assistant for ''Screen'' magazine. In 1982, Cowie joined the University of Kent to teach on its film studies programme. Cowie has written two monographs, numerous articles in peer-reviewed journals, and contributed to various edited collections. In ''Representing the Woman: Psychoanalysis and Cinema'' (1997) she merges traditional psychoanalytic film theory with feminism Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male po ... (see Screen theory). In ''Recording Reality, Desiring the Real'' (2011) she examines the history ...
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Film Studies
Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies. Film studies is less concerned with advancing proficiency in film production than it is with exploring the narrative, artistic, cultural, economic, and political implications of the cinema. In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. Also, in studying film, possible careers include critic or production. Overall the study of film continues to grow, as does the industry on which it focuses. Academic journals publishing film studies work include '' Sight & Sound'', '' Film Comment'', '' Film International'', '' CineAction'', '' Screen'', '' Journal of Cinema and Media Studies'', '' Film Quarterly'', and '' J ...
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University Of Kent
, motto_lang = , mottoeng = Literal translation: 'Whom to serve is to reign'(Book of Common Prayer translation: 'whose service is perfect freedom')Graham Martin, ''From Vision to Reality: the Making of the University of Kent at Canterbury'' (University of Kent at Canterbury, 1990) page 36 As Martin notes "Our former Information Officer has ventured the opinion that Thomas Cranmer, Cranmer would not have got very high marks had this phrase appeared in an General Certificate of Education#O-level, O-Level Latin paper!" , top_free_label = , top_free = , type = Public university, Public , established = , closed = , founder = , parent = , affiliation = , affiliations = Universities UKSGroup European Universities' NetworkEuropean University Association, EUAAssociation of Commonwealth Universities, ACUEastern ARCUniversities at Medway , religious_affiliation = , academic_affiliation = , endowment = Pound sterling, £5.528 million (2018) , budget = , officer_i ...
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Screen (journal)
''Screen'' is an academic journal of film and television studies based at the University of Glasgow and published by Oxford University Press. The editors-in-chief are Tim Bergfelder (University of Southampton), Alison Butler (University of Reading), Dimitris Eleftheriotis (University of Glasgow), Karen Lury (University of Glasgow), Alastair Phillips (University of Warwick), Jackie Stacey (University of Manchester), and Sarah Street (University of Bristol). History ''Screen'' originated in the Society of Film Teachers' journal, ''The Film Teacher'', in 1952. Soon after, the society was renamed as the Society for Education in Film and Television and its journal changed its name to ''Screen Education'' in 1960. ''Screen Education'' was renamed to ''Screen'' in 1969, although a separate journal titled ''Screen Education'' was also published. During the 1970s, ''Screen'' was particularly influential in the nascent field of film studies. It published many articles that have become ...
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Psychoanalytic Film Theory
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s. The second wave became popular in the 1980s and 90s. Precursors At the end of the nineteenth century, psychoanalysis was created, and film happened to follow shortly afterward. André Breton, the founder of the Surrealist movement, saw film as a means of engaging the unconscious. Since films had the ability to tell a story using techniques such as superimposition, and slow motion, the Surrealists saw this as mimicking dreams. Early applications of psychoanalysis to cinema concentrated on unmasking latent meanings behind screen images, before moving on to a consideration of film as a representation of fantasy. From there, a wider consideration of the subject position of th ...
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Feminism
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women. Feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration and to protect women and girls from rape, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical act ...
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Screen Theory
Screen theory is a Marxist– psychoanalytic film theory associated with the British journal ''Screen'' in the early 1970s. It considers filmic images as signifiers that do not only encode meanings but also mirrors in which viewers accede to subjectivity. The theory attempts to discover a way of theorizing a politics of freedom through cinema that focuses on diversity instead of unity. Here, the Marxist emphasis on universal consciousness as a basis for defining emancipation shifted to the articulation of diversities and multiplicities of individual and collective experience due to the psychoanalytic elaboration of the unconscious. Overview The theoreticians of the "Screen theory" approach—Colin MacCabe, Stephen Heath and Laura Mulvey—describe the " cinematic apparatus" as a version of Althusser's ideological state apparatus. According to Screen theory, it is the spectacle that creates the spectator and not the other way round. The fact that the subject is created and subjecte ...
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Living People
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Academics Of The University Of Kent
An academy ( Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, '' Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulatio ...
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Film Theorists
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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