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Ekphrasis
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described, or evoked, may be real or imagined; sometimes it is now hard to tell. Ancient ekphrastic writing can be useful evidence for art historians, especially where paintings are concerned, as virtually no original Greco-Roman examples survive. Ekphrasis has been consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progymnasmata
Progymnasmata (Greek προγυμνάσματα "fore-exercises"; Latin ''praeexercitamina'') are a series of preliminary rhetorical exercises that began in ancient Greece and continued during the Roman Empire. These exercises were implemented by students of rhetoric, who began their schooling between ages twelve and fifteen. The purpose of these exercises was to prepare students for writing declamations after they had completed their education with the grammarians. There are only four surviving handbooks of progymnasmata, attributed to Aelius Theon, Hermogenes of Tarsus, Aphthonius of Antioch, and Nicolaus the Sophist. History Composition was not a primary subject taught in schools until the fifth century B.C. In fact, the term “progymnasmata” first appeared in Chapter 28 of Rhetoric to Alexander, most likely written by Anaximenes of Lampsacus in the late fourth century. This work is preserved alongside those of Aristotle, yet he never mentions the use of preliminary exerc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa, By Leonardo Da Vinci, From C2RMF Retouched
Mona may refer to: People *Mona (name), a female given name, nickname and surname *Mona (Angolan footballer) (born 1997) *Mona, ring name of American wrestler Nora Greenwald Museums *Museum of Nebraska Art, Kearney, Nebraska, US *Museum of Neon Art, Los Angeles, California, United States *Museum of Northwest Art, La Conner, Washington, United States *Museum of Old and New Art, Hobart, Tasmania, Australia Music *Mona (band), a Nashville-located alternative rock band **Mona (album), ''Mona'' (album), released in 2011 *"Mona", a song by James Taylor from his 1985 album ''That's Why I'm Here'' *"Mona", a song by the Beach Boys from their 1977 album ''Love You (The Beach Boys album), Love You'' *''Mona – The Carnivorous Circus'', a 1970 record by The Deviants *"Mona (I Need You Baby)", a 1957 song by Bo Diddley *Mona (opera), ''Mona'' (opera), a 1912 opera by Horatio Parker Places Settlements *Mona, Anglesey, a village on the Welsh island of Anglesey (in the UK) *Mona, Iowa, United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitome
An epitome (; gr, ἐπιτομή, from ἐπιτέμνειν ''epitemnein'' meaning "to cut short") is a summary or miniature form, or an instance that represents a larger reality, also used as a synonym for embodiment. Epitomacy represents "to the degree of." An abridgment differs from an epitome in that an abridgment is made of selected quotations of a larger work; no new writing is composed, as opposed to the epitome, which is an original summation of a work, at least in part. Many documents from the Ancient Greek and Roman worlds survive now only "in epitome," referring to the practice of some later authors (epitomators) who wrote distilled versions of larger works now lost. Some writers attempted to convey the stance and spirit of the original, while others added further details or anecdotes regarding the general subject. As with all secondary historical sources, a different bias not present in the original may creep in. Documents surviving in epitome differ from those su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art in Europe, and at certain periods in Western Asia and Northern Africa. It includes major art movements and periods, national and regional art, genres, revivals, the artists' crafts, and the artists themselves. Art historians attempt to classify medieval art into major periods and styles, often with some difficulty. A generally accepted scheme includes the later phases of Early Christian art, Migration Period art, Byzantine art, Insular art, Pre-Romanesque, Romanesque art, and Gothic art, as well as many other periods within these central styles. In addition, each region, mostly during the period in the process of becoming nations or cultures, had its own distinct artistic style, such as Anglo-Saxon art or Viking art. Medieval art was produced in many media, and works survive in large numbers in sculpture, illuminated manuscripts, stained glass, metalwork and mosaics, all of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style Guide
A style guide or manual of style is a set of standards for the writing, formatting, and design of documents. It is often called a style sheet, although that term also has multiple other meanings. The standards can be applied either for general use, or be required usage for an individual publication, a particular organization, or a specific field. A style guide establishes standard style requirements to improve communication by ensuring consistency both within a document, and across multiple documents. Because practices vary, a style guide may set out standards to be used in areas such as punctuation, capitalization, citing sources, formatting of numbers and dates, table appearance and other areas. The style guide may require certain best practices in writing style, usage, language composition, visual composition, orthography, and typography. For academic and technical documents, a guide may also enforce the best practice in ethics (such as authorship, research ethics, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textbook
