Elgin Avenue Breakdown
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Elgin Avenue Breakdown
''Elgin Avenue Breakdown'' is a compilation album by The 101ers, Joe Strummer's band before he joined The Clash. It was released on Andalucía Records (distributed by Virgin) in 1981 because of The Clash's popularity but mooted at the time that it was a semi-unofficial release due to Joe Strummer's contractual obligations with CBS. The first 500 copies came with a free poster. Just a few thousand copies were sold. The re-issue by EMI in 2005 has an accompanying booklet with an overview by Allan Jones and detailed notes on each track by Richard Dudanski. Track listing Original release The original Andalucía release of ''Elgin Avenue Breakdown'' contained 4 of the 6 songs recorded by Dr. Feelgood and Motörhead producer Vic Maile, as a centrepiece. He had agreed to their use on the album in return for royalties. The 101ers owned the rights to the BBC Maida Vale recordings so they could also be used. However, most of the Pathway Studios material recorded by Roger Armstrong was ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Sid Vicious
John Simon Ritchie (10 May 1957 – 2 February 1979), better known by his stage name Sid Vicious, was an English musician, best known as the bassist for the punk rock band Sex Pistols. Despite dying in 1979 at age 21, he remains an icon of the punk subculture; one of his friends noted that he embodied "everything in punk that was dark, decadent and nihilistic." Early life John Simon Ritchie was born on 10 May 1957 in Lewisham to John and Anne Ritchie nee McDonald (1933–1996). Anne had dropped out of school and joined the British Army, where she met Ritchie's father, a guardsman at Buckingham Palace and a semi-professional trombone player on the London jazz scene. Shortly after Ritchie's birth, he and his mother moved to Ibiza, where they expected to be joined by his father, who did not appear and provided no financial support—Anne reportedly sold marijuana to get by. With the help of the British Embassy in Spain, Anne returned to England and settled in Tunbridge Wells, Kent ...
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Jail Guitar Doors
"Jail Guitar Doors" is a song by the Clash, recorded during October and November 1977 and released on 17 February 1978 as the B-side of their fourth single "Clash City Rockers". The song is featured on the U.S. release of their debut album, and on their 2006 compilations album the '' Singles Box''. It began life as "Lonely Mother's Son" by Joe Strummer's former band The 101ers, sharing the same chorus, which begins, "Clang clang go the jail guitar doors." "Jail Guitar Doors" was covered by the former Guns N' Roses guitarist Gilby Clarke, who recorded a version on his debut solo album, '' Pawnshop Guitars'', with the contribution of the members of Guns N' Roses, Pixies vocalist Frank Black, guitarist Ryan Roxie and bassist Duff McKagan. The song opens with the lines "Let me tell you 'bout Wayne and his deals of cocaine", which is a reference to the MC5 guitarist Wayne Kramer. In the second verse line, "And I'll tell you 'bout Pete, didn't want no fame" refers to Peter Green. ...
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The Roundhouse
The Roundhouse is a performing arts and concert venue situated at the Grade II* listed former railway engine shed in Chalk Farm, London, England. The building was erected in 1846–1847 by the London & North Western Railway as a roundhouse, a circular building containing a railway turntable, but was used for that purpose for only about a decade. After being used as a warehouse for a number of years, the building fell into disuse just before World War II. It was first made a listed building in 1954. It reopened after 25 years, in 1964, as a performing arts venue, when the playwright Arnold Wesker established the Centre 42 Theatre Company and adapted the building as a theatre. The large circular structure has hosted various promotions, such as the launch of the underground paper ''International Times'' in 1966, one of only two UK appearances by The Doors with Jim Morrison in 1968, and the Greasy Truckers Party in 1972. The Greater London Council ceded control of the building t ...
