Electropop Groups
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Electropop Groups
Electropop is a hybrid music genre combining elements of Electronic music, electronic and Pop music, pop genres. Writer Hollin Jones has described it as a variant of synth-pop with heavy emphasis on its electronic music, electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. History Early 1980s During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage (band), Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century Britney Spears' influential fifth studio album ''Blackout (Britney Spears album), Blackout'' (2007) incorporated elements of the genre, catapulting electropop to mainstream significance. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ...
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Indie Electronic
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U. V ...
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Visage (band)
Visage were a British synthpop band, formed in London in 1978. The band became closely linked to the burgeoning New Romantic fashion movement of the early 1980s, and are best known for their hit " Fade to Grey" which was released in late 1980. In the UK, the band achieved two Top 20 albums ('' Visage'' and '' The Anvil'') and five Top 30 singles before the commercial failure of their third album (''Beat Boy'') led to their break-up in 1985. The band has seen various line-up changes over the years, all fronted by vocalist Steve Strange, who resurrected the band name in the 2000s. In 2013, the most recent line-up of the band released ''Hearts and Knives'', the first new Visage album in 29 years. The band's fifth and final album, ''Demons to Diamonds'', was released in 2015, nine months after Strange had died following a heart attack. History First incarnation (1978–1985) Founding members Midge Ure and Rusty Egan started working on Visage to produce music to play at the clu ...
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John Foxx
John Foxx (born Dennis Leigh; 26 September 1948) is an English singer, musician, artist, photographer, graphic designer, writer, teacher and lecturer. He was the original lead singer of the new wave band Ultravox, before leaving to embark on a solo career in 1980 with the album ''Metamatic''. Primarily associated with electronic synthesizer music, he has also pursued a parallel career in graphic design and education. Andy Kellman of AllMusic described Foxx as an influential cult figure whose "detached, jolting vocal style inspired mainstream and underground artists across the decades." Early life and education Leigh was born in Chorley, Lancashire, England. His father was a coal miner and pugilist, his mother a millworker. He attended St Mary's Primary and St Augustine's Secondary schools. During his youth in the 1960s he embraced the lifestyle of a mod and a hippy. He experimented with tape recorders and synthesisers while on a scholarship at the Royal College of Art in Lo ...
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Soft Cell
Soft Cell are an English synthpop duo who came to prominence in the early 1980s. The duo consists of vocalist Marc Almond and instrumentalist David Ball. The band are primarily known for their 1981 hit version of "Tainted Love" and their platinum-selling debut album ''Non-Stop Erotic Cabaret''. In the United Kingdom, Soft Cell had twelve top 40 hits, including "Tainted Love" (number 1), "Torch" (number 2), " Say Hello, Wave Goodbye", "What" (both number 3), and " Bedsitter" (number 4). They also had four top 20 albums between 1981 and 1984. In 1984, the duo split; however, they reformed in 2001 to tour and release a new album. They held a reunion concert in London on 30 September 2018, stating it would be their last live UK performance as a duo but that they may still perform abroad and record together. Soft Cell's songs have been covered by several artists, including David Gray, Coil and Nine Inch Nails. Their track "Memorabilia" earned recognition for the band as pioneer ...
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The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", "(Keep Feeling) Fascination", " The Lebanon", "Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey's leadership, the Human League then evolved into a commercially successful new pop band,Harvel, Jess"Now That's What I Call New Pop!".Pitchfork ...
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Gary Numan
Gary Anthony James Webb (born 8 March 1958), known professionally as Gary Numan, is an English musician. He entered the music industry as frontman of the new wave band Tubeway Army. After releasing two albums with the band, he released his debut solo album '' The Pleasure Principle'' in 1979, topping the UK Albums Chart. While his commercial popularity peaked in the late 1970s and early 1980s with hits including "Are 'Friends' Electric?" and "Cars" (both of which reached number one on the UK Singles Chart), Numan maintains a cult following. He has sold over 10 million records. Numan faced intense hostility from critics and fellow musicians in his early career, but has since come to be regarded as a pioneer of electronic music. He developed a signature sound consisting of heavy synthesiser hooks fed through guitar effects pedals, and is also known for his distinctive voice and androgynous "android" persona. In 2017, he received an Ivor Novello Award, the Inspiration Award, f ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Progressive House
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.Gerard, Morgan; Sidnell, Jack. ''Popular Music and Society'' 24.3 (Fall 2000): 21–39. Etymology In the context of popular music the word "progressive" was first used widely in the 1970s to differentiate experimental forms of rock music from mainstream styles. Such music attempted to explore alternate approaches to rock music production. Some acts also attempted to elevate the aesthetic values of rock music by incorporating features associated with classical instrumental music. This led to a style of music called progressive rock, which has been described as "the most self-consciously arty branch of rock." In disco music, and later house music, a similar desire to separate more exploratory styles from standard approaches saw DJs and producers adopting ...
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