A textbook is a book containing a comprehensive compilation of content in a branch of study with the intention of explaining it. Textbooks are produced to meet the needs of educators, usually at educational institutions. Schoolbooks are textbooks and other books used in schools. Today, many textbooks are published in both print and digital formats. History The history of textbooks dates back to ancient civilizations. For example, Ancient Greeks wrote educational texts. The modern textbook has its roots in the mass production made possible by the printing press. Johannes Gutenberg himself may have printed editions of ''Ars Minor'', a schoolbook on Latin grammar by Aelius Donatus. Early textbooks were used by tutors and teachers (e.g. alphabet books), as well as by individuals who taught themselves. The Greek philosopher Socrates lamented the loss of knowledge because the media of transmission were changing. Before the invention of the Greek alphabet 2,500 years ago, knowledge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aelius Festus Aphthonius
Aelius Festus Aphthonius is believed to be the author (otherwise unknown) of a Latin work called ''De metris omnibus'' ("About all the metres") incorporated as part of the ''Ars Grammatica'' of the fourth-century AD Christian writer Gaius Marius Victorinus. The manuscripts of Victorinus's ''Ars Grammatica'' end with the words: ''Aelii Festi Aphthonii V.P. de metris omnibus explicit liber iiii'' ("here ends the 4th book of Aelius Festus Aphthonius's ''de metris omnibus''"). Scholars have taken different views of this. Some, such as Heinrich Keil, the 19th century editor of Marius Victorinus, believed that Victorinus published the work of an earlier writer Aphthonius, to which he added an introduction and an appendix on the metres of Horace Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imagines (work By Philostratus)
''Imagines'' ( grc-gre, Εἰκόνες) are two works in Ancient Greek by two authors, both known as Philostratus, describing and explaining various artworks. The first of these two works called ''Imagines'', consists of two books (one consisting of an introduction and 31 chapters and the other of 34 chapters) are generally attributed to Philostratus of Lemnos, or possibly to his more famous father-in-law Philostratus of Athens. ''Imagines'' ostensibly describes 65 works of art seen by Philostratus in Naples. The entire work is framed in terms of explaining art, its symbols and meaning, to a young audience. The author of the work in the introduction states that the ten-year-old son of his host was the immediate cause of the composition of this work and that the author will structure the book and each of its chapters as if this boy is being addressed. The second ''Imagines'' (consisting of 17 chapters) is by the grandson of Philostratus of Lemnos, known as Philostratus the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philostratus III
Philostratus of Lemnos ( grc-gre, Φιλόστρατος ὁ Λήμνιος; c. 190 – c. 230 AD), also known as Philostratus the Elder to distinguish him from Philostratus the Younger who was also from Lemnos, was a Greek sophist of the Roman Empire, Roman imperial period. He was probably a nephew of the sophist Philostratus of Athens, and is credited with two books formerly attributed to his uncle. Works ''Imagines (work by Philostratus), Eikones'' (, ''Images'' or ''Imagines'') is ostensibly a description of 64 pictures in a Naples, Neapolitan gallery. Johann Wolfgang von Goethe, Goethe, Friedrich Gottlieb Welcker, Welcker, Heinrich Brunn, Brunn, E. Bertrand and Wolfgang Helbig, Helbig, among others, have held that the descriptions are of actually existing works of art, while Christian Gottlob Heyne, Heyne and Friederichs deny this. In any case they are interesting as showing the way in which ancient artists treated mythological and other subjects, and are written with artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedrus (dialogue)
The ''Phaedrus'' (; grc-gre, Φαῖδρος, Phaidros}), written by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. The ''Phaedrus'' was presumably composed around 370 BCE, about the same time as Plato's ''Republic'' and ''Symposium''. Although ostensibly about the topic of love, the discussion in the dialogue revolves around the art of rhetoric and how it should be practiced, and dwells on subjects as diverse as metempsychosis (the Greek tradition of reincarnation) and erotic love. One of the dialogue's central passages is the famous Chariot Allegory, which presents the human soul as composed of a charioteer, a good horse tending upward to the divine, and a bad horse tending downward to material embodiment. Setting Socrates runs into Phaedrus on the outskirts of Athens. Phaedrus has just come from the home of Epicrates of Athens, where Lysias, son of Cephalus, has given a speech on love. Socrates, stating that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socrates
Socrates (; ; –399 BC) was a Greek philosopher from Athens who is credited as the founder of Western philosophy and among the first moral philosophers of the ethical tradition of thought. An enigmatic figure, Socrates authored no texts and is known mainly through the posthumous accounts of classical writers, particularly his students Plato and Xenophon. These accounts are written as dialogues, in which Socrates and his interlocutors examine a subject in the style of question and answer; they gave rise to the Socratic dialogue literary genre. Contradictory accounts of Socrates make a reconstruction of his philosophy nearly impossible, a situation known as the Socratic problem. Socrates was a polarizing figure in Athenian society. In 399 BC, he was accused of impiety and corrupting the youth. After a trial that lasted a day, he was sentenced to death. He spent his last day in prison, refusing offers to help him escape. Plato's dialogues are among the most co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' ( grc, μίμησις, label=none) derives from ''mīmeisthai'' ( grc, μιμεῖσθαι, label=none, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "developm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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