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Elder Brother
''The Elder Brother'' is an early seventeenth-century English stage play, a comedy written by John Fletcher and Philip Massinger. Apparently dating from 1625, it may have been the last play Fletcher worked on before his August 1625 death. Date Both the Prologue and the Epilogue of the play mention Fletcher's passing; the Prologue refers to him as "now dead," indicating, perhaps, a recent event. ''The Elder Brother'' is unusual in the canons of both Fletcher and Massinger in being almost entirely in prose rather than verse. (Only the Prologue, the Epilogue, and a lyric in III,v are in verse; and the Prologue and Epilogue are of uncertain authorship, in this play as in others.) A prose play was logically easier and quicker to compose that a work in verse. It is possible that ''The Elder Brother'' was a "rush job" done in the final weeks and months of Fletcher's life. Performance The early performance history of the play is unknown. The first recorded performance occurred at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humphrey Moseley
Humphrey Moseley (died 31 January 1661) was a prominent London publisher and bookseller in the middle seventeenth century. Life Possibly a son of publisher Samuel Moseley, Humphrey Moseley became a "freeman" (a full member) of the Stationers Company, the guild of London booksellers, on 7 May 1627; he was selected a Warden of the company on 7 July 1659. His shop was located at the sign of the Prince's Arms in St Paul's Churchyard. One of the most productive publishers of his era, Moseley's imprint exists on 314 surviving books. Drama and poetry Moseley is best known for the first Beaumont and Fletcher folio of 1647, which he published in partnership with stationer Humphrey Robinson. Moseley partnered with Robinson on other projects too, and also with Nicholas Fussell (to 1635) and Francis Constable. Moseley issued a range of important Jacobean and Caroline playwrights, including Thomas Middleton, Philip Massinger, James Shirley, Richard Brome, and Sir William D'Avenant. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galileo Galilei
Galileo di Vincenzo Bonaiuti de' Galilei (15 February 1564 – 8 January 1642) was an Italian astronomer, physicist and engineer, sometimes described as a polymath. Commonly referred to as Galileo, his name was pronounced (, ). He was born in the city of Pisa, then part of the Duchy of Florence. Galileo has been called the "father" of observational astronomy, modern physics, the scientific method, and modern science. Galileo studied speed and velocity, gravity and free fall, the principle of relativity, inertia, projectile motion and also worked in applied science and technology, describing the properties of pendulums and "hydrostatic balances". He invented the thermoscope and various military compasses, and used the telescope for scientific observations of celestial objects. His contributions to observational astronomy include telescopic confirmation of the phases of Venus, observation of the four largest satellites of Jupiter, observation of Saturn's rings, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duel
A duel is an arranged engagement in combat between two people, with matched weapons, in accordance with agreed-upon Code duello, rules. During the 17th and 18th centuries (and earlier), duels were mostly single combats fought with swords (the rapier and later the small sword), but beginning in the late 18th century in England, duels were more commonly fought using pistols. Fencing and shooting continued to co-exist throughout the 19th century. The duel was based on a Code of conduct, code of honor. Duels were fought not so much to kill the opponent as to gain "satisfaction", that is, to restore one's honor by demonstrating a willingness to risk one's life for it, and as such the tradition of dueling was originally reserved for the male members of nobility; however, in the modern era, it extended to those of the upper classes generally. On occasion, duels with swords or pistols were fought between women. Legislation against dueling goes back to the medieval period. The Fourth Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primogeniture
Primogeniture ( ) is the right, by law or custom, of the firstborn legitimate child to inherit the parent's entire or main estate in preference to shared inheritance among all or some children, any illegitimate child or any collateral relative. In most contexts, it means the inheritance of the firstborn son (agnatic primogeniture); it can also mean by the firstborn daughter (matrilineal primogeniture). Description The common definition given is also known as male-line primogeniture, the classical form popular in European jurisdictions among others until into the 20th century. In the absence of male-line offspring, variations were expounded to entitle a daughter or a brother or, in the absence of either, to another collateral relative, in a specified order (e.g. male-preference primogeniture, Salic primogeniture, semi-Salic primogeniture). Variations have tempered the traditional, sole-beneficiary, right (such as French appanage) or, in the West since World War II, eliminate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The False One
''The False One'' is a late Jacobean stage play by John Fletcher and Philip Massinger, though formerly placed in the Beaumont and Fletcher canon. It was first published in the first Beaumont and Fletcher folio of 1647. This classical history tells of the meeting and romance of Julius Caesar and Cleopatra, and the betrayal and death of Pompey the Great at the hands of one of his own officers, the "false one" of the title. Date Scholars date the play to the 1619–20 period, partly because of parallels with the political situation in Jacobean era England at the time. It was originally staged by the King's Men; the cast list provided in the second Beaumont and Fletcher folio of 1679 names John Lowin, Joseph Taylor, John Underwood, Nicholas Tooley, Robert Benfield, John Rice, Richard Sharpe, and George Birch. The presence of Taylor, who replaced Richard Burbage after Burbage's death in the spring of 1619, indicates a date after that time. Authorship Given Fletcher's highly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrus Hoy
Cyrus Henry Hoy (February 26, 1926 – April 27, 2010) was an American literary scholar of the English Renaissance stage who taught at the University of Virginia and Vanderbilt University, and was the John B. Trevor Professor of English (emeritus, 1994) at the University of Rochester. He wrote and published on a wide range of topics in English literature, though he is best known for his works on William Shakespeare, Beaumont and Fletcher, and other figures in English Renaissance theatre. Probably his most frequently-cited work is his study of authorship problems in the Beaumont/Fletcher plays. Titled "The Shares of Fletcher and His Collaborators in the Beaumont and Fletcher Canon," it was published in seven annual issues of the journal ''Studies in Bibliography,'' published by the Bibliographical Society of the University of Virginia (1956–62). Hoy identified specific linguistic markers for individual dramatists, most notably a highly distinctive pattern of preferences for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Beaumont
Francis Beaumont ( ; 1584 – 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont's life Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father's footsteps by entering the Inner Temple in London in 1600. Accounts suggest that Beaumont did not work long as a lawyer. He became a student of poet and playwright Ben Jonson; he was also acquainted with Michael Drayton and other poets and dramatists, and decided that was where his passion lay. His first work, ''Salmacis and Hermaphroditu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1679 In Literature
This article contains information about the literary events and publications of 1679. Events *April 30 – John Locke, returning to England from France, moves into Thanet House in London. *June – Nathaniel Lee's play ''The Massacre at Paris'' (about the St. Bartholomew's Day massacre of 1572, as was Christopher Marlowe's play of the same title) is suppressed by King Charles II of England as anti-French, the French being English allies at this time. *August – Thomas Otway returns to England from military service in the Netherlands. *October – Thomas Otway's ''The History and Fall of Caius Marius'', his adaptation of ''Romeo and Juliet'', is written. When performed the following year, it will drive Shakespeare's original off the stage for more than sixty years. *December 18 – Rose Alley ambuscade: John Dryden is set upon by three assailants in London, thought to have been instigated by John Wilmot, 2nd Earl of Rochester in retaliation for an attack on "want of wit" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
