Edward Thomas Daniell
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Edward Thomas Daniell
Edward Thomas Daniell (6 June 180424 September 1842) was an English artist known for his etchings and the landscape paintings he made during an expedition to the Middle East, including Lycia, part of modern-day Turkey. He is associated with the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside. Born in London to wealthy parents, Daniell grew up and was educated in Norwich, where he was taught art by John Crome and Joseph Stannard. After graduating in classics at Balliol College, Oxford, in 1828, he was ordained as a curate at Banham in 1832 and appointed to a curacy at St. Mark's Church, London, in 1834. He became a patron of the arts, and an influential friend of the artist John Linnell. In 1840, after resigning his curacy and leaving England for the Middle East, he travelled to Egypt, Palestine and Syria, and joined the explorer Sir Charles Fellows's archaeolog ...
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John Linnell (painter)
John Linnell (16 June 179220 January 1882) was an English engraver, and portrait and landscape painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with the amateur artist Edward Thomas Daniell, and with William Blake, to whom he introduced the painter and writer Samuel Palmer and others of the Ancients. Life and work John Linnell was born in Bloomsbury, London on 16 June 1792., where his father was a carver and gilder. He was in contact with artists from an early age, and by the age of ten was drawing and selling portraits in chalk and pencil. His first art teacher was the American-born artist Benjamin West, and he spent a year in the house of the painter John Varley, where William Hunt and William Mulready were also pupils, and made the acquaintance of Shelley, Godwin and others. In 1805 he was admitted to study at the Royal Academy, where h ...
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John Crome
John Crome (22 December 176822 April 1821), once known as Old Crome to distinguish him from his artist son John Berney Crome, was an English landscape painter of the Romantic era, one of the principal artists and founding members of the Norwich School of painters. He lived in the English city of Norwich for all his life. Most of his works are of Norfolk landscapes. Crome's work is in the collections of public art galleries, including the Tate Gallery and the Royal Academy in London, and the Castle Museum in Norwich. He produced etchings and taught art. Biography John Crome was born on 22 December 1768 in Norwich, and baptised on 25 December at St George's Church, Tombland, Norwich. He was the son of John Crome, a weaver (who is also described as either an innkeeper or a lodger at a Norwich inn), and his wife Elizabeth. After a period working as an errand boy for a doctor (from the age of 12), he was apprenticed to Francis Whisler, a house, coach and sign painter. At abou ...
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John Sell Cotman
John Sell Cotman (16 May 1782 – 24 July 1842) was an English marine and landscape painter, etcher, illustrator, author and a leading member of the Norwich School of painters. Born in Norwich, the son of a silk merchant and lace dealer, Cotman was educated at the Norwich Grammar School. He showed an early talent for art. It was intended that he followed his father into the family business but, intent on a career in art, he moved to London in 1798, where he met artists such as J. M. W. Turner, Peter de Wint and Thomas Girtin, whose sketching club he joined, and whom he travelled with to Wales and Surrey. By 1800 he was exhibiting at the Royal Academy, showing scenes of the Welsh countryside there in 1801 and 1802. His drawing expeditions took him throughout southern Britain, and to Yorkshire, where he stayed with the Cholmeley family during the three summers of 1803–5. His sons Miles Edmund and John Joseph Cotman became notable painters in their own right. Life Early yea ...
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Gamboge
Gamboge ( , ) is a partially transparent deep saffron to mustard yellow pigment.Other forms and spellings are: cambodia, cambogium, camboge, cambugium, gambaugium, gambogia, gambozia, gamboidea, gambogium, gumbouge, gambouge, gamboge, gambooge, gambugia. (Oxford English Dictionary) It is the traditional colour used to dye Buddhist monks' robes, and Theravada Buddhist monks in particular. Physicist Jean Perrin used this pigment to prove Brownian motion in 1908. Production Gamboge is most often extracted by tapping latex (sometimes incorrectly referred to as sap) from various species of evergreen trees of the family Clusiaceae (also known as Guttiferae). The tree most commonly used is the gamboge tree (genus ''Garcinia''), including '' G. hanburyi'' (Cambodia and Thailand), '' G. morella'' (India and Sri Lanka), and ''G. elliptica'' and ''G. heterandra'' (Myanmar). The orange fruit of ''Garcinia gummi-gutta'' (formerly called ''G. cambogia'') is also known as gamboge or gambooge. ...
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Ultramarine
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ''ultramarinus'', literally 'beyond the sea', because the pigment was imported into Europe from mines in Afghanistan by Italian traders during the 14th and 15th centuries. Ultramarine was the finest and most expensive blue used by Renaissance painters. It was often used for the robes of the Virgin Mary and symbolized holiness and humility. It remained an extremely expensive pigment until a synthetic ultramarine was invented in 1826. Structure The pigment consists primarily of a zeolite-based mineral containing small amounts of polysulfides. It occurs in nature as a proximate component of lapis lazuli containing a blue cubic mineral called lazurite. In the Colour Index International, the pigment of ultramarine is identified as P. Blue 29 77007. The major component of lazurite is a complex sulfur-containing sodium-silicate (Na8–10Al6Si6O24 ...
