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Electroclash
Electroclash (also known as synthcore, retro-electro, tech-pop, nouveau disco, and the new new wave) is a genre of music that fuses 1980s electro, new wave and synth-pop with 1990s techno, retro-style electropop and electronic dance music. It emerged in the later 1990s and is often thought of as reaching its peak circa 2002/2003. It was pioneered by and associated with acts such as I-F, DJ Hell, Miss Kittin and The Hacker, and Fischerspooner. Terminology and characteristics The term electroclash describes a musical movement that combined synthpop, techno, punk and performance art. The genre was in reaction to the rigid formulations of techno music, putting an emphasis on song writing, showmanship and a sense of humour, and was described by ''The Guardian'' as one of "the two most significant upheavals in recent dance music history". The visual aesthetic of electroclash has been associated with the 1982 cult film ''Liquid Sky''. DJ Hell is widely credited as inventor and name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romo
Romantic Modernism, more commonly known as Romo, was a musical and nightclubbing movement, of glam/style pop lineage, in the UK circa 1995–1997, centred on the twin homes of Camden-based clubnight Club Skinny and its West End clone Arcadia, as well as concerts by the chief associated bands. The Romo movement was essentially a derivation of late-1970s disco and early-1980s club music, with an emphasis on the extroverted sartorial style and decadent air of New Romantic-era bands such as Japan and Soft Cell. Nonetheless, contemporary features in ''Melody Maker'' (where the genre was championed mainly by Simon Price and Taylor Parkes – it was dismissed by the rival ''NME'') tended to downplay the nostalgic connection with New Romantic, emphasising Romo's newness and contemporary relevance. Much championed by the said writers at the ''Melody Maker'' as a stylish and poppy backlash against the dressed-down style and raw sound of the Britpop movement, while variously feted and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Kittin
Caroline Hervé (born 1973), known professionally as Miss Kittin, is a French electronic music producer, DJ, singer, and songwriter. Since rising to prominence in 1998 for her singles "1982" and "Frank Sinatra" with The Hacker, she has worked with other musicians such as Chicks on Speed, Felix da Housecat and Golden Boy. She released her debut solo album '' I Com'' in 2004, a second, '' BatBox'', in 2008, and a third, '' Calling from the Stars'', in 2013. She achieved international popularity with the singles " Rippin Kittin" and " Silver Screen Shower Scene". Life and career 1973–1994: Early life Miss Kittin was born Caroline Hervé in 1973 in Grenoble, a city in the Alps, in southeastern France. Music such as Genesis, Supertramp, Miles Davis, Maria Callas, Pink Floyd and The Beatles became a prominent part of her and her parents' lives. At the age of 6, Hervé often played piano for fun at her grandparents', and reproduced melodies from the radio. Miss Kittin tried takin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (or electro-funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Dance
Alternative dance (also known as indie dance or underground dance in the U.S.) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy in the 1990s. Characteristics AllMusic states that alternative dance mixes the "melodic song structure of alternative and indie rock with electronic beats, synths and/or samples, and club orientation of post-disco dance music". '' The Sacramento Bee'' calls it " postmodern– Eurosynth–technopop– New Wave in a blender". The genre draws heavily on club culture for inspiration while incorporating other styles of music such as electropop, house, and EBM. The performers of alternative dance are closely identified with their music through a signature style, texture, or fusion of specific musical elements. They are usually signed to small record labels. History 1980s� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Hell
Helmut Josef Geier (born 6 September 1962), known professionally as DJ Hell, is a German DJ. Biography 1970s and 1980s DJ Hell described his musical beginnings in an interview with '' The European'', telling them “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.” Hell has worked as a DJ since 1978.„Arbeiter der Nacht“ Interview with sueddeutsche.de, 23.8.2013. Starting in 1983, he began working as a DJ at Club Libella in , Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (or electro-funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fischerspooner NYC 2005
Fischerspooner were an electroclash duo and performance troupe formed in 1998 in Chicago after meeting in school. The name is a combination of the founders' last names, Warren Fischer and Casey Spooner. Career Originally a duo formed by classically trained musician Warren Fischer and video-artist and experimental theater performer Casey Spooner for an impromptu rendition of their makeshift track "Indian Cab Driver" at the Astor Place Starbucks, the group grew to over 20 performers, most of whom are dancers and guest vocalists. "We started as a performance art piece about entertainment that ultimately became legitimate entertainment," said Casey Spooner, when talking about the group's origins in an April 2009 interview. ''#1'' (2001) Their debut album, '' #1'', has been released on several record labels, including International DJ Gigolo, Ministry of Sound and Capitol Records, and includes their hit singles "Sweetness", " Emerge", and a cover of Wire's " the 15th". In the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropop
Electropop is a hybrid music genre combining elements of electronic and pop genres. Writer Hollin Jones has described it as a variant of synth-pop with heavy emphasis on its electronic sound. The genre was developed in the 1980s and saw a revival of popularity and influence in the late 2000s. History Early 1980s During the early 1980s, British artists such as Gary Numan, the Human League, Soft Cell, John Foxx and Visage helped pioneer a new synth-pop style that drew more heavily from electronic music and emphasized primary usage of synthesizers. 21st century Britney Spears' influential fifth studio album '' Blackout'' (2007) incorporated elements of the genre, catapulting electropop to mainstream significance. The media in 2009 ran articles proclaiming a new era of different electropop stars, and indeed the times saw a rise in popularity of several electropop artists. In the Sound of 2009 poll of 130 music experts conducted for the BBC, ten of the top fifteen a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a Music genre, genre of electronic dance music (EDM) which is generally music production, produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central Drum beat, rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor (music), four on the floor beat. Artists may use electronic instruments such as drum machines, sequencer (musical instrument), sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland Corporation, Roland's TR-808 and TR-909 are highly prized, and softsynth, software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbre, timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electropunk
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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