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Elise Reiman
Olga Elise Reiman (October 17, 1911 – August 26, 1993) was an American ballet dancer and dance educator. After starting her career working with choreographer Adolph Bolm, she danced at the American Ballet and Ballet Society, both forerunners of the New York City Ballet, and originated several roles for choreographer George Balanchine. Reiman taught at Balanchine's School of American Ballet between 1945 and 1953 and from 1964 until her death. Early life and education Reiman was born in Terre Haute, Indiana, the daughter of Ewald E. Reiman and Olga Paulini Reiman. Her father was a bank president. In childhood she studied dance with Ernestine Myers. She later studied under Adolph Bolm in San Francisco. In 1934, Reiman started attending classes at the School of American Ballet in New York, co-founded by choreographer George Balanchine, during the school's second term. Career Reiman began her career working with Bolm, and created roles in his ballets ''Apollon Musagète'' (1928), as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terre Haute, Indiana
Terre Haute ( ) is a city in and the county seat of Vigo County, Indiana, United States, about 5 miles east of the state's western border with Illinois. As of the 2010 census, the city had a population of 60,785 and its metropolitan area had a population of 170,943. Located along the Wabash River, Terre Haute is one of the largest cities in the Wabash Valley and is known as the Queen City of the Wabash. The city is home to multiple higher-education institutions, including Indiana State University, Rose-Hulman Institute of Technology, and Ivy Tech Community College of Indiana. History Terre Haute's name is derived from the French phrase ''terre haute'' (pronounced in French), meaning "highland". It was named by French-Canadian explorers and fur trappers to the area in the early 18th century to describe the unique location above the Wabash River (see French colonization of the Americas). At the time, the area was claimed by the French and British and these highlands were consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozartiana (ballet)
''Mozartiana'' is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, ''Mozartiana''. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work. Balanchine had previously choreographed to the same score in 1933, for his short-lived troupe Les Ballets 1933 in Paris, his first major ballet to music by Tchaikovsky. It had its American premiere the following year, and Balanchine made some changes to the choreography in 1935. This earlier version was performed by several troupes until 1956. This version's choreography and designs are completely different from the 1981 version. Previous versions In 1933, George Balanchine and librettist Boris Kochno co-founded Les Ballets 1933, after being dismissed from the Original Ballet Russe. The company was mainly funded by Edward James, and also backed by friends such as c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaganova Academy Of Russian Ballet
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training. The Vaganova Academy is the associate school of the Mariinsky Ballet, one of the world's leading ballet companies. Students of the school have found employment with ballet and contemporary companies worldwide, such as the Bolshoi Ballet, The Royal Ballet, American Ballet Theatre and the Mikhailovsky Ballet. History The school was established as the Imperial Theatrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Tallchief
Elizabeth Marie Tallchief ( Osage family name: , Osage script: ; January 24, 1925 – April 11, 2013) was an American ballerina. She was considered America's first major prima ballerina. She was the first Native American (Osage Nation) to hold the rank, and is said to have revolutionized ballet. Almost from birth, Tallchief was involved in dance, starting formal lessons at age three. When she was eight, her family relocated from her birth home of Fairfax, Oklahoma, to Los Angeles, California. The purpose of the move was to advance the careers of Maria and her younger sister, Marjorie. Both sisters became dance professionals and leading figures. At age 17, she moved to New York City in search of a spot with a major ballet company, and, at the urging of others, took the name Maria Tallchief. She spent the next five years with the Ballet Russe de Monte Carlo, where she met choreographer George Balanchine. When Balanchine co-founded what would become the New York City Ballet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointe
Pointe technique ( ) is the part of classical ballet technique that concerns ''pointe work'', in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes. A dancer is said to be ''en pointe'' () when the dancer's body is supported in this manner, and a fully extended vertical foot is said to be ''en pointe'' when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men and women are capable of pointe work, it is most often performed by women. Extensive training and practice are required to develop the strength and technique needed for pointe work. Typically, dance teachers consider factors such as age, experience, strength and alignment when deciding whether to allow a dancer to begin pointe work. Technique Pointe technique encompasses both the mechanical and artistic aspects of pointe work. In particular, it is concerned with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Dollar