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Sepia (color)
Sepia is a reddish-brown color, named after the rich brown pigment derived from the ink sac of the common cuttlefish ''Sepia''. The word ''sepia'' is the Latinized form of the Greek σηπία, ''sēpía'', cuttlefish. In the visual arts Sepia ink was commonly used for writing in Greco-Roman civilization. It remained in common use as an artist's drawing material until the 19th century. Grisaille is a painting technique developed in the 14th century in which a painting is rendered solely in tones of gray, sepia, or dark green. In the last quarter of the 18th century, Professor Jacob Seydelmann of Dresden developed a process to extract and produce a concentrated form of sepia for use in watercolors and oil paints. Sepia toning is a chemical process used in photography which changes the appearance of black-and-white prints to brown. The color is now often associated with antique photographs. Most photo graphics software programs and many digital cameras include a sepia tone filte ...
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Watercolours
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyr ...
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Malaria
Malaria is a mosquito-borne infectious disease that affects humans and other animals. Malaria causes symptoms that typically include fever, tiredness, vomiting, and headaches. In severe cases, it can cause jaundice, seizures, coma, or death. Symptoms usually begin ten to fifteen days after being bitten by an infected mosquito. If not properly treated, people may have recurrences of the disease months later. In those who have recently survived an infection, reinfection usually causes milder symptoms. This partial resistance disappears over months to years if the person has no continuing exposure to malaria. Malaria is caused by single-celled microorganisms of the ''Plasmodium'' group. It is spread exclusively through bites of infected ''Anopheles'' mosquitoes. The mosquito bite introduces the parasites from the mosquito's saliva into a person's blood. The parasites travel to the liver where they mature and reproduce. Five species of ''Plasmodium'' can infect and be spread by h ...
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Charles Fellows
Sir Charles Fellows (31 August 1799 – 8 November 1860) was a British archaeologist and explorer, known for his numerous expeditions in what is present-day Turkey. Biography Charles Fellows was born at High Pavement, Nottingham on 31 August 1799, the fifth son of John Fellows, a wealthy silk merchant and banker, and his wife Sarah. When fourteen he drew sketches to illustrate a trip to the ruins of Newstead Abbey, which afterwards appeared on the title-page of Moore's ''Life of Lord Byron''. In 1820 he settled in London, where he became an active member of the British Association. In 1827 he discovered the modern ascent of Mont Blanc. After the death of his mother in 1832 he passed the greater portion of his time in Italy, Greece and the Levant. The numerous sketches he executed were largely used in illustrating ''Childe Harold''. In 1838 he went to Asia Minor, making Smyrna his headquarters. His explorations in the interior and the south led him to districts practically unk ...
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St Mark's, Mayfair
St Mark's, Mayfair, is a Grade I listed building, a former Anglican place of worship in North Audley Street, in the Mayfair district of London. History St Mark's was built in 182528 as a response to the shortage of churches in the area. The population in Mayfair had grown with the demand for town houses by the aristocracy and the wealthy, as they moved in from the country. The building was constructed in the Greek revival style to the designs of John Peter Gandy. Gandy produced most of his work in Neo-classical designs, with St Mark's being one of the finest examples. In 1878 architect Arthur Blomfield made substantial changes to the church interior, introducing a Romanesque open roof structure, wall decoration and architectural detail. The façade, together with the elegant porch, is known as one of the finest in London. The church was listed Grade I in 1958. It was deconsecrated in 1974 and remained empty for many years, being included on English Heritage’s "Buildings at ...
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Banham, Norfolk
Banham is an English village and civil parish in the county of Norfolk, about 7 miles (11 km) north of Diss, 12 miles (19 km) east of Thetford and 20 miles (32 km) south-west of Norwich. It is home to Banham Zoo, a private collection open to the public for more than 40 years, which houses over 2000 animals. The Church of England parish church, dedicated to St Mary the Virgin, is a Grade I listed building. The name of the village derives from "Bean homestead/village", or perhaps "hemmed-in land where beans grow". Population and governance The civil parish has an area of 16.17 km2 and in the 2001 census had a population of 1,443 in 573 households, including for census purposes the neighbouring village of Fersfield. This increased to a population of 1,481 in 603 households at the 2011 Census. For local government, the parish lies in the district of Breckland. Since 2015, the parish has formed part of The Buckenhams and Banham ward, which returns one council ...
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Curate
A curate () is a person who is invested with the ''care'' or ''cure'' (''cura'') ''of souls'' of a parish. In this sense, "curate" means a parish priest; but in English-speaking countries the term ''curate'' is commonly used to describe clergy who are assistants to the parish priest. The duties or office of a curate are called a curacy. Etymology and other terms The term is derived from the Latin ''curatus'' (compare Curator). In other languages, derivations from ''curatus'' may be used differently. In French, the ''curé'' is the chief priest (assisted by a ''vicaire'') of a parish, as is the Italian ''curato'', the Spanish ''cura'', and the Filipino term ''kura paróko'' (which almost always refers to the parish priest), which is derived from Spanish. Catholic Church In the Catholic Church, the English word "curate" is used for a priest assigned to a parish in a position subordinate to that of the parish priest. The parish priest (or often, in the United States, the "pastor ...
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