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Van Morrison
Sir George Ivan Morrison (born 31 August 1945), known professionally as Van Morrison, is a Northern Irish singer-songwriter and multi-instrumentalist whose recording career spans seven decades. He has won two Grammy Awards. As a teenager in the late 1950s, he played a variety of instruments such as guitar, harmonica, keyboards and saxophone for several Irish showbands, covering the popular hits of that time. Known as "Van the Man" to his fans, Morrison rose to prominence in the mid 1960s as the lead singer of the Northern Irish R&B and rock band Them. With Them, he recorded the garage band classic " Gloria". Under the pop-oriented guidance of Bert Berns, Morrison's solo career began in 1967 with the release of the hit single "Brown Eyed Girl". After Berns's death, Warner Bros. Records bought out Morrison's contract and allowed him three sessions to record ''Astral Weeks'' (1968). While initially a poor seller, the album has become regarded as a classic. ''Moondance'' (1970) e ...
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Gloria (Them Song)
"Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. Composition and recording According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old. He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with the Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day. Besides Morrison, present were Billy Harrison on guitar, Alan Henderson on bass guitar, Ronnie Millings ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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James Wayne (R&B Musician)
James Douglas Wayne (March 3, 1920 or April 17, 1924 – March 31, 1978), who recorded in the 1950s and early 1960s as James Waynes, James Wayne, and Wee Willie Wayne, was an American rhythm and blues singer, songwriter and musician. He recorded "a fine blend of Texas blues and New Orleans R&B". He had a no.2 hit on the ''Billboard'' R&B chart in 1951 with the song "Tend To Your Business", and that year also recorded one of the earliest versions of the widely performed song "Junco Partner". Biography Details of his life are obscure. According to his own account, he was born in Houston, Texas, in 1920, although some sources give his birthplace as Jefferson County, Texas with a date of birth in 1924, and others state it as New Orleans. He claimed to have undertaken training as a commando, and spent time in jail around 1950 for burglary, before becoming a musician. He sang, played guitar, and reportedly also played drums. He is believed to have first recorded in Houston, for the Sit ...
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Junco Partner
"Junco Partner", also known as "Junco Partner (Worthless Man)", is a blues song first recorded by James Waynes in 1951. Profile of James "Wee Willie" Wayne at Black Cat Rockabilly
Rockabilly.nl, Retrieved 4 April 2013
It has been recorded and revised by many other artists over several decades, including Louis Jordan, Michael Bloomfield, , Professor Longhair,

Slim Harpo
Slim Harpo (born James Isaac Moore; January 11, 1924 – January 31, 1970) was an American blues musician, a leading exponent of the swamp blues style, and "one of the most commercially successful blues artists of his day". He played guitar and was a master of the blues harmonica, known in blues circles as a "harp". His most successful and influential recordings included "I'm a King Bee" (1957), " Rainin' in My Heart" (1961), and "Baby Scratch My Back" (1966), which reached number one on ''Billboard'''s R&B chart and number 16 on its broader Hot 100 singles chart. Life and career Moore was born in Lobdell, Louisiana, the eldest child in his family. After his parents died he worked as a longshoreman and construction worker in New Orleans in the late 1930s and early 1940s. Influenced in style by Jimmy Reed, he began performing in Baton Rouge bars using the name "Harmonica Slim", and also accompanied his brother-in-law Lightnin' Slim in live performances. He started his recording ...
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Shake Your Hips
"Shake Your Hips" (sometimes known as "Hip Shake") is a song written by Louisiana bluesman Slim Harpo. He recorded it in February 1966 for producer J. D. Miller for a follow-up single to his hugely successful "Baby Scratch My Back". Miller's Excello Records released it as a single in June 1966 and in October, the song became the lead track for Slim Harpo's 1966 album ''Baby Scratch My Back'', which was a long-term release in Excello's catalogue. Slim Harpo biographer Martin Hawkins describes it as a "dance-instruction song ith afast-paced, hypnotic shoeshine beat". He notes contributions by Lazy Lester on percussion and Katie Webster on organ. Reception and influence A June 18, 1966, "Spotlight Singles" review in ''Billboard'' magazine included "Harpo follows up his hit 'Baby Scratch My Back' with two blues-based sides. Dance-teaching tune is backed by a solid blues weeper with harmonica backing". The review predicted that the single would reached the top 60 of the magazine ...
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Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ...
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