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Edward Gibbons
Edward Gibbons ( bapt. 21 March 1568 – in or before July 1650) was an English choirmaster and composer of the late Renaissance and early Baroque periods. Born in Cambridge, Gibbons's youth is completely unknown, but he later received degrees from the Universities of Cambridge and Oxford. From 1591/92 to 1598 he worked at King's College, Cambridge, as a lay clerk and choirmaster. During his tenure he married Jane, with whom he had six children. Gibbons's whereabouts the next few years remain uncertain; he may have lived in Acton, Bristol or Exeter, but by 1607 he was the choirmaster of the Exeter Cathedral, where the choristers included Matthew Locke. By 1609 Gibbons received a special dispensation to become a priest vicar, becoming the head of the college of priest-vicars and succentor. Jane died in 1628, and Edward married Mary Bluet; the family was evicted from their home during the English Civil War, but moved to their estate in Dunsford. A few compositions of Gibbons su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exeter Cathedral 9578
Exeter () is a city in Devon, South West England. It is situated on the River Exe, approximately northeast of Plymouth and southwest of Bristol. In Roman Britain, Exeter was established as the base of Legio II Augusta under the personal command of Vespasian. Exeter became a religious centre in the Middle Ages. Exeter Cathedral, founded in the mid 11th century, became Anglican in the 16th-century English Reformation. Exeter became an affluent centre for the wool trade, although by the First World War the city was in decline. After the Second World War, much of the city centre was rebuilt and is now a centre for education, business and tourism in Devon and Cornwall. It is home to two of the constituent campuses of the University of Exeter: Streatham and St Luke's. The administrative area of Exeter has the status of a non-metropolitan district under the administration of the County Council. It is the county town of Devon and home to the headquarters of Devon County Council. A p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Succentor
The succentor ("under-singer") is the assistant to the precentor, typically in an ancient cathedral foundation, helping with the preparation and conduct of the liturgy including psalms, preces and responses. In English cathedrals today, the priest responsible for liturgy and music is usually the precentor, but some cathedrals, such as St Paul's, Southwark Cathedra Durham Cathedral, Durham, and Christ Church, Oxford, retain a succentor as well. Lichfield used the title ''subchanter''. Westminster Abbey also retains the tradition; Brecon Cathedral has only a succentor, and no precentor. The succentor is normally a minor canon. Radley College appears to be unique in having a lay Lay may refer to: Places *Lay Range, a subrange of mountains in British Columbia, Canada *Lay, Loire, a French commune *Lay (river), France *Lay, Iran, a village *Lay, Kansas, United States, an unincorporated community People * Lay (surname) * ... succentor, who is the college organist and assistant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Gibbons
Christopher Gibbons ( bapt. 22 August 1615 – 20 October 1676) was an English composer and organist of the Baroque period. He was the second son, and first surviving child of the composer Orlando Gibbons. Life and career Background Christopher Gibbons was born into an already very musical family, established by his grandfather, William, who was head of the town waits in Oxford and Cambridge. Christopher Gibbons' uncles Edward, Ellis and Ferdinand furthered their family's reputation as successful musicians themselves, with Ellis and Edward becoming composers and the latter receiving a Bachelor of Music from Cambridge and serving as the master of the Choir of King's College, Cambridge. The family's legacy was cemented by Christopher's father, Orlando who became by far the most famous and successful composers and musicians of the family. Early life Christopher Gibbons was born to Orlando and Elizabeth () in Westminster where he was baptized on 22 August 1615 at St Margaret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Gibbons
Orlando Gibbons ( bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's ''oeuvre'' was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods. Gibbons was born into a musical family where his father was a wait, his brothers—Edward, Ellis and Ferdinand—were musicians and Orlando was expected to follow the tradition. It is not known under whom he studied, although it may have been with Edward or Byrd, but he almost certainly studied the keyboard in his youth. Irrespective of his education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Gibbons
Ellis Gibbons ( bapt. 30 November 1573 – 14? May 1603) was an English composer of the late Renaissance who was associated with the English Madrigal School. Born in Cambridge to a musical family, Gibbons was the second surviving son of William Gibbons, a town wait. By 1598 he was known to be living in Cambridge's High ward, and later the Market ward. He owned property in Cambridge and London and probably spent much time there, presumably as a musician of some kind (although this has never been verified). At the age of 28 he became one of only two composers to contribute two pieces to ''The Triumphs of Oriana'', a collection of 25 madrigals published in 1601. These madrigals were ''Long live Oriana'' and ''Round about her ''; modern commentators generally favor the latter. No other compositions by Gibbons survive, and some scholars have doubted his authorship of these works, ascribing them to his brothers. Two months after his mother's death, his career was cut short by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bubonic Plague
Bubonic plague is one of three types of plague caused by the plague bacterium (''Yersinia pestis''). One to seven days after exposure to the bacteria, flu-like symptoms develop. These symptoms include fever, headaches, and vomiting, as well as swollen and painful lymph nodes occurring in the area closest to where the bacteria entered the skin. Acral necrosis, the dark discoloration of skin, is another symptom. Occasionally, swollen lymph nodes, known as "buboes," may break open. The three types of plague are the result of the route of infection: bubonic plague, septicemic plague, and pneumonic plague. Bubonic plague is mainly spread by infected fleas from small animals. It may also result from exposure to the body fluids from a dead plague-infected animal. Mammals such as rabbits, hares, and some cat species are susceptible to bubonic plague, and typically die upon contraction. In the bubonic form of plague, the bacteria enter through the skin through a flea bite and travel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consort Of Instruments
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could be of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era consort music was absorbed into chamber music. Definitions and forms The earliest documented example of the English word 'consort' in a musical sense is in George Gascoigne’s ''The Princelye Pleasures'' (1576). Only from the mid-17th century has there been a clear distinction made between a ''‘whole’, or ‘closed’ consort'', that is, all instruments of the same family (for example, a set of viols played together) and a ''‘mixed’, or ‘broken’ consort'', consisting of instruments from various families (for example viols and lute). Major forms of music composed for consorts inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse Anthem
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir. The organ provided accompaniment in liturgical settings, but viols took the accompaniment outside of the church. In the 'verses', solo voices were expected to ornament their parts for expressive effect. The 'full choir' sections providing contrast in volume and texture. The verse anthems were a major part of the English Reformation due to the use of the vernacular. In addition to this, the use of soloists allowed the text to be expressed more clearly. For the choirmaster they were useful too: the choir only had to learn a small part of the anthem, leaving the hardest passages to a soloist to learn on their own, reducing rehearsal time. Verse anthems developed and were very popular during the early 17th to the middle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prelude (music)
A prelude (german: Präludium or '; la, praeludium; french: prélude; it, preludio) is a short Musical piece, piece of music, the musical form, form of which may vary from piece to piece. While, during the Baroque era, for example, it may have served as an introduction to succeeding movements of a work that were usually longer and more complex, it may also have been a stand-alone piece of work during the Romantic era. It generally features a small number of rhythmic and melodic Motif (music), motifs that recur through the piece. Stylistically, the prelude is improvisatory in nature. The term may also refer to an overture, particularly to those seen in an opera or an oratorio. History The first preludes to be Musical notation, notated were Organ repertoire, organ pieces that were played to introduce church music, the earliest surviving examples being five brief ''praeambula'' in the Ileborgh Tablature of 1448. These were closely followed by freely composed preludes in an Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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