William Dollar (April 20, 1907 – February 28, 1986) was an American dancer, ballet master, choreographer, and teacher. As one of the first American ''danseurs nobles'', he performed with numerous companies, including the Philadelphia Opera Ballet, the American Ballet, Ballet Caravan, Ballet Society, Ballet Theatre, and New York City Ballet. Early life and training William Henry Dollar, born in St. Louis, Missouri, was raised in East St. Louis, a city just across the Mississippi River in Illinois, where his parents ran a grocery store and meat market. As a boy, Bill Dollar was a student of piano and gymnastics, in which he excelled, and he had a strong interest in studying ballet. His parents tried to discourage him, but he finally won them over and began his dance training in his mid-teens. After a few years with local teachers, he moved east to pursue dance studies with professional teachers. He had studied with Catherine Littlefield in Philadelphia and with Mikhail Mordkin, Alex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Taras
John Taras (April 18, 1919 – April 2, 2004) was an American ballet master, repetiteur, and choreographer. Early life and education Born on the Lower East Side of New York City to Ukrainian parents, he was sent at age 16 to study ballet with Michel Fokine, Anatole Vilzak, Pierre Vladimiroff and Ludmila Shollar, and later to the School of American Ballet. Career He first appeared professionally with Opera on Tour for which Fokine arranged dance. He performed at the 1939 New York World's Fair with Ballet Caravan at the Ford Pavilion and joined Catherine Littlefield's Philadelphia Ballet for a 1941 tour of the southern states, and in 1942 was in the Broadway revival of J. M. Barrie's ''A Kiss for Cinderella''. He then toured South America with American Ballet Caravan. Taras joined Ballet Theatre in 1942 and rose to soloist. He rehearsed the ballets of Lichine, DeMille, Nijinska, Balanchine and Tudor, and in 1946 choreographed his first ballet, ''Graziana''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lew Christensen
Lewellyn Farr Christensen (May 6, 1909 – October 9, 1984) was a ballet dancer, choreographer and director for many companies. He was largely associated with George Balanchine and the San Francisco Ballet, which he directed from 1952–1984. Other companies Christensen was a part of include Ballet Caravan, directed by Lincoln Kirstein, and Ballet Society, directed by Kirstein and Balanchine. Early life and training Christensen was born in Brigham City, Utah, to a family with roots in dance and music. His grandfather, Lars Christensen, who emigrated from Denmark, taught folk and social dances.Sowell, Debra. "Christensen Brothers." ''International Encyclopedia of Dance.'' Vol. 2. ed. Selma Jeanne Cohen. 1998. 160. Christensen was raised a Mormon, and this upbringing informed his latter career with of a sense of focusing on propriety. Christensen began studying dance with his uncles and music with his father when he was ten. He was taught early ballet technique by Stefano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Temperaments
''The Four Temperaments'' or Theme and Four Variations (''The Four Temperaments'') is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments. The music was premiered in Switzerland by the Stadtorchester Winterthur under the direction of Hermann Scherchen on March 10, 1943. However, Balanchine created the choreography a few years later. The ballet, ''The Four Temperaments'' was the first work Balanchine made for the Ballet Society, the forerunner of the New York City Ballet, and premiered on November 20, 1946, at the Central High School of Needle Trades, New York, during the Ballet Society's first performance. Though at the premiere, critics did not receive the ballet well, it was later acknowledged as a "masterpiece," and was revived by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terpsichore
In Greek mythology, Terpsichore (; grc-gre, Τερψιχόρη, "delight in dancing") is one of the nine Muses and goddess of dance and chorus. She lends her name to the word " terpsichorean" which means "of or relating to dance". Appearance Terpsichore is usually depicted sitting down, holding a lyre, accompanying the dancers' choirs with her music. Her name comes from the Greek words τέρπω ("delight") and χoρός ("dance"). Family Tradition portrays Terpsichore as the mother of the Sirens (including Parthenope) by the river-god Achelous. In some accounts, she bore the Thracian king Biston by Ares. By another river-god, Strymon, Terpsichore mothered the Thracian king Rhesus. In popular culture Historical *The British 32-gun frigate commanded by Captain Bowen participated in the Battle of Santa Cruz de Tenerife (1797). Places * Terpsichore is the name of a street in New Orleans' historic neighborhoods of Faubourg Lafayette and the Lower Garden District. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gioconda (opera)
''La Gioconda'' is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on '' Angelo, Tyrant of Padua'', a 1835 play in prose by Victor Hugo (the same source Gaetano Rossi had used for his libretto for Mercadante's '' Il giuramento'' in 1837). First performed in 1876, ''La Gioconda'' was a major success for Ponchielli, as well as the most successful new Italian opera between Verdi's ''Aida'' (1871) and ''Otello'' (1887). It is also a famous example of the Italian genre of ''Grande opera'', the equivalent of French '' Grand-Opéra''. Ponchielli revised the work twice; the third and final version (that is used to this day) was first performed in 1880. There are several complete recordings of the opera, and it is regularly performed, especially in Italy. It is one of only a few operas that features a principal role for each of the six major voice types. The opera also includes the famous ballet ''Dance of the Hours'', oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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