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Elena Nicolai
Stoyanka Savova Nikolova ( bg, Стоянка Савова Николова), best known by her stage name Elena Nicolai ( bg, Елена Николай) (24 January 1905 – 24 October 1993), was a Bulgarian operatic mezzo-soprano. Early life and training Nicolai was born in the village of Tzerovo, Pazardzhik, Bulgaria. She spent her childhood in another Bulgarian town, Panagurishte. At the age of 19, she moved to Milan to study opera, first with Vincenzo Pintorno and later with Ettore Pozzoli. Operatic career She made her operatic debut as Maddalena in Verdi's ''Rigoletto'' in 1932. She spent 20 seasons as a leading mezzo-soprano at Milan's Teatro alla Scala. After her retirement from opera, she became an actress and had a short film career, starring in seven movies in the period between 1963-68. She recorded complete operas for RAI and EMI: Eboli in ''Don Carlos'' with Antonietta Stella, Boris Christoff, and Tito Gobbi stands out among the others, which include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Name
A stage name is a pseudonym used by performers and entertainers—such as actors, comedians, singers, and musicians. Such professional aliases are adopted for a wide variety of reasons and they may be similar, or nearly identical, to an individual's birth name. Though uncommon, some performers choose to adopt their stage name as a legal name. Nicknames and maiden names are sometimes used in a person's professional name. Reasons for using a stage name A performer will often take a stage name because their real name is considered unattractive, dull, or unintentionally amusing; projects an undesired image; is difficult to pronounce or spell; or is already being used by another notable individual, including names that are not exactly the same but still too similar. An example of this is pop singer Katy Perry, whose real name is Katheryn "Katy" Hudson, which would have caused confusion with the actress Kate Hudson. Sometimes a performer adopts a name that is unusual or outlandish t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Del Cupolo
Federico Del Cupolo (Naples, 1884-Milan, 1974) was an Italian orchestra conductor whose activity mainly focussed on Italian opera. His career developed in Italy and abroad spanning 60 years and including some recordings from the early 1950s which have been recently resumed for their historical and artistic significance. Discography In 1929 in Philadelphia he recorded the ouverture of '' La gazza ladra'' by Rossini; in 1951 he recorded with the Orchestra of La Scala the operas '' L'arlesiana'' and ''Adriana Lecouvreur'' by Francesco Cilea, the latter interpreted by Mafalda Favero, Elena Nicolai and Nicola Filacuridi. In 1953, he recorded two operas by Puccini: ''La rondine'' with the Antonio Guarnieri Orchestra and Chorus of Milan, and ''Manon Lescaut ''The Story of the Chevalier des Grieux and Manon Lescaut'' ( ) is a novel by Antoine François Prévost. Published in 1731, it is the seventh and final volume of ''Mémoires et aventures d'un homme de qualité'' (''Memoirs and Ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriana Lecouvreur
''Adriana Lecouvreur'' () is an opera in four acts by Francesco Cilea to an Italian libretto by Arturo Colautti, based on the 1849 play ''Adrienne Lecouvreur'' by Eugène Scribe and Ernest Legouvé. It was first performed on 6 November 1902 at the Teatro Lirico in Milan. Background The same play by Scribe and Legouvé which served as a basis for Cilea's librettist was also used by at least three different librettists for operas carrying exactly the same name, ''Adriana Lecouvreur'', and created by three different composers. The first was an opera in three acts by Tomaso Benvenuti (premiered in Milan in 1857). The next two were lyric dramas in 4 acts by Edoardo Vera (to a libretto by Achille de Lauzières) which premiered in Lisbon in 1858, and by Ettore Perosio (to a libretto by his father), premiered in Genoa in 1889. After Cilea created his own ''Adriana'', however, none of those by others were performed anymore and they remain largely unknown today. The opera is based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cilea
Francesco Cilea (; 23 July 1866 – 20 November 1950) was an Italian composer. Today he is particularly known for his operas ''L'arlesiana'' and ''Adriana Lecouvreur''. Biography Born in Palmi near Reggio di Calabria, Cilea gave early indication of an aptitude for music when at the age of four he heard a performance of Vincenzo Bellini's ''Norma'' and was greatly affected by it. He was sent to study music at the Conservatorio di San Pietro a Majella in Naples, where he quickly demonstrated his diligence and precocious talent, earning a gold medal from the Ministero della Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera ''Gina'', with a libretto by Enrico Golisciani which was adapted from the old French play ''Catherine, ou La Croix d'or'' by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787–1865). This "melodramma idilico" was performed in the college theatre, and it attracted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferrucio Calusio
Ferrucio Calusio (1889 or 1890 – 3 June 1983) was an Argentine conductor. He began his career in the 1920s at La Scala in Milan, Italy as an assistant conductor to Arturo Toscanini. In 1927 he returned to his native country to join the conducting staff of the Teatro Colón in Buenos Aires. He served as one of that house's main conductors in the Italian repertoire through 1960. He also worked as a guest conductor with several important opera houses during his career, including conducting several operas at La Scala in the 1930s and at the Metropolitan Opera (''Cavalleria rusticana'', ''Pagliacci'', and ''Il trovatore'') in 1940–1941. In 1939 he conducted the orchestra of La Scala for the first recording of Claudio Monteverdi's ''L'Orfeo ''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (opera)
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Saint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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